<strong>Differing</strong> <strong>diversities</strong>Women and mediaFeminist research on the media has its own agenda, but sidelights have also beenshed on the cultural diversity issue. Conclusions are mixed on the possibility <strong>of</strong>overcoming some known media cultural deficits. It still seems that the traditional“mainstream” media and news journalism especially, remain dominated by menand “male” concerns, as conventionally understood (business, formal politics,football, etc.). However the situation is said to have improved compared to twentyyears earlier and there is more diversity <strong>of</strong> representation <strong>of</strong> women in content.Although the employment <strong>of</strong> women in media pr<strong>of</strong>essions is increasing, it is stilldifficult for women to have much influence within the various pr<strong>of</strong>essions. 1However, policies <strong>of</strong> some public broadcasting organisations have favoured theadvancement <strong>of</strong> women.On the other hand, women are gaining more influence because <strong>of</strong> their audiencepower and their role as principal controllers <strong>of</strong> household purchasing decisions(which matters to advertisers). There is also evidence <strong>of</strong> widespread gendering <strong>of</strong>certain television genres and <strong>of</strong> “feminisation” <strong>of</strong> newspaper content (Neveu,1997). Certain sectors <strong>of</strong> the publishing industry (for example, magazines, romanticfiction) as well as <strong>of</strong> television (for example, day-time television) continue toregard women as their chief market and pay attention to their views and needs(Zoonen, 1995). According to Zoonen, the new genres and formats mentionedabove open up new possibilities for female journalists and allow more space forfeminine subjectivity. There are already high hopes that the Internet will open upmany opportunities for women to communicate and inter-communicate, despiteinitial male bias in adoption <strong>of</strong> computer-based technology.Public service broadcasting as agent <strong>of</strong> diversityPublic broadcasting has played a key part, as noted above, in maintaining andextending cultural diversity for all kinds <strong>of</strong> minority interests and tastes (Raboyand Atkinson, 1997). However, research has shown not only an overall decline inaudiences for public broadcasting, and therefore reduced cultural influence, butalso the adoption <strong>of</strong> competitive strategies which relegate cultural goals and programmingto inconvenient hours. There is less room and money for pursuing variouscultural goals.Media ethics in <strong>Europe</strong>One <strong>of</strong> the minor items in the <strong>Europe</strong>an policy discussion has been a discussion <strong>of</strong>the possibility for a <strong>Europe</strong>an “code <strong>of</strong> journalistic ethics” that could be adoptedmore widely by <strong>Europe</strong>an media to strengthen quality and accountability. Thiscould have an important bearing on some diversity issues. Laitila (1995) hasexamined the ethical codes <strong>of</strong> thirty-one <strong>Europe</strong>an codes and found enough similarityto make this a feasible project, given policy support.__________1. See Zoonen, 1994; Gallagher, 1995; Baehr, 1995; <strong>Europe</strong>an Commission, 1999.82
Reasearch position paper 1Strategic directions for researchConceptual clarificationA necessary condition for progress in research (and also policy) in this area is adedicated inquiry into the complexities <strong>of</strong> the many issues that are identified underthe heading <strong>of</strong> “cultural diversity”. The term has been widely used in differentways to refer to many different aspects <strong>of</strong> (a changing) reality and the existingstock <strong>of</strong> ideas, terms, concepts and theories is rich but confusing. Diversity <strong>of</strong>media can take several forms, especially internal versus external and proportionalversus equal or open access. 1 It can relate to different levels <strong>of</strong> social organisationand kinds <strong>of</strong> collectivity (society, community, nation, group, region, etc.). Theinternal cultural diversity <strong>of</strong> most <strong>Europe</strong>an countries is constituted by new as wellas older divisions and identifications (think <strong>of</strong> refugees, ex-colonial citizens,“guest workers”, citizens <strong>of</strong> other <strong>Europe</strong>an Union countries, etc.) Changingmedia also give rise to new modes <strong>of</strong> access, representation and participation.Cultural diversity can (in principle) be “measured” or assessed according tonumerous dimensions and criteria (ethnicity, religion, language, nation, gender,social class, region, aesthetics, media forms etc.). However, compared to earliersituations in which diversity research was carried out, there are now many morepotential cultural divisions that can claim equal recognition. This poses an acuteproblem <strong>of</strong> selection <strong>of</strong> “cultural indicators”.The difficult question <strong>of</strong> the relation between culture and identity needs also to betaken into account. 2 Ideas about cultural identity, autonomy, authenticity are theheart <strong>of</strong> public and policy concerns and need to be clarified on a continuous basis,because <strong>of</strong> the pace <strong>of</strong> globalisation and <strong>of</strong> other changes. It is also pertinent tomention debates and research around the notion <strong>of</strong> media and cultural “quality”,which have not diminished in intensity and relevance even in this postmodernage. 3The conceptual work referred to does not have to be done again from the beginningbut it needs to be kept under continuous review and adapted to new situations.Turning to more empirical matters, there are numerous lines <strong>of</strong> research that meritcontinuation or initiation. It is not easy to assign priorities or orders <strong>of</strong> importance,but the agenda that follows is influenced by certain assumptions about trends andforces at work in the cultural-media landscape and about gaps in deficiencies inwhat we know.Media concentrationThere is reason to think that processes <strong>of</strong> concentration at the level <strong>of</strong> ownershipare likely to accelerate in global media markets which will affect <strong>Europe</strong>an mediadirectly and indirectly, especially as digital television and Internet develop further__________1. See McQuail and Cuilenburg, 1983.2. See, for instance, Schlesinger, 1987 and 2000.3. See Ishikawa, 1996; Rosengren, Carlsson and Tågerud, 1991.83
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PrefaceThe present text constitutes
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Part IDiffering diversities:transve
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The study: background, contextand m
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Differing diversitiesi. new forms o
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IntroductionTransversal perspective
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The challenge of diversityCulture,
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