A Concise Encyclopedia of Hinduism Klaus K Klostermaie
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161 sadhyä<br />
hand Ÿäktism involves the use <strong>of</strong> the five<br />
‘ms’, the transgression <strong>of</strong> ordinary<br />
morality in secret forms <strong>of</strong> worship.<br />
(See also DURGÄ; TANTRA (2).)<br />
Ÿakuntalä<br />
Daughter <strong>of</strong> the sage VIŸVAMITRA and the<br />
APSARA MENÄ, whom INDRA had sent<br />
down from heaven to seduce Viÿvamitra.<br />
When Menä had to go back to heaven<br />
she left the child in the care <strong>of</strong> birds<br />
(ÿakuntas), and thus she was called<br />
Ÿakuntalä. She was brought up in a forest<br />
hermitage by a sage called Kanva.<br />
King Du•yanta saw her, was charmed by<br />
her and asked her to marry him. She bore<br />
him a son, named BHARATA (4), who<br />
became a universl monarch. India was<br />
called Bhärata after him. The Ÿakuntalä<br />
story was very popular with Indian<br />
dramatists. One <strong>of</strong> the most famous<br />
plays by KÄLIDÄSA is Ÿakuntalä (translated<br />
into most Western languages).<br />
ÿäla-gräma<br />
A round ammonite, found in the<br />
Gandak river <strong>of</strong> Nepal, held sacred by<br />
VAIÆŒAVAS as an emblem <strong>of</strong> Vi•æu.<br />
Most Vai•æavas either carry a ÿälagräma<br />
or keep one or more in their homes.<br />
samädhi (1)<br />
(‘concentration’, ‘mindfulness’)<br />
The title <strong>of</strong> one <strong>of</strong> the sections <strong>of</strong> the<br />
Yoga Sütras.<br />
samädhi (2)<br />
A stage in the process <strong>of</strong> YOGA (‘contemplation’).<br />
samädhi (3)<br />
A memorial chapel erected over the<br />
tomb <strong>of</strong> a saint.<br />
säman (‘tune’)<br />
As in Sämaveda, the Veda containing<br />
the tunes according to which the hymns<br />
<strong>of</strong> the Øgveda are to be chanted.<br />
Sämaveda<br />
The third <strong>of</strong> the four vedic saƒhitäs,<br />
dealing with sämans or melodies<br />
appropriate to the øks or verses <strong>of</strong> the<br />
Øgveda. The text as it is preserved<br />
exists in three recensions: Kauthuma,<br />
Räæäyanïya and Jaiminïya. The text<br />
was commented upon by Säyaæa in the<br />
14th century. Most <strong>of</strong> the verses are<br />
identical with the verses in the Øgveda.<br />
The most ancient melodies have not<br />
been preserved; the notations which we<br />
possess are <strong>of</strong> a relatively late time. (See<br />
also VEDA.)<br />
Sambandhar, also<br />
Jñanasambandhar<br />
(seventh century)<br />
A famous poet and preacher <strong>of</strong> ŸAIVISM<br />
in South India at a time when most had<br />
turned Jainas. While the King <strong>of</strong><br />
Madurai had converted to JAINISM, his<br />
chief queen and his chief minister had<br />
remained Ÿaivites. With their help<br />
Sambandhar arranged a debate with a<br />
large number <strong>of</strong> Jain monks, whom he<br />
defeated. The king then re-converted<br />
to Ÿaivism. According to tradition<br />
Sambandhar persuaded the king to<br />
impale 8,000 Jains. In another part <strong>of</strong><br />
the Tamil country he brought back a<br />
large number <strong>of</strong> Jains and Buddhists to<br />
Ÿaivism. His hymns are still widely sung<br />
in Ÿiva temples.<br />
sadhyä (1), also sandhyä<br />
(‘joining’, ‘twilight’ [both <strong>of</strong> morning<br />
and <strong>of</strong> evening])<br />
Personified as daughter <strong>of</strong> BRAHMÄ and<br />
wife <strong>of</strong> ŸIVA.<br />
sadhyä (2)<br />
Obligatory rituals to be performed by<br />
brahmins at dawn and dusk.