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The Cult of Tara

The Cult of Tara

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84 MAGIC AND RITUAL IN TIBET<br />

Piece by piece I seem<br />

to re-enter the world: I first begin<br />

a small, fixed dot, I still can see<br />

that old myself, a darkblue thumbtack<br />

pushed into the scenes,<br />

a hard little head protruding<br />

from the pointillist's buzz and bloom.<br />

After a time the dot<br />

begins to ooze. Certain heats<br />

melt it.<br />

Now I was hurriedly<br />

blurring into ranges<br />

<strong>of</strong> burnt red, burning green,<br />

whole biographies swam up and<br />

swallowed me . . .<br />

Till, wolfed almost to shreds,<br />

I learned to make myself<br />

unappetizing. Scaly as a dried bulb<br />

thrown into a cellar<br />

I used myself, let nothing use me . . .<br />

—Adrienne Rich, 33<br />

This poem sets forth an experience that is a remarkable parallel, as<br />

we shall see, to the Process <strong>of</strong> Generation; as Tsongk'apa said, the<br />

creation <strong>of</strong> such a reality is "natural" when one is "shaken wit<br />

wishes, fears and sorrows, worried by thieves and dreams." Here<br />

again we see the primary importance <strong>of</strong> the ritualization <strong>of</strong> moral<br />

attitudes for the Tibetan contemplative: the imagination that evokes<br />

a universe belongs to one Who is already a Bodhisattva, who has<br />

awakened the thought <strong>of</strong> enlightenment for the benefit <strong>of</strong> all beings,<br />

and who creates his magical reality from a realm that is not only<br />

empty and unlabelable but also "wishless." <strong>The</strong> yogin consciously<br />

bases his magical power upon his understanding and hence upon his<br />

control <strong>of</strong> himself and his reality; the schizophrenic's power is based<br />

not on control but on chaos: 118

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