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A Concise Encyclopedia of Hinduism Klaus K Klostermaie

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99 kriyä<br />

Indian kingdom. There also was a gradation<br />

among kings: a ‘great king’<br />

(mahäräja or räjädiräja) usually had<br />

several lesser kings (räjas) as vassals.<br />

(See also CÄŒAKYA.)<br />

kinnaras, also kimpurusas<br />

(‘what men?’)<br />

Mythical beings with human bodies and<br />

horses’ heads, celestial musicians and<br />

dancers, who live in KUBERA’s paradise.<br />

kïrtaæa<br />

Praising, singing, usually in the context<br />

<strong>of</strong> religious worship, mainly <strong>of</strong><br />

Vi•æu–Kø•æa.<br />

kleÿa (‘affliction’)<br />

Used generally and also specifically in<br />

the YOGA SÜTRAS to identify the motive<br />

for seeking LIBERATION.<br />

early Indian history, editor <strong>of</strong><br />

BHARTØHARI’s Ÿatakatraya.<br />

Kotai<br />

See ANfiÄL.<br />

krama-päflha<br />

A special way <strong>of</strong> reading the Veda, in<br />

which every word is read twice, first<br />

combined with the preceding word, and<br />

then with the following.<br />

Kramrisch, Stella (1898–1996)<br />

Austrian-born scholar specializing in<br />

Indian art and architecture, author <strong>of</strong><br />

The Hindu Temple (1949), and <strong>of</strong> many<br />

groundbreaking essays: The Presence <strong>of</strong><br />

Ÿiva (1981), for many years curator <strong>of</strong><br />

the Museum for Indian art in<br />

Philadelphia. She influenced a whole<br />

generation <strong>of</strong> Indian art historians.<br />

knowledge<br />

See JÑÄNA; VIDYÄ.<br />

Koil Olugu (‘temple history’)<br />

Tamil chronicle <strong>of</strong> ŸRÏRA¢GAM, describing<br />

the vicissitudes <strong>of</strong> that famous temple<br />

since the Middle Ages. It is an<br />

important source for the history <strong>of</strong><br />

ŸRÏVAIÆŒAVISM.<br />

Konärka<br />

Also known as the ‘Black Pagoda’, a<br />

13th-century Sun temple on the shores<br />

<strong>of</strong> the Bay <strong>of</strong> Bengal, in Orissa, famous<br />

for its architecture (it is conceived as the<br />

gigantic chariot <strong>of</strong> the sun, drawn by<br />

seven horses) and its erotic sculpture,<br />

probably connected with tantric cults.<br />

Kosambi, Damodar<br />

Dharmanand (1907–66)<br />

Mathematician, author <strong>of</strong> works on<br />

Krishna Prem (1898–1965)<br />

Born Ronald Nixon in Britain, he was<br />

initiated as a Vai•æava VAIRÄGI and lived<br />

and taught at a small ashram in Almora.<br />

He wrote several popular books on<br />

Vai•æavism and became well known in<br />

India.<br />

Krishnamurti, Jiddu<br />

(1895–1990)<br />

Educated at ADYAR by Annie BESANT,<br />

who expected him to be the AVATÄRA <strong>of</strong><br />

the 20th century, he dissociated himself<br />

from the Theosophical Society and<br />

became a popular speaker and writer on<br />

spirituality in his own right, claiming<br />

not to follow any system. Among his<br />

works are Immortal Friend, Life, the<br />

Goal and The Awakening <strong>of</strong><br />

Intelligence.<br />

kriyä<br />

(‘[ritual] action’)<br />

Personified as a child <strong>of</strong> Dharma.

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