<strong>Differing</strong> <strong>diversities</strong>Coombe, Rosemary J., 1998, Intellectual property, human rights and sovereignty:new dilemmas in international law posed by the recognition <strong>of</strong> indigenous knowledgeand conservation <strong>of</strong> biodiversity, Indiana Journal <strong>of</strong> Global Legal Studies,Vol. 6, No. 1, pp. 59ff.Crews, Kenneth D., 1998, Harmonization and the goals <strong>of</strong> copyright: property rightsor cultural progress? Indiana Journal <strong>of</strong> Global Legal Studies, Vol. 6, pp. 117ff.Dietz, Adolf, 1996, Intellectual property and desocialization in eastern <strong>Europe</strong>,International Review <strong>of</strong> Industrial Property and Copyright Law, Vol. 26, No. 6,pp. 851ff.Dine, Jeffrey M., 1995, Authors’ moral rights in non-<strong>Europe</strong>an nations, studentnote, Michigan Journal <strong>of</strong> International Law, Vol. 16, pp. 545ff.Drahos, Peter, 1999, Intellectual property and human rights, Intellectual PropertyQuarterly, No. 3, pp. 349ff.Dreyfuss, Rochelle C. and Andreas F. Lowenfeld, 1997, Two achievements <strong>of</strong> theUruguay Round: putting TRIPs and dispute settlement together, Virginia Journal<strong>of</strong> International Law, No. 37, pp. 275ff.Elst, Michiel, 1996, The interaction <strong>of</strong> <strong>Europe</strong>an Community and Russian copyrightlaw: a matter <strong>of</strong> partnership and cooperation, Review <strong>of</strong> Central and East<strong>Europe</strong>an Law, Vol. 22, No. 3, pp. 267ff.Ficsor, Mihály, 1983, Le passé, le présent et l’avenir du droit d’auteur dans lespays socialistes européens, Revue Internationale du Droit d’Auteur (RIDA),No. 118, pp. 33ff.Foucault Michel, 1984, What is an author? in P. Rabinow (ed.), The FoucaultReader, New York: Pantheon Books.Franzosi, Mario and Giustino De Sanctis, 1995, Moral rights and new technology:are copyright and patents converging? <strong>Europe</strong>an Intellectual Property Review,Vol. 17, pp. 63ff.Fraser, Stephen, 1996, Berne, CFTA, NAFTA & GATT: the implications <strong>of</strong> copyright“droit moral” and cultural exemptions in international trade law, HastingsCommunications and Entertainment Law Journal, Vol. 18, No. 1, pp. 287ff.Henderson, Elizabeth, 1997, TRIPs and the Third World: the example <strong>of</strong> pharmaceuticalpatents in India, <strong>Europe</strong>an Intellectual Property Review, Vol. 11, pp. 651ff.Housman, Robert F., 1994, Democratizing international trade decision-making,Cornell International Law Journal, Vol. 27, pp. 699ff.Jaszi, Peter, 1992, On the author effect: contemporary copyright and collectivecreativity, Cardozo Arts and Entertainment Law Journal, Vol. 10, No. 2, pp. 293ff.Karel, Petr, 1997, Political, economic, and legal aspects <strong>of</strong> the association <strong>of</strong> theCzech Republic with the <strong>Europe</strong>an Union, Review <strong>of</strong> Central and East <strong>Europe</strong>anLaw, Vol. 23, No. 3, pp. 205ff.152
Reasearch position paper 5Lewinski, Silke von, 1997, Copyright in central and eastern <strong>Europe</strong>: an intellectualproperty metamorphosis, Fordham Intellectual Property, Media andEntertainment Law Journal, Vol. 8, No. 1, pp. 39ff.Lisle, Jacques de, 1999, Lex Americana? United States legal assistance, Americanlegal models, and legal change in the post-Communist world and beyond, University<strong>of</strong> Pennsylvania Journal <strong>of</strong> International Economic Law, Vol. 20, pp. 179ff.McGuigan, Jim, 1996, Culture and the Public Sphere, New York: Routledge.Masouyé, Claude, 1983, La protection des expressions du folklore, RevueInternationale du Droit d’Auteur (RIDA), No. 115, pp. 3ff.Nimmer, David, 1992, Conventional copyright: a morality play, EntertainmentLaw Review, Vol. 3, pp. 94ff.Oddi, A. Samuel, 1987, The international patent system and Third World development:reality or myth? Duke Law Journal, No. 5, pp. 831ff.Pandit, Sneh, 1977, An Approach to the Indian Theory <strong>of</strong> Art and Aesthetics, NewDelhi: Sterling.Ploman, Edward W. and L. Clark Hamilton, 1980, Copyright. IntellectualProperty in the Information Age, London: Routledge.Prott, Lyndel V. and Patrick J. O’Keefe, 1984, Law and the Cultural Heritage,Vol. 3: Movement, Oxford: Pr<strong>of</strong>essional Books.Rakhmilovich, Andrei, 1996, The Constitutional Court <strong>of</strong> the Russian Federation:recent cases on protecting the freedom <strong>of</strong> thought and speech and related matters,Review <strong>of</strong> Central and East <strong>Europe</strong>an Law, Vol. 22, No. 2, pp. 129ff.Rapp, Richard T. and Richard P. Rozek, 1990, Benefits and costs <strong>of</strong> intellectual propertyprotection in developing countries, Journal <strong>of</strong> World Trade, Vol. 24, pp. 75ff.Reichman, J.H., 1996, The duration <strong>of</strong> copyright and the limits <strong>of</strong> cultural policy,Cardozo Arts and Entertainment Law Journal, Vol. 14, No. 3, pp. 625ff.Ricketson, Sam, 1987, The Berne Convention for the Protection <strong>of</strong> Literary andArtistic Works. 1886-1986, London: Centre for Commercial Law Studies, QueenMary College.Sayre, Franklin C., 1986, Cultural property laws in India and Japan, UCLA LawReview, Vol. 33, pp. 851ff.Tunney, James, 1998, EU, IP, indigenous people and the digital age: intersectingcircles? <strong>Europe</strong>an Intellectual Property Review, Vol. 20, pp. 335ff.Vaver, David, 1997, Intellectual Property Law. Copyright, Patents, Trade-Marks,Concord: Irwin Law.–––––, 1999, Moral rights yesterday, today and tomorrow, International Journal<strong>of</strong> Law and Information Technology, Vol. 7, pp. 270ff.153
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PrefaceThe present text constitutes
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Part IDiffering diversities:transve
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The study: background, contextand m
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IntroductionTransversal perspective
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The challenge of diversityCulture,
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Diversity, citizenship, and cultura
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Differing diversitieslanguages. The
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