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Tony Bennett, Differing diversities - Council of Europe

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Transversal study on the theme <strong>of</strong> cultural policy and cultural diversityethnic, racial or religious bases, although the effects <strong>of</strong> this have been largely overriddenby the registration, in 1990, <strong>of</strong> the Movement for Rights and Freedomwhich has since developed into a virtually exclusive vehicle for the politicalmobilisation and representation <strong>of</strong> Bulgarian Turks. The National <strong>Council</strong> onEthnic and Demographic Issues was established in 1998 and has played a key rolein developing and co-ordinating a Framework Programme for the equal integration<strong>of</strong> the Roma/Gypsies into Bulgarian society.Cultural policy and cultural diversityThe place <strong>of</strong> cultural diversity in current Bulgarian cultural policies needs to beseen in the light <strong>of</strong> two overarching imperatives. The first is the pressing need –after the divisions <strong>of</strong> the 1980s, and the collapse <strong>of</strong> communism – to restore aviable sense <strong>of</strong> identity that can recruit broad public support and provide a basisupon which to negotiate the relations between different cultural and ethnic groups.The second is the need to manage the shift toward decentralisation, privatisation,and the introduction <strong>of</strong> market mechanisms into the production and distribution <strong>of</strong>cultural goods and services in place <strong>of</strong> the previous, strongly centrist and directivestructures for cultural policy development that had been established over theperiod since 1945. There has been notable progress in some sectors here: the privatisation<strong>of</strong> the media has proceeded apace, with the rapid growth <strong>of</strong> commercialradio stations and cable television. There are, however, difficulties in a number <strong>of</strong>areas: the devolution <strong>of</strong> responsibilities from the central to the regional, districtand local levels <strong>of</strong> government remains incomplete; there is relatively little experiencein cultural industry development at the local levels <strong>of</strong> government; and thekinds <strong>of</strong> information that are needed for government to assist and regulate theactivities <strong>of</strong> the private sector and the newly-flourishing non-governmental organisations(NGOs) operating in the cultural sphere have yet to be developed. Withinthis context, the national strategy for cultural policy managed by the Ministry <strong>of</strong>Culture embodies a commitment to the freedom <strong>of</strong> expression for all different culturalgroups and communities as well as to providing information on cultural programmesin the languages <strong>of</strong> minority ethnic and religious groups. TheDepartment for Regional Cultural Policy has special responsibilities for the promotion<strong>of</strong> cultural diversity.CanadaMapping diversityAs a colonial settler society, Canada has always been a society <strong>of</strong> immigration and,as such, there has always been a significant fault-line between Canada’s settlerpopulation – mainly <strong>Europe</strong>an in the first instance – and its First Peoples. Thisremains a significant aspect <strong>of</strong> Canada’s diversity, which has become more complexover the post-war period as the major fault-line between the two major groups<strong>of</strong> <strong>Europe</strong>an settlers – those <strong>of</strong> British origin and those <strong>of</strong> French origin – hasdeveloped into a major political division over the issue <strong>of</strong> Quebec separatism. Atthe same time, the changing patterns <strong>of</strong> immigration into Canada have produced37

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