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The Cult of Tara

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34 MAGIC AND RITUAL. IN TIBET<br />

essence.' And he contemplates the 'actual' thought <strong>of</strong> enlightenment."<br />

Thus Anupamaraksita continues his ritual:<br />

After he has contemplated the four "abodes <strong>of</strong> Brahma," he<br />

should contemplate the perfect inherent purity <strong>of</strong> all events. He<br />

should realize that all events are perfectly and inherently pure<br />

<strong>of</strong> essence, and that he too is perfectly and inherently pure: and<br />

he establishes this perfect and inherent purity <strong>of</strong> all events with<br />

the mantra OM SVABHAVA-SUDDHAH SARVA-DHARMAH<br />

SVABHAVA-SUDDHO 'HAM ! But if all events are perfectly and<br />

inherently pure, from whence is this world produced ? From being<br />

obscured by the dirt <strong>of</strong> "subject" and "object" and so on. <strong>The</strong><br />

means to the cessation there<strong>of</strong> is the contemplation <strong>of</strong> the True Path,<br />

for thereby it ceases: it is thus that one accomplishes the apprehension<br />

that all events are perfectly and inherently pure.<br />

<strong>The</strong>n, having contemplated the perfect inherent purity <strong>of</strong> all<br />

events, he should contemplate the Emptiness <strong>of</strong> all events. Here,<br />

this Emptiness means that he should reflect upon the fact that<br />

everything, animate or inanimate, is inherently but an appearance<br />

<strong>of</strong> a wondrous non-duality upon which have been imposed mental<br />

constructions and fabrications such as "subject" and "object" and<br />

so on: and he establishes this Emptiness with the mantra OM<br />

SUNYATA-JNANA-VAJRA-SVABHAVATMAKO 'HAM!<br />

This mantra (which Anupamaraksita does not explain) is held to<br />

contain within itself the most pr<strong>of</strong>ound doctrines <strong>of</strong> the Great<br />

Vehicle, here placed again within a dramatic and magical context;<br />

these words dissolve the "construed and fabricated" universe into<br />

omnipotent Emptiness, an intense and personal actualization <strong>of</strong> the<br />

thought <strong>of</strong> enlightenment rendered all the more effective as an incantation.<br />

Tsongk'apa explains the meaning <strong>of</strong> this mantra as<br />

follows: 70<br />

<strong>The</strong>rein, SUNYATA is Emptiness: because events are free <strong>of</strong> any<br />

"essence" or "cause and effect," they are "empty" there<strong>of</strong>.<br />

JNANA ["knowledge"] is a mind <strong>of</strong> one taste with Emptiness: it is<br />

empty, unlabelable, wishless. VAJRA ["diamond"] is simply the<br />

indissolubility <strong>of</strong> the "Emptiness" <strong>of</strong> the objective world and the<br />

"knowledge" <strong>of</strong> the subjective viewer: it is "diamond" because it<br />

is unchanged by adversity, it overcomes adversity, it is beginningless<br />

and endless. <strong>The</strong>se same words ["diamond <strong>of</strong> the knowledge<br />

<strong>of</strong> Emptiness"] are used, again, to describe a mind focused on the<br />

Dharma realm, which is likewise beginningless and endless,<br />

because a mind focused on Suchness takes on the form <strong>of</strong> its object.<br />

SVABHAVA is "essence": any "essence" which is without adventitious<br />

defilement is essentially pure. ATMAKA is the self, and<br />

AHAM is "I": hence, "Any self which is essentially pure, that is 11"

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