A Concise Encyclopedia of Hinduism Klaus K Klostermaie
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I<br />
icchä<br />
(‘desire’, ‘wish’)<br />
This usually has a negative connotation<br />
as longing for some finite object and<br />
therefore a hindrance to the ultimate<br />
end, which requires desirelessness.<br />
Ïõä, also Ïlä<br />
Subject <strong>of</strong> a number <strong>of</strong> different stories<br />
concerning sex-change either from male<br />
to female, or female to male.<br />
ignorance<br />
See AVIDYÄ.<br />
Ïk•väku (1)<br />
Son <strong>of</strong> MANU (2) Vaivasvata, descended<br />
from the sun, founder <strong>of</strong> the solar race,<br />
who reigned in Ayodhyä in the TRETA<br />
YUGA. He had a hundred sons.<br />
Ïk•väku (2)<br />
Founder <strong>of</strong> the dynasty <strong>of</strong> the Purus.<br />
Ïk•väku (3)<br />
Dynasty that ruled in both North India<br />
(Koÿala), and South India (Madupüra)<br />
as well as in Ÿrï Laöka.<br />
Illakumi<br />
Tamil name <strong>of</strong> goddess LAKÆMÏ, also<br />
known as Tiru (ŸRÏ).<br />
image<br />
(mürti, lit. ‘embodiment [<strong>of</strong> God]’)<br />
Usually a three-dimensional representation<br />
<strong>of</strong> a specific deity according to an<br />
established canon. Worship requires an<br />
image <strong>of</strong> some kind, conceived as the<br />
presence <strong>of</strong> the deity. Image making is<br />
governed by a set <strong>of</strong> rules that determines<br />
the material, the way the deity is<br />
to be represented, the paraphernalia<br />
given to it. A human-made image<br />
becomes a vessel for the presence <strong>of</strong><br />
God through the act <strong>of</strong> consecration<br />
(prati•flhäpana, abhi•eka); either permanently<br />
or for the duration <strong>of</strong> the time <strong>of</strong><br />
worship. Non-human-made images are<br />
those that have been found, usually<br />
revealed in a dream which do not need<br />
a special act <strong>of</strong> consecration. If an image<br />
suffers major damage, it can no longer<br />
serve as an object <strong>of</strong> worship. Hindu<br />
temples are primarily homes for the<br />
images <strong>of</strong> gods, whose worship consists<br />
in caring for the needs <strong>of</strong> the deity by<br />
bathing, feeding, clothing and fanning<br />
it. Most Hindu homes keep images <strong>of</strong><br />
gods and regular worship is performed<br />
before them.<br />
immortality<br />
The search for immortality is a major<br />
theme in Hindu mythology. When the<br />
gods and the demons churned the ocean<br />
at the beginning <strong>of</strong> time, one <strong>of</strong> the most<br />
prized items that emerged was a pot