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The Cult of Tara

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WORSHIP 117<br />

<strong>The</strong> four remaining limbs are given by Indrabodhi, one in each <strong>of</strong><br />

the following lines:<br />

<strong>The</strong> eight mantra goddesses initiate,<br />

and one should taste the nectar;<br />

the eight goddesses make <strong>of</strong>ferings,<br />

and one should praise the conjured retinue.<br />

And Tsongk'apa again identifies each limb with a Buddha.<br />

Similarly, the Diamond Garland Tantra, 177<br />

part <strong>of</strong> the Guhyasamaja<br />

cycle, speaks <strong>of</strong> "three meditations": here first preparations<br />

includes the preliminary acts and the complete generation <strong>of</strong> the<br />

Father-Mother deity, the highest king <strong>of</strong> the mandala is the deity<br />

as radiating the divine retinue from within the womb <strong>of</strong> the<br />

Mother, and the highest king <strong>of</strong> the ritual is the complete mandala<br />

employed in serving the aims <strong>of</strong> all beings.<br />

<strong>The</strong>se three meditations, again, are identified with the three<br />

bodies <strong>of</strong> Buddhahood: in the first preparations, says Tsongk'apa,<br />

there is the emanation <strong>of</strong> the divine to accomplish first one's own<br />

aim, so this is considered the Essential Body or Dharma Body; then<br />

the first bodies <strong>of</strong> "form" arise to serve the aim <strong>of</strong> others through<br />

the power <strong>of</strong> the Essential Body, so the highest king <strong>of</strong> the mandala<br />

is considered the Body <strong>of</strong> Bliss; and then the divine hosts serve the<br />

aim <strong>of</strong> beings in the ten directions, each one emanating while staying<br />

in his own place, so the highest king <strong>of</strong> the ritual is considered the<br />

Body <strong>of</strong> Transformation.<br />

In the rituals based on the Arya commentatorial tradition <strong>of</strong><br />

Nagarjuna and his followers, however, the first preparations are<br />

expanded to include the entire generation through the absorption<br />

<strong>of</strong> the knowledge being, and the two highest kings are together<br />

correlated with the initiation <strong>of</strong> the deity. Candrakirti's Illumining<br />

Lamp thus says that the great evocation spoken <strong>of</strong> in the Guhgasamaja<br />

Tantra includes both the highest king <strong>of</strong> the mandala and the<br />

highest king <strong>of</strong> the ritual; it is the "great" evocation because these<br />

two highest kings "perform the actions <strong>of</strong> a Buddha" and accomplish<br />

the great aim <strong>of</strong> others. <strong>The</strong> first three <strong>of</strong> the Guhyasamaja's four<br />

limbs <strong>of</strong> approach and evocation, then, are all included under first<br />

preparations, and they are "subsidiaries <strong>of</strong> accomplishing one's own<br />

aim."<br />

In the commentatorial tradition <strong>of</strong> Buddhajiiana and his Evocation<br />

Named All-beneficent, on the other hand, all four <strong>of</strong> these

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