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The Cult of Tara

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WORSHIP<br />

the rising sun) invites the deities <strong>of</strong> dakas and dakinis to the<br />

surface <strong>of</strong> the moon with its diamond skull staff; they enter into<br />

union together, and they melt and dissolve into a nectar <strong>of</strong> knowledge.<br />

This falls into the skull bowl, and the <strong>of</strong>fering becomes an<br />

inexhaustible ocean <strong>of</strong> sublime color, taste and smell.<br />

Here there are no representational gestures, but the practitioner<br />

usually has a small skull bowl filled with water in front <strong>of</strong> him; when<br />

it is time to <strong>of</strong>fer these inner <strong>of</strong>ferings he uncovers it, holding it in<br />

his left hand, and with the ring finger <strong>of</strong> his right hand he dips into<br />

the bowl and flicks a few drops <strong>of</strong> water, reciting OM PAISJCA-<br />

AMRTA-PUJA KHAHI! "OM Eat this <strong>of</strong>fering <strong>of</strong> the five nectars 1"<br />

Next the sixteen secret <strong>of</strong>ferings are presented, worshiping the<br />

deity with the sixteen goddesses <strong>of</strong> sensual enjoyment:<br />

1) VAJRA-VlNE "Lady <strong>of</strong> the Diamond Lute"<br />

2) VAJRA-VAMSE "Lady <strong>of</strong> the Diamond Flute"<br />

3) VAJRA-MURAJE "Lady <strong>of</strong> the Diamond Tabor"<br />

4) V A J R A-MRD AMGE "Lady <strong>of</strong> the Diamond Drum"<br />

5) VAJRA-HASYE "Lady <strong>of</strong> the Diamond Laughter"<br />

6) VAJRA-LASYE "Lady <strong>of</strong> the Diamond Mime"<br />

7) VAJRA-GITE "Lady <strong>of</strong> the Diamond Song"<br />

8) VAJRA-NRTYE "Lady <strong>of</strong> the Diamond Dance"<br />

9) VAJRA-PUSPE "Lady <strong>of</strong> the Diamond Flowers"<br />

10) VAJRA-DHUPE "Lady <strong>of</strong> the Diamond Incense"<br />

11) VAJRA-ALOKE, "Lady <strong>of</strong> the Diamond Lamps"<br />

12) VAJRA-GANDHE "Lady <strong>of</strong> the Diamond Perfume"<br />

13) VAJRA-DARSE "Lady <strong>of</strong> Diamond Vision"<br />

14) VAJRA-RASYE "Lady <strong>of</strong> Diamond Taste"<br />

15) VAJRA-SPARSE "Lady <strong>of</strong> Diamond Touch"<br />

16) VAJRA-DHARME "Lady <strong>of</strong> Diamond Mental Events"<br />

We may note, first, that these goddesses fall into groups <strong>of</strong> four:<br />

1-4 are goddesses <strong>of</strong> music, 5-8 are goddesses <strong>of</strong> song and dance, 9-12<br />

are goddesses <strong>of</strong> <strong>of</strong>fering, and 13-16 are goddesses <strong>of</strong> the senses. In<br />

these groupings, too, the goddesses are sometimes visualized as part<br />

<strong>of</strong> the retinue <strong>of</strong> the major mandalas given, for example, by Abhayakaragupta;<br />

215<br />

and Pema karpo identifies each group <strong>of</strong> goddesses<br />

with one <strong>of</strong> the four joys produced by the control <strong>of</strong> the channels,<br />

159

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