26.04.2016 Views

A Concise Encyclopedia of Hinduism Klaus K Klostermaie

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

161 sadhyä<br />

hand Ÿäktism involves the use <strong>of</strong> the five<br />

‘ms’, the transgression <strong>of</strong> ordinary<br />

morality in secret forms <strong>of</strong> worship.<br />

(See also DURGÄ; TANTRA (2).)<br />

Ÿakuntalä<br />

Daughter <strong>of</strong> the sage VIŸVAMITRA and the<br />

APSARA MENÄ, whom INDRA had sent<br />

down from heaven to seduce Viÿvamitra.<br />

When Menä had to go back to heaven<br />

she left the child in the care <strong>of</strong> birds<br />

(ÿakuntas), and thus she was called<br />

Ÿakuntalä. She was brought up in a forest<br />

hermitage by a sage called Kanva.<br />

King Du•yanta saw her, was charmed by<br />

her and asked her to marry him. She bore<br />

him a son, named BHARATA (4), who<br />

became a universl monarch. India was<br />

called Bhärata after him. The Ÿakuntalä<br />

story was very popular with Indian<br />

dramatists. One <strong>of</strong> the most famous<br />

plays by KÄLIDÄSA is Ÿakuntalä (translated<br />

into most Western languages).<br />

ÿäla-gräma<br />

A round ammonite, found in the<br />

Gandak river <strong>of</strong> Nepal, held sacred by<br />

VAIÆŒAVAS as an emblem <strong>of</strong> Vi•æu.<br />

Most Vai•æavas either carry a ÿälagräma<br />

or keep one or more in their homes.<br />

samädhi (1)<br />

(‘concentration’, ‘mindfulness’)<br />

The title <strong>of</strong> one <strong>of</strong> the sections <strong>of</strong> the<br />

Yoga Sütras.<br />

samädhi (2)<br />

A stage in the process <strong>of</strong> YOGA (‘contemplation’).<br />

samädhi (3)<br />

A memorial chapel erected over the<br />

tomb <strong>of</strong> a saint.<br />

säman (‘tune’)<br />

As in Sämaveda, the Veda containing<br />

the tunes according to which the hymns<br />

<strong>of</strong> the Øgveda are to be chanted.<br />

Sämaveda<br />

The third <strong>of</strong> the four vedic saƒhitäs,<br />

dealing with sämans or melodies<br />

appropriate to the øks or verses <strong>of</strong> the<br />

Øgveda. The text as it is preserved<br />

exists in three recensions: Kauthuma,<br />

Räæäyanïya and Jaiminïya. The text<br />

was commented upon by Säyaæa in the<br />

14th century. Most <strong>of</strong> the verses are<br />

identical with the verses in the Øgveda.<br />

The most ancient melodies have not<br />

been preserved; the notations which we<br />

possess are <strong>of</strong> a relatively late time. (See<br />

also VEDA.)<br />

Sambandhar, also<br />

Jñanasambandhar<br />

(seventh century)<br />

A famous poet and preacher <strong>of</strong> ŸAIVISM<br />

in South India at a time when most had<br />

turned Jainas. While the King <strong>of</strong><br />

Madurai had converted to JAINISM, his<br />

chief queen and his chief minister had<br />

remained Ÿaivites. With their help<br />

Sambandhar arranged a debate with a<br />

large number <strong>of</strong> Jain monks, whom he<br />

defeated. The king then re-converted<br />

to Ÿaivism. According to tradition<br />

Sambandhar persuaded the king to<br />

impale 8,000 Jains. In another part <strong>of</strong><br />

the Tamil country he brought back a<br />

large number <strong>of</strong> Jains and Buddhists to<br />

Ÿaivism. His hymns are still widely sung<br />

in Ÿiva temples.<br />

sadhyä (1), also sandhyä<br />

(‘joining’, ‘twilight’ [both <strong>of</strong> morning<br />

and <strong>of</strong> evening])<br />

Personified as daughter <strong>of</strong> BRAHMÄ and<br />

wife <strong>of</strong> ŸIVA.<br />

sadhyä (2)<br />

Obligatory rituals to be performed by<br />

brahmins at dawn and dusk.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!