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A Concise Encyclopedia of Hinduism Klaus K Klostermaie

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word 210<br />

books on Tantric <strong>Hinduism</strong>, until then<br />

all but unknown in the West. Among<br />

his best-known works are Introduction<br />

to Tantra Ÿästra, Principles <strong>of</strong> Tantra,<br />

Maha-nirväæa-tantra, Wave <strong>of</strong> Bliss,<br />

Ÿakti and Ÿakta and The World as Power.<br />

word<br />

From early on Hindus were conscious <strong>of</strong><br />

the importance <strong>of</strong> the word and its<br />

power; the entire Veda is testimony to<br />

this in a general way and some <strong>of</strong> its süktas<br />

(hymns), especially the Väksükta,<br />

explicitly affirm the creative power <strong>of</strong> the<br />

word through which everything has been<br />

made and everything is sustained. The<br />

power <strong>of</strong> the brahmins rested entirely on<br />

the power <strong>of</strong> the word, whose custodians<br />

they were. The continued interest <strong>of</strong><br />

Hindus in language and grammar is evidenced<br />

by a long tradition in these disciplines<br />

and works <strong>of</strong> lasting value such as<br />

PÄŒINÏ’s Astädhyayï and BHARTØHARI’s<br />

Väkyapadïya. (See also LANGUAGE;<br />

ŸABDA.)<br />

world egg (bramäæõa)<br />

The tradition that the universe evolved<br />

out <strong>of</strong> a primordial egg is found in many<br />

different versions. The Vedas speak <strong>of</strong> a<br />

world egg floating on the primordial<br />

ocean and giving birth to various creatures.<br />

The first being to come forth from<br />

the world egg was Viÿvakarma, the<br />

Vedic creator god. In Manu’s account<br />

<strong>of</strong> creation the desire <strong>of</strong> Svayambhü<br />

Bhagavän appeared as a golden egg<br />

shining with the brilliance <strong>of</strong> a thousand<br />

suns. From it issued BRAHMÄ, the creator<br />

god. Remaining in the shape <strong>of</strong> an<br />

egg for a full year, he divided himself<br />

through the power <strong>of</strong> meditation into<br />

two halves out <strong>of</strong> which were fashioned<br />

heaven and earth. Puräæic cosmography<br />

describes the universe as being contained<br />

within the shell <strong>of</strong> the world egg<br />

(aæõakaflaha), whose diameter is calculated<br />

at 500 million yojanas.<br />

worship<br />

The various Sanskrit terms translated<br />

by ‘worship’, such as yajña, püjä,<br />

upäsana, and others, indicate varieties<br />

<strong>of</strong> worship that evolved throughout the<br />

ages. In Vedic times SACRIFICE (yajña)<br />

was the most comprehensive term,<br />

encompassing public and domestic rituals,<br />

from the <strong>of</strong>fering <strong>of</strong> hundreds <strong>of</strong><br />

cattle to the burning <strong>of</strong> a stick <strong>of</strong> firewood.<br />

When theistic religions developed,<br />

PÜJÄ, the <strong>of</strong>fering <strong>of</strong> flowers, fruit<br />

and incense in a formal or informal setting,<br />

became the predominant form <strong>of</strong><br />

worship. Upäsana is the most generic<br />

expression, encompassing both outwardly<br />

visible ritual worship as well as<br />

interior acts <strong>of</strong> devotion, meditation<br />

and self-surrender. Usually Hindus distinguish<br />

between acts <strong>of</strong> worship that<br />

are mandatory (nitya) and those that<br />

are optional (naimittika). Overall, worship<br />

in some form or other is typical for<br />

<strong>Hinduism</strong> and the great variety <strong>of</strong> forms<br />

as well as the lavishness <strong>of</strong> execution<br />

especially in connection with temple<br />

festivals is quite unique.

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