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The Cult of Tara

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208 MAGIC AND RITUAL IN TIBET<br />

naturalized into the English language, we shall continue to use the<br />

term, though it is not strictly correct.<br />

<strong>The</strong> recitation, too, is here an example <strong>of</strong> the effectuation <strong>of</strong> the<br />

mantra in the heart <strong>of</strong> the deity generated in front, as opposed to<br />

the contemplation <strong>of</strong> the mantra in the yogin's own heart during<br />

his self-generation; as such, this recitation constitutes the performance<br />

<strong>of</strong> what is called in chapter ii a "ritual function," and this<br />

magical control over the stream <strong>of</strong> her heart requires the completion<br />

<strong>of</strong> the prior ritual service <strong>of</strong> the deity, which itself presupposes her<br />

initiation. <strong>The</strong>re is, indeed, the element <strong>of</strong> magical coercion here,<br />

for the monks had become the goddess in the prior self-generation,<br />

in solitary contemplation perhaps years before, and they speak<br />

with the very voice <strong>of</strong> the goddess. To command the deity in this<br />

carefully constructed atmosphere <strong>of</strong> reverent worship is, however,<br />

not presumptuous; it is, finally, the goddess who arouses herself,<br />

in her own magical speech, out <strong>of</strong> her own magical intention.<br />

<strong>The</strong> monks first recite the textual sequence for the visualization<br />

<strong>of</strong> the mantra in <strong>Tara</strong>'s heart:<br />

In the Blessed Lady's heart, placed upon a lotus flower and<br />

moon, there is the green syllable TAM, around which are the<br />

encircling syllables <strong>of</strong> the Queen <strong>of</strong> Mantras. <strong>The</strong> light there<strong>of</strong><br />

gathers together and radiates forth, making <strong>of</strong>ferings to the ocean<br />

<strong>of</strong> Conquerors and arousing their hearts. It pacifies all the evil<br />

conditions—sins, obscurations, sufferings, diseases, and obstacles—<strong>of</strong><br />

all beings, represented by a field <strong>of</strong> visualization consisting<br />

<strong>of</strong> ourselves, Master and disciples, our gracious parents, our<br />

patrons, and so on; it augments and increases all their good<br />

conditions—life, merit, glory, and knowledge—and I think they<br />

attain the magical attainment <strong>of</strong> the highest enlightenment.<br />

Now let me direct my mind one-pointedly toward the visualization<br />

<strong>of</strong> the Queen <strong>of</strong> Mantras: OM TARE TUTTARE TURE<br />

SVAHA! This is <strong>Tara</strong>'s basic mantra, the queen <strong>of</strong> all mantras,<br />

which grants all attainments.<br />

In addition to this basic mantra may be attached a number <strong>of</strong><br />

different "appendixes," according to the particular function the<br />

practitioner may wish to accomplish by the recitation. For example,<br />

there may be inserted between OM TARE TUTTARE TURE<br />

and SVAHA the appendix SARVA SANTIM-KURU! "Pacify<br />

all !" <strong>The</strong> blank may be filled in with one <strong>of</strong> the following:<br />

GRAHAN "evil spirits", VIGHNAN "hindering demons," VYAD-<br />

HlN "diseases," JVARAN "fevers," ROGAN "sicknesses," UPA-

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