<strong>Differing</strong> <strong>diversities</strong>allowing their goals to be defined in concrete, precise, and immediate terms, andproviding measures for the enforcement <strong>of</strong> policy objectives through an administrativeframework. Secondly, the law provides a conceptual framework for theexpression <strong>of</strong> the values underlying cultural policy. Legislative action has a directimpact on cultural policy; the consequences <strong>of</strong> legal concepts for the development<strong>of</strong> cultural diversity policies are subtler, but equally powerful.A number <strong>of</strong> different areas <strong>of</strong> law impinge upon cultural diversity issues. For example,human rights and constitutional law provide a legal framework for the protection<strong>of</strong> basic rights and civil liberties, essential for cultural diversity to flourish.Freedom <strong>of</strong> speech, thought, association, and creativity are all potentially implicatedin cultural activities. 1 Cultural diversity is also closely connected to issues <strong>of</strong> minorityrights, such as social attitudes towards immigrants and refugees, or the status <strong>of</strong>established minority groups. Human rights statutes and constitutional laws are fundamentallyconcerned with the protection <strong>of</strong> these types <strong>of</strong> interests. Without thesebasic protections, the maintenance <strong>of</strong> cultural identity and the promotion <strong>of</strong> creativeactivity among vulnerable groups would confront serious difficulties, as individualsand communities become potential victims <strong>of</strong> discrimination.The areas <strong>of</strong> law which are most directly implicated in cultural diversity policiesare the systems <strong>of</strong> law which are explicitly concerned with the regulation <strong>of</strong> cultureitself. These are intellectual property law and cultural property law. Given thecurrent legal climate, the law <strong>of</strong> intellectual property is by far the more significant<strong>of</strong> the two domains for cultural diversity policies. At a conceptual level, the broadscope <strong>of</strong> intellectual property law presents a contrast to cultural property law, as itis concerned with a wide spectrum <strong>of</strong> cultural activity and is not limited to thematerial manifestations <strong>of</strong> culture. In pragmatic terms, intellectual property lawenjoys widespread international recognition and acceptance, and it is strengthenedby powerful administrative and enforcement mechanisms at the national and internationallevels. On the other hand, for both technical and political reasons, the law<strong>of</strong> cultural property remains a contentious area, and is far from enjoying the powerand prestige <strong>of</strong> intellectual property law. 2Within the specialised domain <strong>of</strong> intellectual property rights, patents, trademarks,and copyright all have different kinds <strong>of</strong> implications for cultural diversity. Forexample, pharmaceutical companies have become increasingly interested inseeking patents for drugs which exploit the traditional knowledge <strong>of</strong> indigenouspeoples about the medicinal properties <strong>of</strong> plants. Many indigenous peoples areconcerned about the implications <strong>of</strong> patenting traditional knowledge for the__________1. The interesting concept <strong>of</strong> “freedom <strong>of</strong> creativity” is raised, not surprisingly, in the context <strong>of</strong> post-Communist Russia, by Rakhmilovich (1996: 129, 133).2. Scholarship on cultural property is centrally preoccupied with the international movement <strong>of</strong> art andartefacts, which occurs primarily in the context <strong>of</strong> a highly lucrative, illicit trade. A full consideration<strong>of</strong> the issues involved in the repatriation <strong>of</strong> stolen or illegally-exported cultural property is beyond thescope <strong>of</strong> this paper. For a detailed analysis <strong>of</strong> the dangers to cultural heritage caused by the illicit movement<strong>of</strong> cultural objects, see Prott and O’Keefe, 1984: 11-12. Attempts to curb this trade through theadoption <strong>of</strong> international conventions have been largely unsuccessful, with many scholars generallyattributing their failure to a lack <strong>of</strong> co operation between wealthy, art-market countries, and poor, artsourcecountries. For example, see Caruthers, 1988: 143; Sayre, 1986: 857, 886-889.136
