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Tony Bennett, Differing diversities - Council of Europe

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<strong>Differing</strong> <strong>diversities</strong>allowing their goals to be defined in concrete, precise, and immediate terms, andproviding measures for the enforcement <strong>of</strong> policy objectives through an administrativeframework. Secondly, the law provides a conceptual framework for theexpression <strong>of</strong> the values underlying cultural policy. Legislative action has a directimpact on cultural policy; the consequences <strong>of</strong> legal concepts for the development<strong>of</strong> cultural diversity policies are subtler, but equally powerful.A number <strong>of</strong> different areas <strong>of</strong> law impinge upon cultural diversity issues. For example,human rights and constitutional law provide a legal framework for the protection<strong>of</strong> basic rights and civil liberties, essential for cultural diversity to flourish.Freedom <strong>of</strong> speech, thought, association, and creativity are all potentially implicatedin cultural activities. 1 Cultural diversity is also closely connected to issues <strong>of</strong> minorityrights, such as social attitudes towards immigrants and refugees, or the status <strong>of</strong>established minority groups. Human rights statutes and constitutional laws are fundamentallyconcerned with the protection <strong>of</strong> these types <strong>of</strong> interests. Without thesebasic protections, the maintenance <strong>of</strong> cultural identity and the promotion <strong>of</strong> creativeactivity among vulnerable groups would confront serious difficulties, as individualsand communities become potential victims <strong>of</strong> discrimination.The areas <strong>of</strong> law which are most directly implicated in cultural diversity policiesare the systems <strong>of</strong> law which are explicitly concerned with the regulation <strong>of</strong> cultureitself. These are intellectual property law and cultural property law. Given thecurrent legal climate, the law <strong>of</strong> intellectual property is by far the more significant<strong>of</strong> the two domains for cultural diversity policies. At a conceptual level, the broadscope <strong>of</strong> intellectual property law presents a contrast to cultural property law, as itis concerned with a wide spectrum <strong>of</strong> cultural activity and is not limited to thematerial manifestations <strong>of</strong> culture. In pragmatic terms, intellectual property lawenjoys widespread international recognition and acceptance, and it is strengthenedby powerful administrative and enforcement mechanisms at the national and internationallevels. On the other hand, for both technical and political reasons, the law<strong>of</strong> cultural property remains a contentious area, and is far from enjoying the powerand prestige <strong>of</strong> intellectual property law. 2Within the specialised domain <strong>of</strong> intellectual property rights, patents, trademarks,and copyright all have different kinds <strong>of</strong> implications for cultural diversity. Forexample, pharmaceutical companies have become increasingly interested inseeking patents for drugs which exploit the traditional knowledge <strong>of</strong> indigenouspeoples about the medicinal properties <strong>of</strong> plants. Many indigenous peoples areconcerned about the implications <strong>of</strong> patenting traditional knowledge for the__________1. The interesting concept <strong>of</strong> “freedom <strong>of</strong> creativity” is raised, not surprisingly, in the context <strong>of</strong> post-Communist Russia, by Rakhmilovich (1996: 129, 133).2. Scholarship on cultural property is centrally preoccupied with the international movement <strong>of</strong> art andartefacts, which occurs primarily in the context <strong>of</strong> a highly lucrative, illicit trade. A full consideration<strong>of</strong> the issues involved in the repatriation <strong>of</strong> stolen or illegally-exported cultural property is beyond thescope <strong>of</strong> this paper. For a detailed analysis <strong>of</strong> the dangers to cultural heritage caused by the illicit movement<strong>of</strong> cultural objects, see Prott and O’Keefe, 1984: 11-12. Attempts to curb this trade through theadoption <strong>of</strong> international conventions have been largely unsuccessful, with many scholars generallyattributing their failure to a lack <strong>of</strong> co operation between wealthy, art-market countries, and poor, artsourcecountries. For example, see Caruthers, 1988: 143; Sayre, 1986: 857, 886-889.136

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