<strong>Differing</strong> <strong>diversities</strong>“Black Caribbean/Black British” (Sreberny, 1999: 65). The “national imaginary”is a continual space <strong>of</strong> contestation and reinvention, not a fixed, unitary culturalgiven, and broadcasting is a significant site for participation in its liveliness.Thus, policy concerns need to continue to focus in many directions at once. Thereis still a role for national terrestrial channels to make programming provision forethnic minority audiences. There still needs to be a focus on improving representationin front <strong>of</strong> and behind the cameras <strong>of</strong> mainstream media, as well as a morepermeable interface between minority and mainstream media (Husband, 1994:16). The tensions between being represented and representing oneself remainpowerful ones, and terrestrial media still need monitoring.But so too do the new channels. The concern about the construction <strong>of</strong> ethnicmedia ghettos does not preclude support and training in entrepreneurial, technicaland creative skills to help the expanding independent minority ethnic productionsector. It is also very hard to study audience preferences without a fuller understanding<strong>of</strong> the media environments in which minorities live. It would be excellentto have a pan-<strong>Europe</strong>an research project that simply monitors the range <strong>of</strong> channelsand nature <strong>of</strong> minority media productivity.Research understanding would be improved through comparative projects thatexamine the same minority group across a number <strong>of</strong> different national spaces,trying to disentangle the various forms <strong>of</strong> capital that an incoming group bringswith it from the constraints and opportunities that the new host location <strong>of</strong>fers.Longitudinal research, or research that takes the time factor seriously, is alsoneeded. In a limited research environment, snapshots at specific moments in timebecome metonymic for the entire experience <strong>of</strong> the group; projects that activelyexamine changes over time, not anticipating a linear acculturation but ratherexpecting increasing hybridisation and variance, are badly needed. It remainsimportant to locate groups within and to map the rich and complex media and culturalenvironments <strong>of</strong> minorities, instead <strong>of</strong> taking a single medium as the focus <strong>of</strong>attention, and that includes use and availability <strong>of</strong> net-based materials.Comparative policy analysis would also locate media use within a set <strong>of</strong> politicaldiscourses about multiculturalism, and help our understanding <strong>of</strong> the successesand failures <strong>of</strong> different kinds <strong>of</strong> state interventions, licensing, training, etc. Anacademic site that collected research output would be splendid.Further research work needs to hone in more clearly on the assumed functions <strong>of</strong>diasporic media in maintaining and/or reconstructing cultural and social identities.Do they help to maintain linguistic connectivity, or would that happen throughother means? Do they help develop a real diasporic consciousness, an awareness<strong>of</strong> being linked to people like oneself around the world? And what about internaldifferentiation, possibly along lines <strong>of</strong> gender and generation, within the diasporicgroup: how does the trope <strong>of</strong> “community” function here? And is the older focus<strong>of</strong> production toward an “ethnic minority community” giving way to a more commercialmedium for “transnations”, 1 with the same “ethnic” film, soap opera or CD__________1. See Tsagarousianou, 2000.164
Reasearch position paper 6available in Bombay, Leicester, and Toronto; do diasporic media become aeuphemism for non-western media moguls? And do these media help perpetuatethat sense <strong>of</strong> diasporic “similarity” across boundaries against a process <strong>of</strong> slowacculturation toward each different host culture? There are many implied dynamicsand attitudes that are <strong>of</strong>ten not fully articulated in research: making themexplicit and the driving force <strong>of</strong> research would be appropriate.Diasporic media are an expansion <strong>of</strong> the televisual field, and to be welcomed andsupported and developed further. Rather than thinking defensively about the “protection”<strong>of</strong> cultural identities, both those <strong>of</strong> the new minorities now living in<strong>Europe</strong> and that <strong>of</strong> the “national cultural space” into which they are entering, thenotions <strong>of</strong> dynamic cosmopolitanism can give the entire process a more fluid andpositive valence. “Multikulti” might be seen as a real strategy, not reproducing afragmented reinforcement <strong>of</strong> single ethnic identity but actually trying to constructa “cultural living together” (the slogan <strong>of</strong> Radio Multiculti in Berlin, as describedby Vertovec, 2000). Difference could be seen as an interesting invitation; Robinsand Aksoy (2000: 4) provocatively ask what could the possibilities <strong>of</strong> (Turkish)transnational media open up in <strong>Europe</strong>? Given that the latest count is <strong>of</strong> 3 243satellite channels around the world, delight rather than defence against differenceseems to be the order <strong>of</strong> the day. 1 This, <strong>of</strong> course, suggests looking at the changingforce-field <strong>of</strong> the “host culture”, not just at the diasporic media, to see whether,what and how the “new” and “different” is taken up within the <strong>Europe</strong>an culturalspace. Population trends suggest an ageing <strong>Europe</strong>an population that barelyreplenishes itself; many immigrants are young. Media are manifestations <strong>of</strong> muchdeeper global shifts, and can be useful ways toward asking questions that are evenmore significant than the media themselves!We live in an epoch <strong>of</strong> changing spatial imaginaries, or new definitions <strong>of</strong> communitiesas succeeding “generations” create new cultural mixtures and find new ways<strong>of</strong> living. We need a vocabulary that allows for multiple affiliations, “both/and” not“either/or”, and that can cope with heterogeneous cultural environments. I have asense that this area <strong>of</strong> research and theorising is only just beginning.ReferencesAitchison, Cathy, 1999, Tuning in to Diversity, Utrecht: OnLine/More Colour inthe Media.Appadurai, Arjun, 1996, Modernity at Large. Cultural Dimensions <strong>of</strong>Globalisation, Minneapolis: University <strong>of</strong> Minnesota Press.Bulck, Hilde van den and Luc van Poecke, 1996, National language, identity formationand broadcasting: the Flemish and German-Swiss communities, in S.Braman and A. Sreberny-Mohammadi (eds.), Globalization, Communication andTransnational Civil Society, New York: Hampton Press, pp. 157-178.__________1. For more information: (30.07.00).165
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PrefaceThe present text constitutes
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Part IDiffering diversities:transve
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The study: background, contextand m
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Differing diversitiesi. new forms o
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IntroductionTransversal perspective
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The challenge of diversityCulture,
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Diversity, citizenship, and cultura
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Differing diversitieslanguages. The
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Differing diversitiescircumstances
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The consequences of European media
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Assessing the implementationof cult
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The cultural policies of the Europe
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