A Concise Encyclopedia of Hinduism Klaus K Klostermaie
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Mänasa 112<br />
Mänasa, also Mänasasarovara<br />
A lake in the Himälayas on Mount<br />
Kailäsa, believed to be native place <strong>of</strong><br />
swans who return there every year to<br />
breed.<br />
Mänasära<br />
An ancient treatise on architecture, providing<br />
much detail with regard to the<br />
building <strong>of</strong> houses and temples, the<br />
making <strong>of</strong> sculptures and the laying out<br />
<strong>of</strong> towns.<br />
Mänava Dharmä-ÿästra<br />
See MANU-SMØTI.<br />
Mandäkinï<br />
The GA¢GÄ, especially the part that<br />
flows through KEDARNÄTH (2).<br />
maæõala (1) (‘circle’, ‘orb’)<br />
One <strong>of</strong> the ten sections <strong>of</strong> the Øgveda.<br />
maæõala (2)<br />
Complex geometric design, used in<br />
(tantric) rituals, to involve the entire<br />
cosmos. It is used in the ground plan <strong>of</strong><br />
the Hindu temple, which is seen as a<br />
miniature cosmos.<br />
maæõala (3)<br />
Consecrated enclosed space, or any circular<br />
arrangements <strong>of</strong> religiously meaningful<br />
objects, e.g. Braja-maöõala, the<br />
area covered by places reminiscent <strong>of</strong><br />
Kø•æa around Mathurä–Vøndävana;<br />
rasa-maæõala, the circular platform on<br />
which the rasa dance is performed.<br />
maöõala-nøtya (‘round dance’)<br />
The dance <strong>of</strong> the GOPÏS around Kø•æa<br />
and Rädhä, as desribed in the<br />
Bhägavatam.<br />
Maæõana Miÿra (eighth century CE)<br />
Celebrated exponent <strong>of</strong> Purva<br />
MÏMÄßSÄ, whom ŸA¢KARA (2) defeated<br />
in a long debate.<br />
Mandara<br />
The mountain that the gods and ASURAS<br />
used as stick during their CHURNING OF<br />
THE OCEAN. It has been identified with a<br />
mountain <strong>of</strong> that name in Bhägalpur.<br />
Mändhätø<br />
An ancient king after whom the<br />
Mändhätø period (traditionally set at<br />
2750–2550 BCE) has been named. Some<br />
peculiar myths surround him. His<br />
father, Yuvanäÿva, having been childless<br />
for a long time, conceived him after<br />
drinking some consecrated water and<br />
gave birth to him from his right side.<br />
When Mändhätø grew up he had three<br />
sons as well as fifty daughters, all <strong>of</strong><br />
whom were married to an old sage<br />
called Saubhari, who had assumed a<br />
youthful form.<br />
maæõira<br />
See TEMPLE.<br />
Mäæõukya Upani•ad<br />
One <strong>of</strong> the principal Upani•ads, which<br />
teaches the four stages <strong>of</strong> CONSCIOUS-<br />
NESS and being. Gauõapada’s Kärikäs<br />
(glosses) on it were the seminal text for<br />
the development <strong>of</strong> Ÿaökara’s ADVAITA<br />
VEDÄNTA.<br />
Maögala<br />
The planet Mars, identified with<br />
KÄRTTIKEYA, the god <strong>of</strong> war. Son <strong>of</strong> Ÿiva<br />
and the earth, he is also called<br />
Bhümiputra (son <strong>of</strong> the earth) and<br />
Lohita (red). Maögalavära (Tuesday) is<br />
named after him.