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The Cult of Tara

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WORSHIP 127<br />

<strong>of</strong> the bardo-being"]. Here, Sriphalavajra was once asked: "What<br />

is the point <strong>of</strong> dwelling in the five syllables [the HOH OM AH<br />

HUM HOH in the Mother's womb] ? One should take the divine<br />

body immediately after contemplating Emptiness, to serve the<br />

aim <strong>of</strong> beings: but here one does not do so." In answer to this<br />

contention he said that his evocation was written as an "antidote<br />

to the three states," so one must contemplate oneself also as<br />

equivalent to a bardo-being.<br />

Thus the causal Father-Mother Bearer <strong>of</strong> the Vajra enter into<br />

union, after being perfected from the five realizations: and if one<br />

sees them thus (since one has the aspect <strong>of</strong> a bardo-being), one<br />

enters into the womb <strong>of</strong> the Mother. This, too, is clearly stated by<br />

Sriphalavajra:<br />

"He also enters into the glorious Vajrasattva who is enjoying<br />

Great Bliss, seeing that all beings enter into his mouth. Desire<br />

arises that he himself might possess in actuality those wondrous<br />

creatures and sense-objects, and this infallibly results: in this<br />

contemplation <strong>of</strong> the Mother as the 'source <strong>of</strong> all events,' any<br />

being whatever (though possessed <strong>of</strong> the two obscurations) may<br />

attain to Buddhahood by entering into her. Hence let him make<br />

his mind firm in this manner: 'Because I should attain to being<br />

All-Beneficent, let me enter into this very place'—and in the<br />

form <strong>of</strong> the 'five syllables <strong>of</strong> the ftardo-being' he enters like a<br />

lamp into the secret lotus <strong>of</strong> the Mother."<br />

Having granted the necessity <strong>of</strong> doing as he says, one must<br />

learn from the commentaries the exact way in which one enters.<br />

<strong>The</strong>n he arises through arousing the melted deity with song: we<br />

have already explained that this is the occassion <strong>of</strong> perfectly<br />

attaining birth. If one well understands the reasons for this<br />

"arousing the melted deity with song," then one will know that<br />

it is inadmissible that a Buddha could wish to serve the aim <strong>of</strong><br />

those he takes in hand only through the Dharma Body without a<br />

body <strong>of</strong> form: it is impossible to effect the aims <strong>of</strong> sentient beings<br />

in "reality" without a body <strong>of</strong> form, so for that reason a follower<br />

<strong>of</strong> the Great Velicle must consider the part <strong>of</strong> Means to be the<br />

most important.<br />

And having taken birth in that manner, what should one do<br />

next? That is shown by what follows in the text: one perfectly<br />

generates the deities <strong>of</strong> the "highest king <strong>of</strong> the mandala"; and<br />

those who have been generated are put to their various employments,<br />

that thereby one may serve the aims <strong>of</strong> beings.<br />

THE PROCESS OF PERFECTION<br />

<strong>The</strong> Process <strong>of</strong> Generation is a sequence <strong>of</strong> contemplative events<br />

that produce a divine body; both the body and the events are simulacra<br />

for the magical control <strong>of</strong> a wide range <strong>of</strong> realities. <strong>The</strong> ex-

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