31.12.2012 Views

The Cult of Tara

The Cult of Tara

The Cult of Tara

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

MAGIC AND RITUAL IN TIBET<br />

<strong>The</strong> outer <strong>of</strong>ferings are :all those things <strong>of</strong> the external world—animate<br />

and inanimate—whiich are proper to the reception <strong>of</strong> a royal or<br />

divine guest. <strong>The</strong> most basic <strong>of</strong> these, whose accompanying gestures<br />

are illustrated in figure 15, are the two waters and the five gifts,<br />

listed as follows with thteir Sanskrit names as given in their mantras:<br />

1) ARGHAM '"oblation" or "water for the face"<br />

2) PAD YAM '"water for the feet"<br />

3) PUSPE "fhowers"<br />

4) DHUPE "iincense"<br />

5) ALOKE "humps"<br />

6) GANDHE '"perfume"<br />

7) NAIVEDY'E "food"<br />

<strong>The</strong>se <strong>of</strong>ferings are represented upon the altar by seven bowls filled<br />

with water and grain; amd to these seven is added<br />

8) SABDA "imusic,"<br />

which is not set out oni the altar, since it is supposed to be ommipresent<br />

in the assembliy hall. Here the mimetic intention <strong>of</strong> the<br />

gestures is not so apparent as it is in some <strong>of</strong> the other sets <strong>of</strong> <strong>of</strong>ferings;<br />

but note how gessture 5 represents the lamps being <strong>of</strong>fered,<br />

with the thumbs raised! in imitation <strong>of</strong> a wick rising from a pool <strong>of</strong><br />

butter, or how gesture 8 represents beating time to music.<br />

We may remark thait the mantras that accompany these <strong>of</strong>ferings<br />

may appear to a Sanskritist to have undergone some rather<br />

bizarre deformations. IBut many <strong>of</strong> these may be accounted for as<br />

regular early Prakritic analogical assimilations (e.g., dative singular<br />

RAJAYA for RAJSIE:) or as more or less well-attested Buddhist<br />

Hybrid forms (e.g., vcocative singular GURU for GURO, present<br />

imperative KHAHI ffor KHADA "eat!"). <strong>The</strong> two waters are<br />

clearly accusative objetcts <strong>of</strong> the imperative PRATlCCHA "accept I"<br />

but the five gifts—<strong>of</strong>ften <strong>of</strong>fered as a separate sequence—would<br />

seem to be feminine ssingular vocatives (e.g., PUSPE "0 Lady <strong>of</strong><br />

the flowers I") addresssed to the goddesses who emanate from the<br />

practitioner and makce <strong>of</strong>ferings to the deity, stereotyped in the<br />

mantra even when suich emanation is not given in the ritual text.<br />

SABDA seems, anomialously, to be a masculine vocative singular,<br />

parallel perhaps to rmantras <strong>of</strong> the form OM SUVARNA-CAKRA<br />

PRATlCCHA "OM Giolden wheel: accept it 1"

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!