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A Concise Encyclopedia of Hinduism Klaus K Klostermaie

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83 hymns<br />

birth <strong>of</strong> a child, entering the precise<br />

astronomical coordinates. All important<br />

events in the life <strong>of</strong> a person are decided<br />

upon after consultation <strong>of</strong> the horoscope.<br />

(See also ASTROLOGY.)<br />

hospitality<br />

Offering a meal or shelter for the night<br />

to a stranger who asked for it was one<br />

<strong>of</strong> the traditional duties <strong>of</strong> a Hindu. If a<br />

person was refused hospitality he could<br />

‘unload’ his sins on the unwilling host.<br />

Hospitality was especially important<br />

towards brahmins and SAMNYÄSIS. On<br />

the other hand, hospitality was not to<br />

be abused, and strict limits were set.<br />

Hindu literature is full <strong>of</strong> stories about<br />

hospitality refused and punishments following,<br />

as well as about poor people<br />

sacrificing their last possessions for a<br />

guest, who turns out to be God in the<br />

guise <strong>of</strong> a poor man (daridra Näräyaæa)<br />

who amply rewards his hosts. (See also<br />

ATITHI.)<br />

hotø<br />

A Vedic priest whose task it was to<br />

recite the hymns <strong>of</strong> the Øgveda.<br />

Hoyÿalas<br />

Dynasty <strong>of</strong> rulers in Karæätaka<br />

(1006–1346), great warriors and<br />

administrators as well as defenders <strong>of</strong><br />

the Hindu faith and builders <strong>of</strong> temples<br />

distinguished by a unique style, a kind<br />

<strong>of</strong> Indian roccoco (Belur, Halebid,<br />

Somnathpur).<br />

Hø•ikeÿa<br />

(1) (‘lord <strong>of</strong> the senses’)<br />

An epithet <strong>of</strong> Vi•æu or Kø•æa.<br />

Hø•ikeÿa<br />

(2), also Rishikesh<br />

Mountain and place <strong>of</strong> pilgrimage 30 km<br />

north <strong>of</strong> HARDWAR.<br />

human sacrifice<br />

See SACRIFICE.<br />

humility (dainya)<br />

One <strong>of</strong> the virtues to be cultivated by a<br />

VAIÆŒAVA who, according to an old<br />

verse, is supposed to be ‘more humble<br />

than a blade <strong>of</strong> grass’. It is further specified<br />

as the effort to put oneself down in<br />

comparison to others, not to mention<br />

one’s own merits, to serve one’s spiritual<br />

master and all other devotees.<br />

hymns<br />

The Øgveda is a collection <strong>of</strong> hymns<br />

(süktas) that are essential components<br />

(MANTRA (1)) <strong>of</strong> Vedic rituals; they are<br />

still used and recited by brahmin priests.<br />

Besides these, another genre <strong>of</strong> hymns,<br />

called stotras (praise), has become very<br />

important in connection with the worship<br />

<strong>of</strong> deities such as Vi•æu, Ÿiva and<br />

Devï as well as Gaæeÿa, Hanuman and<br />

other lesser devas, and humans deemed<br />

to be manifestations <strong>of</strong> a deity. Epics<br />

and Puräæas contain many such hymns,<br />

and great äcäryas (masters) such as<br />

ŸAŒKARA (2), RÄMÄNUJA and MADHVA<br />

(2) composed hymns that are used in<br />

worship. Most <strong>of</strong> the works <strong>of</strong> the poetsaints<br />

<strong>of</strong> the Indian Middle Ages are<br />

hymns in vernaculars (Tamil Prabhanda,<br />

Hindï bhajans, Mahratti abhaögas).<br />

Much <strong>of</strong> popular Hindu religious practice<br />

consists <strong>of</strong> singing such hymns.<br />

There are many popular collections,<br />

such as the Stotramälä and Stotraratnävalï,<br />

which contain hymns to many<br />

different deities.

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