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Tony Bennett, Differing diversities - Council of Europe

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The consequences <strong>of</strong> <strong>Europe</strong>an media policiesand organisational structuresfor cultural diversityResearch position paper 1By Denis McQuailPr<strong>of</strong>essor emeritusUniversity <strong>of</strong> AmsterdamIntroduction: on cultural diversity and media policyDiversity has long been an important goal <strong>of</strong> media policy and a criterion for evaluatingmedia performance in many countries, although <strong>of</strong>ten under other namessuch as pluriformity, pluralism or multiculturalism. Its origins are generally to befound in democratic social theory and in the critique <strong>of</strong> media monopoly, especiallyin the years after the second world war, when most <strong>Europe</strong>an press systemswere threatened by a strong wave <strong>of</strong> newspaper press concentration. Initiallydiversity was mainly interpreted in political terms, because press monopolytended to favour conservative or “bourgeois” parties. 1 Another impetus was giventowards the promotion <strong>of</strong> diversity as a value by the institution <strong>of</strong> public broadcasting.In many countries, public broadcasting was explicitly required to representthe diversity <strong>of</strong> the national society according to a number <strong>of</strong> dimensions. 2Moreover, the promotion and protection <strong>of</strong> diversity came to be seen as a primaryjustification <strong>of</strong> the broadcasting monopoly. According to H<strong>of</strong>fmann-Riem (1987),“the public service philosophy <strong>of</strong> broadcasting (…) is oriented towards the accessibility<strong>of</strong> pluralistic information for citizens and society rather than the freedom<strong>of</strong> communicators.” When commercial television was introduced in much <strong>of</strong><strong>Europe</strong>, there was much emphasis on cultural diversity in national licensingconditions.Media systems in <strong>Europe</strong> are <strong>of</strong>ten rooted in certain historic cultural divisions.This is evident in countries such as Belgium and Switzerland which have quiteseparate media for the different language communities, and also in countries withstill flourishing (regional) minority languages (and cultures), such as Spain or theUnited Kingdom. Elsewhere, the ideal <strong>of</strong> “media cultural diversity” was supportedon grounds <strong>of</strong> political, religious and local/regional divisions. The Netherlands isan example <strong>of</strong> a historically “pillarised” national society, with a vertical politicalreligiousstratification reflected in social life and in media policy and structure.__________1. See Picard, 1985.2. See H<strong>of</strong>fmann-Riem, 1996.73

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