Reasearch position paper 5preservation <strong>of</strong> their cultures, since knowledge <strong>of</strong> the natural environment is anintegral part <strong>of</strong> their values and way <strong>of</strong> life. 1 In an interesting response to the legalforce <strong>of</strong> trademarks, some North American First Nations peoples have attemptedto use trademark principles to further their cultural interests, by claiming trademarkstatus for certain traditional artistic designs. 2Notwithstanding these examples, it is the law <strong>of</strong> copyright which continues todominate the legal treatment <strong>of</strong> culture. Copyright remains the primary focus <strong>of</strong>groups who wish to make use <strong>of</strong> intellectual property principles for the promotion<strong>of</strong> their cultural interests. Accordingly, this analysis <strong>of</strong> the cultural diversity implications<strong>of</strong> intellectual property law will concentrate on copyright law.Copyright accomplishes three basic functions in the cultural domain. First, itmakes the commercialisation <strong>of</strong> cultural activities possible. 3 Secondly, it attemptsto create a system <strong>of</strong> economic and non-economic incentives to encourage artisticand intellectual work. 4 Thirdly and finally, it may be argued that copyright providesa legal framework for the expression <strong>of</strong> the role <strong>of</strong> art and artists in society.It is widely recognised that copyright, through the variety <strong>of</strong> regulatory functionswhich it fulfils, has the potential to serve as a valuable instrument <strong>of</strong> cultural policy.Indeed, copyright law is commonly used to promote culture in a variety <strong>of</strong> differentcultural settings, including not only industrialised countries, but also,diverse developing countries and ex-socialist, “transitional” countries. 5 It is interestingto note that copyright is <strong>of</strong>ten implemented in the most expansive and originalways by the legislators and judges <strong>of</strong> developing countries. 6 The special concerns<strong>of</strong> these countries about the preservation <strong>of</strong> cultural heritage may account fortheir determined exploration <strong>of</strong> copyright’s cultural potential. 7__________1. For an interesting consideration <strong>of</strong> the issues involved, with particular attention to the relationshipbetween intellectual property rights and the Convention on Biological Diversity <strong>of</strong> 1992, see Coombe,1998. Tunney (1998: 336) also draws attention to this issue.2. See Tunney, 1998: 336-337. He emphasises the traditional importance <strong>of</strong> names in indigenous cultures,and the peculiar negative consequences which accordingly flow from their appropriation andmisappropriation. For a concise consideration <strong>of</strong> these issues in relation to Canada’s First Nations peoples,see Vaver, 1997: 280-284.3. See Ploman and Hamilton, 1980: 1. They aptly observe that “copyright is used as a legal mechanismfor the ordering <strong>of</strong> social and cultural life, or, put another way, copyright is one method for linking theworld <strong>of</strong> ideas to the world <strong>of</strong> commerce.”4. Vaver (1997: 1-13) discusses the justifications which are most commonly put forward for intellectualproperty law, including the idea <strong>of</strong> incentives for creative activity. He points out that many <strong>of</strong> thesearguments in favour <strong>of</strong> intellectual property rights tend to be dubious from an empirical point <strong>of</strong> view.See also Reichman, 1996: 642-645; he argues that copyright is properly understood as one element <strong>of</strong>a more comprehensive system <strong>of</strong> cultural policy, and that, “the limits <strong>of</strong> cultural policy must be takeninto account in any effort to expand the rewards and benefits flowing from the exclusive rights thatcopyright law bestows on authors and artists.” (ibid.: 644).5. For example, Ploman and Hamilton (1980: 29-30) draw attention to the cultural policies whichdeveloping countries have attempted to pursue through copyright. They also discuss approaches tocopyright in eastern <strong>Europe</strong>an countries prior to the fall <strong>of</strong> Communism (ibid.: 24-29). Ex-socialistcountries now confront the peculiar difficulty <strong>of</strong> moving from a socialist to a democratic conception <strong>of</strong>authors’ rights in their copyright legislation.6. India provides an interesting example. For a discussion <strong>of</strong> some current copyright cases in India,with a detailed study <strong>of</strong> those involving moral rights, see Dine, 1995.7. Ploman and Hamilton (1980: 207-208) draw attention to the wide acceptance <strong>of</strong> international copyrightby developing countries, and point out that, in view <strong>of</strong> the fact that intellectual property systemsoriginate in western culture, this is a “curious” feature <strong>of</strong> international copyright law.137
- Page 5 and 6:
