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A Concise Encyclopedia of Hinduism Klaus K Klostermaie

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Sadhyäbhä•a 162<br />

Sadhyäbhä•a<br />

(‘twilight language’)<br />

Compositions with double meaning,<br />

used by Tantrikas; their ‘surface’ meaning<br />

is accessible to everybody, the second,<br />

‘secret’, meaning is only understood<br />

by the initiates. (See also TANTRA<br />

(2).)<br />

sahitä (‘collection’)<br />

An expression used to designate the<br />

mantra portion <strong>of</strong> the Vedas (e.g.<br />

Øgveda Sahitä) or the later sectarian<br />

writings <strong>of</strong> VAIÆŒAVAS (e.g. Ahirbudhnya<br />

Sahitä), to which a great<br />

amount <strong>of</strong> authority was attributed due<br />

to their authors.<br />

samïpa (‘nearness [to God]’)<br />

One <strong>of</strong> the modalities <strong>of</strong> salvation in<br />

theistic <strong>Hinduism</strong>. Another would be<br />

SARÜPA (sameness <strong>of</strong> form).<br />

saƒkalpa (‘intention’)<br />

A declaration <strong>of</strong> intent at the beginning<br />

<strong>of</strong> a pilgrimage. Without it, the pilgrimage<br />

would not earn any merit.<br />

Saƒkar•aæa<br />

One <strong>of</strong> the four vyühas (emanations) <strong>of</strong><br />

Vi•æu, characterized by lordship (aiÿvarya)<br />

and heroism (vïrya).<br />

Säƒkhya (‘number’)<br />

One <strong>of</strong> the six orthodox systems, founded<br />

by Kapila (sixth century BCE); it<br />

assumes that the whole universe consists<br />

<strong>of</strong> combinations <strong>of</strong> 24 elements<br />

(tattvas) in addition to puru•a (spirit).<br />

Säƒkhya is a dualistic system: spirit<br />

(puru•a) and matter (prakøti) have<br />

opposite but complementary characteristics.<br />

Everything originates from a<br />

combination <strong>of</strong> the two, and ultimate<br />

liberation is due to a separation <strong>of</strong> spirit<br />

from matter. Spirit is originally manifold,<br />

matter is one. Matter is characterized<br />

by three guæas (elementary principles):<br />

sattva (lightness); rajas (passion);<br />

and tamas (darkness). These three are<br />

originally in equilibrium, but under the<br />

influence <strong>of</strong> spirit, evolution begins. The<br />

first product <strong>of</strong> the process is mahat (the<br />

great One), also called buddhi (the intellect).<br />

From mahat issues ahaƒkära, the<br />

principle <strong>of</strong> egoity. When one suffers<br />

under the frustrations <strong>of</strong> life one begins<br />

a quest for freedom from misery. This<br />

quest leads to a reversal <strong>of</strong> the evolutionary<br />

process and a final separation <strong>of</strong><br />

spirit from matter. The ultimate stage is<br />

called kaivalya (aloneness), when the<br />

spirit is all by himself and fully satisfied.<br />

Säƒkhya-kärikä<br />

The oldest preserved text <strong>of</strong> the<br />

SÄßKHYA system, ascribed to Ïÿvara<br />

Kø•æa (third century CE). It explains in a<br />

brief and systematic manner the basic<br />

principles <strong>of</strong> Säƒkhya.<br />

Säƒkhya-sütra<br />

Ascribed to Kapila (sixth century BCE),<br />

but probably later than the Säƒkhakärikä.<br />

It consists <strong>of</strong> a brief exposition<br />

<strong>of</strong> Säƒkhya in sütra form.<br />

sam-kïrtaæa<br />

Congregational singing <strong>of</strong> hymns, especially<br />

among GAU¥ÏYA VAIÆŒAVAS, usually<br />

accompanied by cymbals and drums,<br />

<strong>of</strong>ten also by dancing. Nägara samkïrtaæa,<br />

popularized by CAITANYA, is<br />

public singing and dancing on the<br />

streets <strong>of</strong> towns.<br />

samnyäsa (‘renunciation’)<br />

The fourth and last ÄŸRAMA (2) (stage in<br />

life) <strong>of</strong> a brahmin, in which all attachment<br />

to home and possessions, including<br />

family, are to be given up. It has become<br />

popular to enter into samnyäsa without<br />

going through the äÿramas <strong>of</strong> house-

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