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A Concise Encyclopedia of Hinduism Klaus K Klostermaie

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Mänasa 112<br />

Mänasa, also Mänasasarovara<br />

A lake in the Himälayas on Mount<br />

Kailäsa, believed to be native place <strong>of</strong><br />

swans who return there every year to<br />

breed.<br />

Mänasära<br />

An ancient treatise on architecture, providing<br />

much detail with regard to the<br />

building <strong>of</strong> houses and temples, the<br />

making <strong>of</strong> sculptures and the laying out<br />

<strong>of</strong> towns.<br />

Mänava Dharmä-ÿästra<br />

See MANU-SMØTI.<br />

Mandäkinï<br />

The GA¢GÄ, especially the part that<br />

flows through KEDARNÄTH (2).<br />

maæõala (1) (‘circle’, ‘orb’)<br />

One <strong>of</strong> the ten sections <strong>of</strong> the Øgveda.<br />

maæõala (2)<br />

Complex geometric design, used in<br />

(tantric) rituals, to involve the entire<br />

cosmos. It is used in the ground plan <strong>of</strong><br />

the Hindu temple, which is seen as a<br />

miniature cosmos.<br />

maæõala (3)<br />

Consecrated enclosed space, or any circular<br />

arrangements <strong>of</strong> religiously meaningful<br />

objects, e.g. Braja-maöõala, the<br />

area covered by places reminiscent <strong>of</strong><br />

Kø•æa around Mathurä–Vøndävana;<br />

rasa-maæõala, the circular platform on<br />

which the rasa dance is performed.<br />

maöõala-nøtya (‘round dance’)<br />

The dance <strong>of</strong> the GOPÏS around Kø•æa<br />

and Rädhä, as desribed in the<br />

Bhägavatam.<br />

Maæõana Miÿra (eighth century CE)<br />

Celebrated exponent <strong>of</strong> Purva<br />

MÏMÄßSÄ, whom ŸA¢KARA (2) defeated<br />

in a long debate.<br />

Mandara<br />

The mountain that the gods and ASURAS<br />

used as stick during their CHURNING OF<br />

THE OCEAN. It has been identified with a<br />

mountain <strong>of</strong> that name in Bhägalpur.<br />

Mändhätø<br />

An ancient king after whom the<br />

Mändhätø period (traditionally set at<br />

2750–2550 BCE) has been named. Some<br />

peculiar myths surround him. His<br />

father, Yuvanäÿva, having been childless<br />

for a long time, conceived him after<br />

drinking some consecrated water and<br />

gave birth to him from his right side.<br />

When Mändhätø grew up he had three<br />

sons as well as fifty daughters, all <strong>of</strong><br />

whom were married to an old sage<br />

called Saubhari, who had assumed a<br />

youthful form.<br />

maæõira<br />

See TEMPLE.<br />

Mäæõukya Upani•ad<br />

One <strong>of</strong> the principal Upani•ads, which<br />

teaches the four stages <strong>of</strong> CONSCIOUS-<br />

NESS and being. Gauõapada’s Kärikäs<br />

(glosses) on it were the seminal text for<br />

the development <strong>of</strong> Ÿaökara’s ADVAITA<br />

VEDÄNTA.<br />

Maögala<br />

The planet Mars, identified with<br />

KÄRTTIKEYA, the god <strong>of</strong> war. Son <strong>of</strong> Ÿiva<br />

and the earth, he is also called<br />

Bhümiputra (son <strong>of</strong> the earth) and<br />

Lohita (red). Maögalavära (Tuesday) is<br />

named after him.

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