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A Concise Encyclopedia of Hinduism Klaus K Klostermaie

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I<br />

icchä<br />

(‘desire’, ‘wish’)<br />

This usually has a negative connotation<br />

as longing for some finite object and<br />

therefore a hindrance to the ultimate<br />

end, which requires desirelessness.<br />

Ïõä, also Ïlä<br />

Subject <strong>of</strong> a number <strong>of</strong> different stories<br />

concerning sex-change either from male<br />

to female, or female to male.<br />

ignorance<br />

See AVIDYÄ.<br />

Ïk•väku (1)<br />

Son <strong>of</strong> MANU (2) Vaivasvata, descended<br />

from the sun, founder <strong>of</strong> the solar race,<br />

who reigned in Ayodhyä in the TRETA<br />

YUGA. He had a hundred sons.<br />

Ïk•väku (2)<br />

Founder <strong>of</strong> the dynasty <strong>of</strong> the Purus.<br />

Ïk•väku (3)<br />

Dynasty that ruled in both North India<br />

(Koÿala), and South India (Madupüra)<br />

as well as in Ÿrï Laöka.<br />

Illakumi<br />

Tamil name <strong>of</strong> goddess LAKÆMÏ, also<br />

known as Tiru (ŸRÏ).<br />

image<br />

(mürti, lit. ‘embodiment [<strong>of</strong> God]’)<br />

Usually a three-dimensional representation<br />

<strong>of</strong> a specific deity according to an<br />

established canon. Worship requires an<br />

image <strong>of</strong> some kind, conceived as the<br />

presence <strong>of</strong> the deity. Image making is<br />

governed by a set <strong>of</strong> rules that determines<br />

the material, the way the deity is<br />

to be represented, the paraphernalia<br />

given to it. A human-made image<br />

becomes a vessel for the presence <strong>of</strong><br />

God through the act <strong>of</strong> consecration<br />

(prati•flhäpana, abhi•eka); either permanently<br />

or for the duration <strong>of</strong> the time <strong>of</strong><br />

worship. Non-human-made images are<br />

those that have been found, usually<br />

revealed in a dream which do not need<br />

a special act <strong>of</strong> consecration. If an image<br />

suffers major damage, it can no longer<br />

serve as an object <strong>of</strong> worship. Hindu<br />

temples are primarily homes for the<br />

images <strong>of</strong> gods, whose worship consists<br />

in caring for the needs <strong>of</strong> the deity by<br />

bathing, feeding, clothing and fanning<br />

it. Most Hindu homes keep images <strong>of</strong><br />

gods and regular worship is performed<br />

before them.<br />

immortality<br />

The search for immortality is a major<br />

theme in Hindu mythology. When the<br />

gods and the demons churned the ocean<br />

at the beginning <strong>of</strong> time, one <strong>of</strong> the most<br />

prized items that emerged was a pot

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