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The Cult of Tara

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WORSHIP<br />

the deity and his retinue <strong>of</strong> the mandala. "In all these practices,"<br />

says Tsongk'apa, "one should increasingly gain the ability to cut<br />

<strong>of</strong>f one's ordinary ego through (1) the vivid appearance <strong>of</strong> the deity,<br />

and (2) the ego <strong>of</strong> the deity: and for that reason it is not enough just<br />

to concentrate on forming the deity's body, but one must also<br />

concentrate upon making firm his ego." 108<br />

Thus the Process <strong>of</strong><br />

Generation, he says, does two special things: it makes one abandon<br />

the ordinary appearance <strong>of</strong> the "residence and its residents," and<br />

it makes one abandon one's clinging to the ordinary ego <strong>of</strong> the<br />

"residence and its residents"; that is, the "two mandalas"—the<br />

dwelling and its inhabitants—are changed from the ordinary world<br />

filled with people into a divine mansion filled with the retinue <strong>of</strong> the<br />

deity, who is the practitioner himself: 107<br />

This sort <strong>of</strong> contemplation—the creation <strong>of</strong> "special appearances"<br />

as the residence and its residents, to nullify "ordinary appearances"<br />

and clinging to "ordinary ego"—is not found in the Vehicle<br />

<strong>of</strong> the Perfections, and it is thus a special doctrine <strong>of</strong> the Vehicle<br />

<strong>of</strong> the Mantra alone. According to this explanation <strong>of</strong> the Process<br />

<strong>of</strong> Generation—that it consists in the contemplation <strong>of</strong> the residence<br />

as a divine mansion and <strong>of</strong> its residents as deities—it is<br />

(1) by contemplating the "special appearance" <strong>of</strong> the residence<br />

formed as a divine mansion and <strong>of</strong> its residents formed as deities<br />

that one nullifies "ordinary appearances," and it is (2) by contemplating<br />

with complete certainly, thinking "I am Aksobhya" or<br />

"I am Vairocana" and so on, that one nullifies one's "ordinary<br />

ego." ... It says in many texts that "one must clear away one's<br />

ordinary ego": and thus the contemplation <strong>of</strong> the ego <strong>of</strong> the<br />

mandalas <strong>of</strong> residence and residents, as an antidote to one's<br />

"ordinary ego," is the most important thing; and the contemplation<br />

<strong>of</strong> the "special appearance" <strong>of</strong> the residence and residents, to<br />

nullify "ordinary appearances," is but a subsidiary <strong>of</strong> the former.<br />

It is only when one has first turned away from one's ordinary ego,<br />

he says, that one may exchange for it the ego <strong>of</strong> the deity. For<br />

example, at the moment the knowledge being descends into one,<br />

°ne casts away one's grasping <strong>of</strong> one's former essence, whatever it<br />

may been, and thinks "I am the deity I" Now this thought is artific<br />

, a<br />

', a "thing <strong>of</strong> mere words," ins<strong>of</strong>ar as one still thinks "I am Aks-<br />

°bhya, or Vairocana," and so on, as if one were still an ordinary<br />

heing; it is by the gradual transformation <strong>of</strong> this artificial thought<br />

that one finally gains the special and genuine ego <strong>of</strong> the deity. 108<br />

sewhere, Tsongk'apa describes the actual technique <strong>of</strong> reaching<br />

t h l s c<br />

°mplete identification with the deity: 108<br />

77

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