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A Concise Encyclopedia of Hinduism Klaus K Klostermaie

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vïrya 204<br />

contentment, ritual actions, study, making<br />

the Lord the motive <strong>of</strong> one’s actions)<br />

as listed in Patañjali’s Yogasütra, as<br />

preparation for higher meditation.<br />

Specific virtues are enjoined on members<br />

<strong>of</strong> particular saƒpradäyas (sects), such as<br />

fasting on specific days, observing feasts,<br />

contributing to temple worship etc.<br />

vïrya (‘strength’)<br />

One <strong>of</strong> the attributes <strong>of</strong> Vi•æu, according<br />

to RÄMÄNUJA.<br />

Viÿi•flädvaita<br />

The interpretation <strong>of</strong> VEDÄNTA developed<br />

by RÄMÄNUJA and his followers, in<br />

opposition to ŸA¢KARA’s Advaita.<br />

While maintaining the ultimate oneness<br />

<strong>of</strong> all reality, Rämänuja postulates a<br />

multiplicity <strong>of</strong> real beings: the world <strong>of</strong><br />

material things as well as that <strong>of</strong> living<br />

beings, in addition to BRAHMAN, identical<br />

with Vi•æu. The universe is seen as<br />

God’s body. As a consequence both the<br />

way to salvation and the ultimate end<br />

are conceived differently from Ÿaökara’s<br />

Advaita: for Rämänuja human effort<br />

aided by divine grace is required, and<br />

the final state is not one <strong>of</strong> complete dissolution<br />

<strong>of</strong> individual existence but one<br />

<strong>of</strong> eternal companionship with Vi•æu<br />

together with all the released.<br />

Vi•æu (‘the all-pervader’)<br />

He appears in the Øgveda as INDRA’s<br />

younger brother, but emerges in epics<br />

and Puräæas as the Supreme Being, with<br />

the largest numerical following. He is<br />

usually shown together with his consort<br />

Ÿrï or LAKÆMÏ. He is essentially a saviour<br />

god, called muktidätä. His worship is<br />

joyous and <strong>of</strong>ten emotional.<br />

Pictorially he is represented as having<br />

a dark blue body, with four arms, holding<br />

cakra (a discus, sign <strong>of</strong> world-power,<br />

called Sudarÿana), gada (a mace, called<br />

Kaumodakï), padma (a lotus), and<br />

ÿaöka (a conch, called Pañca-janya). On<br />

his breast is the curl called Ÿrïvatsa and<br />

Vi•æu.<br />

the jewel Kaustubha, on his wrist he<br />

wears the jewel Syamantaka. Usually he<br />

is represented standing or seated on a<br />

lotus, with Lak•mï beside him. In some<br />

temples he is also pictured lying on the<br />

coils <strong>of</strong> ŸEÆA, the world snake, who represents<br />

eternity. His VAHANA (vehicle) is<br />

GARU¥A.<br />

He is worshipped in a litany <strong>of</strong> thousand<br />

names (sahasranäma). His most<br />

popular names are Acyuta (‘unfallen’),<br />

Ananta (‘infinite’), Caturbhuja (‘fourarmed’),<br />

Hari, Hø•ïkeÿa (‘Lord <strong>of</strong> the<br />

sense organs’), Janärdana (‘worshipped<br />

by men’), Keÿava (‘the radiant’),<br />

Lak•mïpati (‘husband <strong>of</strong> Lak•mï),<br />

Madhusüdana (‘destroyer <strong>of</strong> the demon<br />

Madhu’), Nära, Näräyana, Pitäƒbara<br />

(‘clothed in yellow’), Puru•ottama (‘the<br />

supreme person’), Vaikuntanäflha (‘lord<br />

<strong>of</strong> heaven’), Yajñeÿvara (‘lord <strong>of</strong> sacrifice).<br />

Since KØÆŒA is considered by his<br />

followers not just as an avatära <strong>of</strong> Vi•æu<br />

but Vi•æu appearing as such (svayam<br />

bhagavän), the titles <strong>of</strong> Vi•æu and Kø•æa<br />

are <strong>of</strong>ten used interchangeably.

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