A Concise Encyclopedia of Hinduism Klaus K Klostermaie
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Sadhyäbhä•a 162<br />
Sadhyäbhä•a<br />
(‘twilight language’)<br />
Compositions with double meaning,<br />
used by Tantrikas; their ‘surface’ meaning<br />
is accessible to everybody, the second,<br />
‘secret’, meaning is only understood<br />
by the initiates. (See also TANTRA<br />
(2).)<br />
sahitä (‘collection’)<br />
An expression used to designate the<br />
mantra portion <strong>of</strong> the Vedas (e.g.<br />
Øgveda Sahitä) or the later sectarian<br />
writings <strong>of</strong> VAIÆŒAVAS (e.g. Ahirbudhnya<br />
Sahitä), to which a great<br />
amount <strong>of</strong> authority was attributed due<br />
to their authors.<br />
samïpa (‘nearness [to God]’)<br />
One <strong>of</strong> the modalities <strong>of</strong> salvation in<br />
theistic <strong>Hinduism</strong>. Another would be<br />
SARÜPA (sameness <strong>of</strong> form).<br />
saƒkalpa (‘intention’)<br />
A declaration <strong>of</strong> intent at the beginning<br />
<strong>of</strong> a pilgrimage. Without it, the pilgrimage<br />
would not earn any merit.<br />
Saƒkar•aæa<br />
One <strong>of</strong> the four vyühas (emanations) <strong>of</strong><br />
Vi•æu, characterized by lordship (aiÿvarya)<br />
and heroism (vïrya).<br />
Säƒkhya (‘number’)<br />
One <strong>of</strong> the six orthodox systems, founded<br />
by Kapila (sixth century BCE); it<br />
assumes that the whole universe consists<br />
<strong>of</strong> combinations <strong>of</strong> 24 elements<br />
(tattvas) in addition to puru•a (spirit).<br />
Säƒkhya is a dualistic system: spirit<br />
(puru•a) and matter (prakøti) have<br />
opposite but complementary characteristics.<br />
Everything originates from a<br />
combination <strong>of</strong> the two, and ultimate<br />
liberation is due to a separation <strong>of</strong> spirit<br />
from matter. Spirit is originally manifold,<br />
matter is one. Matter is characterized<br />
by three guæas (elementary principles):<br />
sattva (lightness); rajas (passion);<br />
and tamas (darkness). These three are<br />
originally in equilibrium, but under the<br />
influence <strong>of</strong> spirit, evolution begins. The<br />
first product <strong>of</strong> the process is mahat (the<br />
great One), also called buddhi (the intellect).<br />
From mahat issues ahaƒkära, the<br />
principle <strong>of</strong> egoity. When one suffers<br />
under the frustrations <strong>of</strong> life one begins<br />
a quest for freedom from misery. This<br />
quest leads to a reversal <strong>of</strong> the evolutionary<br />
process and a final separation <strong>of</strong><br />
spirit from matter. The ultimate stage is<br />
called kaivalya (aloneness), when the<br />
spirit is all by himself and fully satisfied.<br />
Säƒkhya-kärikä<br />
The oldest preserved text <strong>of</strong> the<br />
SÄßKHYA system, ascribed to Ïÿvara<br />
Kø•æa (third century CE). It explains in a<br />
brief and systematic manner the basic<br />
principles <strong>of</strong> Säƒkhya.<br />
Säƒkhya-sütra<br />
Ascribed to Kapila (sixth century BCE),<br />
but probably later than the Säƒkhakärikä.<br />
It consists <strong>of</strong> a brief exposition<br />
<strong>of</strong> Säƒkhya in sütra form.<br />
sam-kïrtaæa<br />
Congregational singing <strong>of</strong> hymns, especially<br />
among GAU¥ÏYA VAIÆŒAVAS, usually<br />
accompanied by cymbals and drums,<br />
<strong>of</strong>ten also by dancing. Nägara samkïrtaæa,<br />
popularized by CAITANYA, is<br />
public singing and dancing on the<br />
streets <strong>of</strong> towns.<br />
samnyäsa (‘renunciation’)<br />
The fourth and last ÄŸRAMA (2) (stage in<br />
life) <strong>of</strong> a brahmin, in which all attachment<br />
to home and possessions, including<br />
family, are to be given up. It has become<br />
popular to enter into samnyäsa without<br />
going through the äÿramas <strong>of</strong> house-