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universidade federal de santa catarina pós-graduação em letras ...

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32I found that I could not un<strong>de</strong>rstand what constituted an appropriate text in anydiscipline without consi<strong>de</strong>ring the social and intellectual activity which the textwas part in. (Bazerman, 1988:4)In that sense, investigation into aca<strong>de</strong>mic genres essentially <strong>de</strong>pends on theconsi<strong>de</strong>ration of the set of rhetorical actions reoccurring in the discipline. It is thetypification of these rhetorical actions that evoke the classes of texts characterized byregularities in formal el<strong>em</strong>ents.For Miller (1984:159), different genres are used to accomplish ‘typified rhetoricalactions based in recurrent situations’, therefore people recognize similarities amongrecurring situations and thus elaborate representations of typified actions. Thisrepresentation is a social, intersubjective construct based on sch<strong>em</strong>ata of situationspeople build, based on social experience, in terms of pertinent events, participants, andlanguage. This typification of situations calls for typified rhetorical responses thusbecoming what can be called a genre (ibid.:156-57).In his <strong>de</strong>finition of genre as a class of texts, Todorov (1976:162) aggregates formaland functional aspects. He i<strong>de</strong>ntifies ‘text’ and ‘discourse’ as synonymous terms to referto ‘a set of enunciations’ whose interpretation is <strong>de</strong>termined grammatically (by thesentence of the enunciation) and pragmatically (by the speech of the sentence itself).Accordingly GA researchers and teachers have often argued that besi<strong>de</strong>s analyzingcontext (i.e., the recurrent rhetorical situation in which a genre is used), genre theoristsmust study text (i.e., characteristic forms these utterances assume in specific genres)taking into account that both aspects are interconnected in producing meaning and that

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