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The Cult of Tara

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WORSHIP<br />

public nonreality, and the victim, like the effigy, is converted from<br />

inaccessible object to malleable image. (3) Finally these images—the<br />

"real-ization" and the coalescence <strong>of</strong> the two objects—are bound<br />

into a unity, an image/object to be manipulated in any way the<br />

yogin may wish; this unity <strong>of</strong> contemplative "appearance and<br />

Emptiness" thus exists in two realms simultaneously, to produce its<br />

effects in bifurcated nonreality.<br />

<strong>The</strong> ritual Process <strong>of</strong> Generation similarly takes the divine power<br />

as object, to be controlled in and through its vivid image, and to<br />

sanctify this new reality with its appearance; it manifests itself as<br />

the blossoming <strong>of</strong> the seed syllable after the "construed and fabricated"<br />

universe is dissolved into Emptiness by the mantra, and it<br />

unfolds in four stages:<br />

1) <strong>The</strong> divine power is given form and shape as the symbolic<br />

being, the projection upon the ultimate fabric <strong>of</strong> reality <strong>of</strong> the<br />

practitioner's own visualization; this is, in the words <strong>of</strong> Tsongk'apa<br />

"the body <strong>of</strong> the deity adorned with faces and hands, whose real<br />

nature is as an 'appearance' <strong>of</strong> one's own mind, a making vivid <strong>of</strong><br />

one's ordinary ego." 154<br />

2) It empowers the senses <strong>of</strong> the visualized deity, radiating forth<br />

upon it as the power <strong>of</strong> body, speech, and mind, crystallizing as the<br />

syllables OM AH HUM on head, throat, and heart; in more complex<br />

rituals, this may include any <strong>of</strong> the different sorts <strong>of</strong> "body mandala,"<br />

the "deep contemplation <strong>of</strong> the subtle deities" which fills the<br />

body <strong>of</strong> the visualization—its senses, "aggregates," organs, and<br />

orifices—with the entire divine host <strong>of</strong> the mandala, and may<br />

further "put on armor" <strong>of</strong> still more empowering deities.<br />

3) Into the receptacle thus prepared for it, the divine power<br />

descends in actuality from its natural abode <strong>of</strong> the Dharma realm,<br />

compelled by the visualization <strong>of</strong> its appearance and <strong>of</strong>ten greeted<br />

with <strong>of</strong>ferings and praise; this is the "real" deity, the knowledge<br />

being, who is dissolved into the symbolic being with the four hand<br />

gestures in figure 14 and the mantra J AH HUM BAM HOH to summon,<br />

absorb, bind, and dissolve it therein: and at this very instant<br />

the yogin casts <strong>of</strong>f his ordinary ego and grasps the ego <strong>of</strong> the god.<br />

If one makes the knowledge being enter in," says Tsongk'apa, "his<br />

e<br />

yes and so on are mixed inseparably with the eyes and so on <strong>of</strong> the<br />

s<br />

ymbolic being, down to their very atoms: and one should firmly<br />

dualize their total equality." 155<br />

101

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