A Concise Encyclopedia of Hinduism Klaus K Klostermaie
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189 twice-born<br />
tri-varga (2)<br />
Three conditions: loss, stability and<br />
increase.<br />
tri-varga (3)<br />
The three qualities <strong>of</strong> nature: sattva,<br />
rajas, tamas.<br />
tri-varga (4)<br />
The three higher VARŒAS: Brähmaæas,<br />
K•atriyas and Vaiÿyas.<br />
Tri-vikrama<br />
A name <strong>of</strong> VIÆŒU, referring to the three<br />
strides he took at BALI’s sacrifice.<br />
truth<br />
The Sanskrit word satya means both<br />
truth and reality; it is the central notion<br />
<strong>of</strong> Hindu ethics and philosophy/theology.<br />
Truthfulness is the highest and most<br />
inclusive virtue; the search for reality –<br />
satyasya satya, ‘the reality <strong>of</strong> the real,<br />
the truth <strong>of</strong> truth’ – is the ultimate aim<br />
<strong>of</strong> VEDÄNTA. The ‘golden age’ <strong>of</strong><br />
humankind was called satyayuga, the<br />
age <strong>of</strong> truth when people were honest<br />
and did not need any laws. In Hindu<br />
philosophy much effort was spent on<br />
definining criteria for truth (PRAMÄŒAS).<br />
SAMNYÄSA is meant to be an uncompromising<br />
search for truth/reality not hindered<br />
by the necessities <strong>of</strong> conventions<br />
and the burden <strong>of</strong> everyday occupations.<br />
Mahatma GANDHI prided himself in<br />
reversing the adage ‘God is Truth’ into<br />
‘Truth is God’ and he called his political<br />
method satyägraha, ‘truth- grasping’. His<br />
autobiography bears the title My<br />
Experiments with Truth. The Indian<br />
government adopted the Upani•adic formula<br />
satyam eva jayate (Truth will be<br />
victorious) as the crest on its <strong>of</strong>ficial seal.<br />
Tukäräm(a) (1608–49)<br />
Mahratta poet-saint. Born into a ŸÜDRA<br />
family in Dehu, near Pune, he grew up<br />
in a family that worshipped VIfiHOBA<br />
(Vi•æu). Neglecting his family business,<br />
he spent his days composing abhaögs<br />
(songs) in the temple. His life is surrounded<br />
by many miraculous events.<br />
He is one <strong>of</strong> the most popular <strong>of</strong> all<br />
poet-saints, and his memory is kept<br />
alive by the Värkarïs, a group <strong>of</strong> devotees<br />
<strong>of</strong> Viflhoba at Dehu, who meet<br />
every fortnight to spend hours singing<br />
Tukäräm’s abhaögs.<br />
tulasï<br />
The sacred basil, a shrub identified with<br />
the presence <strong>of</strong> Vi•æu, kept by each<br />
pious VAIÆŒAVA household in a pot,<br />
worshipped and used in rituals. Beads<br />
made from its wood (tulsïmälä) are<br />
worn by many Vai•æavas around the<br />
arm and neck, and also carried along to<br />
count JAPA <strong>of</strong> the holy names.<br />
Tul(a)sïdäs(a) (1511–1637)<br />
(‘servant <strong>of</strong> the tulasï’)<br />
Celebrated author <strong>of</strong> the Rämcaritmanas,<br />
a Hindï (Avadhï) recreation <strong>of</strong><br />
the Rämäyaæa, which has become the<br />
most popular religious book <strong>of</strong> North<br />
India, and <strong>of</strong> many hymns and poems<br />
celebrating the greatness <strong>of</strong> Räma.<br />
turïya (‘the fourth [state]’)<br />
A designation <strong>of</strong> the highest stage <strong>of</strong><br />
CONSCIOUSNESS, when subject–object<br />
duality disappears.<br />
Tvastø<br />
In the Øgveda he is the ideal artist and<br />
artisan, manufacturer <strong>of</strong> many wonderful<br />
contraptions, nourisher <strong>of</strong> all beings.<br />
His son Viÿvarüpa, three-headed and<br />
six-eyed, became an enemy <strong>of</strong> Indra and<br />
was killed by him. In the Puräæas Tvastø<br />
is identified with VIŸVAKARMA (2), the<br />
architect <strong>of</strong> the gods.<br />
twice-born<br />
See DVIJÄTI.