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The Cult of Tara

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WORSHIP 135<br />

insights, visions, supernormal powers, and signs <strong>of</strong> success, such that<br />

I cannot write them down, they were so many and so extraordinary.<br />

This cascade <strong>of</strong> contemplative experiences in the Process <strong>of</strong> Perfection<br />

is the experiential "given" structured by the Tantric texts<br />

and their commentators. This process <strong>of</strong> refinement was both an<br />

expansion and a selection, for there occured a typically Buddhist<br />

extension <strong>of</strong> contemplative technique to new areas and an equally<br />

typical schematization <strong>of</strong> the resultant options. Thus the same<br />

contemplative technique may be used to different ends: "piercing<br />

the vital centers"—the visualization <strong>of</strong> a HUM moving within the<br />

central channel <strong>of</strong> the divine and "hollow" body—might serve as<br />

the image to the object <strong>of</strong> the "mystic heat" and the "four joys," a<br />

gradual approach to the Great Bliss <strong>of</strong> Emptiness, where the HUM<br />

is simulacrum for the drop <strong>of</strong> semen, itself homologized to the thought<br />

<strong>of</strong> enlightenment. But the HUM might also serve as simulacrum<br />

for awareness (the yogin's own or even that <strong>of</strong> another) and its<br />

motion magically control the transference <strong>of</strong> that awareness through<br />

the gates <strong>of</strong> death, to a different body, or directly to a Pure Land;<br />

or the syllable might represent the practitioner's life, and its visualized<br />

immobility—called "planting the magic dagger <strong>of</strong> life in the<br />

heart"—grant freedom from death: the same visualization and magical<br />

control, but to radically opposite ends.<br />

Again, we find different contemplative exercises and analogies employed<br />

for entering into Emptiness: the divine body may be homologized<br />

to the "illusory" bodies <strong>of</strong> the dream, a mirror reflection, the<br />

bardo, to gain the "Innate Union <strong>of</strong> appearance and Emptiness," and<br />

there are further emphases upon different types <strong>of</strong> "Innate Union,"<br />

a choice <strong>of</strong> the aspects <strong>of</strong> Emptiness. Emptiness shines with the<br />

Clear Light, and its experience is Great Bliss, and in the gradual<br />

approach to realization there are different levels <strong>of</strong> apprehension <strong>of</strong><br />

Emptiness, <strong>of</strong> light, and <strong>of</strong> joy; the path to enlightenment may<br />

follow the track <strong>of</strong> any combination, as long as Emptiness is there.<br />

Thus Virupa 195<br />

arranges contemplative experience in a*sequence<br />

<strong>of</strong> "views" which orders these varied approaches in a hierarchy <strong>of</strong><br />

Innate Union; he speaks <strong>of</strong> "appearance and Emptiness"; "Light<br />

and Emptiness," "Bliss and Emptiness," and the culminating union<br />

<strong>of</strong> "understanding arid Emptiness." But there is also the possibility<br />

<strong>of</strong> choice among these paths to enlightenment, granting always that<br />

the final experience includes them all. It is curious, for example,<br />

that though Buddhists and Hindus agree on Bliss as an aspect <strong>of</strong>

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