31.12.2012 Views

The Cult of Tara

The Cult of Tara

The Cult of Tara

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

146<br />

MAGIC AND RITUAL IN TIBET<br />

for the empowerment <strong>of</strong> speech. Thus, for example, the famous<br />

verse called the "heart <strong>of</strong> conditioned coproduction" reads as follows:<br />

YE DHARMA HETU-PRABHAVA HETUN TESAM TATHA-<br />

GATO AHA / TESAM CA YO NIRODHO EVAM VADL MA-<br />

HASRAMANAH /<br />

Whatever events arise from a cause,<br />

the Tathagata has told the cause there<strong>of</strong>;<br />

and the great ascetic also<br />

has taught their cessation as well.<br />

This formula is used, as a mantra, for consecration, making firm a<br />

deity generated within an object, or fixing a ritual act. Similarly,<br />

the following anomolous mantra is used in the <strong>of</strong>fering <strong>of</strong> tormas:<br />

OM A-KARO MUKHAM SARVA-DHARMANAM ADY-ANUT-<br />

PANNATVAT!<br />

"OM <strong>The</strong> syllable A is first, because <strong>of</strong> the primordial nonarising<br />

<strong>of</strong> all events I"<br />

<strong>The</strong> visualization <strong>of</strong> the <strong>of</strong>ferings is also accompanied by ritual<br />

hand gestures, as indeed are most <strong>of</strong> the important acts <strong>of</strong> the ceremony.<br />

For some reason these gestures have not received the scholarly<br />

attention that has been lavished upon the mantras, or else they<br />

have been confused with the iconographic gestures that serve to<br />

identify paintings and images. We may distinguish two functional<br />

categories <strong>of</strong> ritual hand gestures. <strong>The</strong> first, comparatively few,<br />

are stereotyped gestures <strong>of</strong> reverence, threat, welcome, or farewell:<br />

the practitioner may join his palms in reverence, hold out his extended<br />

palms in a typically Tibetan gesture <strong>of</strong> good-bye, or cross<br />

his arms over his chest to indicate the absorption <strong>of</strong> the deity<br />

within him. <strong>The</strong> second category includes the ritual hand gestures<br />

that accompany the presentation <strong>of</strong> <strong>of</strong>ferings, and these are explicitly<br />

intended as mimetic representations <strong>of</strong> the objects being<br />

<strong>of</strong>fered—simulacra that control the transmission <strong>of</strong> worship to the<br />

god, just as the mantras <strong>of</strong> <strong>of</strong>fering enjoin its acceptance and response.<br />

A wide variety <strong>of</strong> <strong>of</strong>ferings are visualized in the rituals and thus<br />

dispatched to the deity with sound and gesture; these are generally<br />

subsumed under the headings <strong>of</strong> "outer <strong>of</strong>ferings," "inner <strong>of</strong>ferings,"<br />

and "secret <strong>of</strong>ferings," to which is added in some rituals an "<strong>of</strong>fering<br />

<strong>of</strong> the Truth."

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!