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292.2.1 Patterns in discourseTheorists have criticized ESP practitioners’ former initiatives in GA that eitherstudied text form in a <strong>de</strong>contextualized mo<strong>de</strong> or those that focused on discursiveformations without regard for linguistic features (Fairclough, 1992a). The first ones havebeen blamed for missing the sociolinguistic implications in the use of language (Johns,1993), the latter, for not being able to analyze discourse at all (Halliday, 1985:xvii).Thus new conceptions of genre have att<strong>em</strong>pted to propose a more holistic view ofdiscourse as the language used in association with recurring contexts and functions.In the origin of the discussion about genre, scholars have pointed out theconstraining character of genre over reading and writing activities, as a literaryinstitution that functions as ‘horizons of expectation’ for rea<strong>de</strong>rs, and as ‘mo<strong>de</strong>ls ofwriting’ for authors (Todorov, 1976:163). In that sense, the very existence of a prece<strong>de</strong>ntgenre is seen as a patterning constraint to other textual ex<strong>em</strong>plars to be <strong>de</strong>fined asbelonging to a given class. Different genres are consi<strong>de</strong>red to have patterns of textualand contextual features, i.e., patterns in terms of the use that writers make of language toattain certain communicative purposes and in terms of the situation with which genresare associated.Jamieson (1975) clearly stresses the rhetorical constraints of antece<strong>de</strong>nt genres inmo<strong>de</strong>ling rhetorical communication, discussing how, in facing unprece<strong>de</strong>nted situations,writers mo<strong>de</strong>l their response on prece<strong>de</strong>nt, traditional genre forms. As an example, shecites the papal encyclical of 1978 which, she argues, is mo<strong>de</strong>led after a protocol used inwritten communication during the roman <strong>em</strong>pire. The historical reason given by

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