PrefaceThe present text constitutes
- Page 7:
Part IDiffering diversities:transve
- Page 11 and 12:
The study: background, contextand m
- Page 13 and 14:
Transversal study on the theme of c
- Page 15:
Transversal study on the theme of c
- Page 18:
Differing diversitiesi. new forms o
- Page 23 and 24:
IntroductionTransversal perspective
- Page 25 and 26:
Transversal study on the theme of c
- Page 27 and 28:
The challenge of diversityCulture,
- Page 29 and 30:
Transversal study on the theme of c
- Page 31 and 32:
Transversal study on the theme of c
- Page 33 and 34:
Diversity, citizenship, and cultura
- Page 35 and 36:
Transversal study on the theme of c
- Page 37:
Transversal study on the theme of c
- Page 40 and 41:
Differing diversitieslanguages. The
- Page 42 and 43:
Differing diversitiesprogrammes int
- Page 45 and 46:
Culture, government and diversity:p
- Page 47 and 48:
Transversal study on the theme of c
- Page 49 and 50:
Transversal study on the theme of c
- Page 51 and 52:
Transversal study on the theme of c
- Page 53:
Transversal study on the theme of c
- Page 56 and 57:
Differing diversitiesin the pursuit
- Page 58 and 59:
Differing diversitiesthe need for m
- Page 60 and 61:
Differing diversitiescircumstances
- Page 62 and 63:
Differing diversitiesclasses artist
- Page 64 and 65:
Differing diversitiesMy point, then
- Page 66 and 67:
Differing diversitiesiii. that the
- Page 69:
Transversal study on the theme of c
- Page 73 and 74:
The consequences of European media
- Page 75 and 76:
Reasearch position paper 1and contr
- Page 77 and 78:
Reasearch position paper 1directly
- Page 79 and 80:
Reasearch position paper 1There hav
- Page 81 and 82:
Reasearch position paper 1presence
- Page 83 and 84:
Reasearch position paper 1Strategic
- Page 85 and 86: Reasearch position paper 1New media
- Page 87 and 88: Reasearch position paper 1Blumler,
- Page 89 and 90: Reasearch position paper 1Hoffmann-
- Page 91 and 92: Reasearch position paper 1Pauwels,
- Page 93 and 94: Assessing the implementationof cult
- Page 95 and 96: Reasearch position paper 2tics abou
- Page 97 and 98: Reasearch position paper 2Act (GPRA
- Page 99 and 100: Reasearch position paper 2factually
- Page 101 and 102: Reasearch position paper 2The evalu
- Page 103 and 104: Reasearch position paper 2capacity
- Page 105 and 106: Reasearch position paper 2Luchtenbe
- Page 107 and 108: The cultural policies of the Europe
- Page 109 and 110: Reasearch position paper 3went, wou
- Page 111 and 112: Reasearch position paper 3The histo
- Page 113 and 114: Reasearch position paper 3integrati
- Page 115 and 116: Reasearch position paper 3of differ
- Page 117 and 118: Reasearch position paper 3European
- Page 119 and 120: Reasearch position paper 3voice to
- Page 121: Reasearch position paper 3Howe, Mar
- Page 124 and 125: Differing diversitiesContemporary d
- Page 126 and 127: Differing diversitiesWhereas in the
- Page 128 and 129: Differing diversitiesbuilding on th
- Page 130 and 131: Differing diversitieswhen tackling
- Page 132 and 133: Differing diversitiesand that is pr
- Page 134 and 135: Differing diversitiesSennett, Richa
- Page 138 and 139: Differing diversitiesNevertheless,
- Page 140 and 141: Differing diversitiesgrowth also ex
- Page 142 and 143: Differing diversitiesAt a deeper le
- Page 144 and 145: Differing diversitiesconventional c
- Page 146 and 147: Differing diversitiesworks, and the
- Page 148 and 149: Differing diversitiesNational sover
- Page 150 and 151: Differing diversitiesSimilarly, at
- Page 152 and 153: Differing diversitiesCoombe, Rosema
- Page 154 and 155: Differing diversitiesWoodmansee, Ma
- Page 156 and 157: Differing diversitiesIndeed, which
- Page 158 and 159: Differing diversitiesThe second maj
- Page 160 and 161: Differing diversitiesexample by Hol
- Page 162 and 163: Differing diversitiesincreased broa
- Page 164 and 165: Differing diversities“Black Carib
- Page 166 and 167: Differing diversitiesBunt, Gary, 19
- Page 169 and 170: Preserving cultural diversity throu
- Page 171 and 172: Reasearch position paper 7unique, t
- Page 173 and 174: Reasearch position paper 7legislati
- Page 175 and 176: Reasearch position paper 7appropria
- Page 177 and 178: Reasearch position paper 7Indeed, m
- Page 179 and 180: Reasearch position paper 7- means t
- Page 181 and 182: Reasearch position paper 7cyberspac
- Page 183 and 184: Reasearch position paper 7extended
- Page 185 and 186: Reasearch position paper 7It is rec
- Page 187 and 188:
Reasearch position paper 7lose loca
- Page 189 and 190:
Reasearch position paper 7six proje
- Page 191 and 192:
Reasearch position paper 7and innov
- Page 193 and 194:
Reasearch position paper 7Programme
- Page 195 and 196:
Reasearch position paper 7Reference
- Page 197 and 198:
Reasearch position paper 7Papers on
- Page 199:
Reasearch position paper 7Swaminath
- Page 202:
Sales agents for publications of th