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Introduction to Acoustics

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1118 Part H Engineering <strong>Acoustics</strong><br />

Part H 27.2<br />

a) b) c) d)<br />

Fig. 27.18a–d Measured vibration patterns of a guitar <strong>to</strong>p plate (left) and the projected radiated sound fields from the<br />

guitar (right): (a) and (b) at 600 Hz; (c) and (d) at 1200 Hz. Scanning vibrometry was used for both recordings. Observe<br />

that in (b) and (d) it is the projected sound field across the guitar body that is measured [27.72]. (Reprint S. Hirzel Verlag,<br />

Stuttgart)<br />

Fig. 27.19 The sound field at 1303 Hz inside a saxophone cavity model measured with scanning vibrometry. The model is<br />

a conical transparent model about 54 cm long with a rectangular cross section, excited at the mouthpiece end by a normal<br />

saxophone mouthpiece and it has an artificial mouth<br />

the acoustic waves emitted from the guitar by this vibration,<br />

the guitar is rotated 90, so that the probing<br />

laser light rays is passing in front of and in parallel<br />

<strong>to</strong> the <strong>to</strong>p plate. The probing laser then hits <strong>to</strong> a heavy,<br />

rigid reflec<strong>to</strong>r and is reflected back again in<strong>to</strong> the measuring<br />

unit of the vibrometer instrument. The reflec<strong>to</strong>r<br />

must be absolutely rigid, as in TV holography and<br />

pulsed TV holography, <strong>to</strong> record sound fields, compare<br />

Fig. 27.8.<br />

The temporal and spatial pressure fluctuations<br />

∆p(x, y, z, t), which are connected with acoustic or<br />

fluidic phenomena, cause changes of the optical refractive<br />

index ∆n(x, y, z, t) = n(x, y, z, t) − n0 and,<br />

consequently, the rate of change of the measured optical<br />

phase. In the simplest case a linear acoustic wave<br />

travels in the x-direction in the measuring volume; compare<br />

Fig. 27.8. Then the optical phase varies from point<br />

<strong>to</strong> point but at each point it also varies sinusoidally with<br />

time. This signal therefore behaves as a virtual displacement<br />

of the rigid reflec<strong>to</strong>r. In real measurements the<br />

acoustic wave is not ideally shaped in the measuring<br />

volume (i.e. it is usually not two-dimensional) and a vibrometer<br />

senses, by phase demodulation, a projected<br />

virtual reflec<strong>to</strong>r displacement,<br />

�<br />

s(x, z, t) = ∆n(x, y, z, t)dy (27.10)<br />

L<br />

or by frequency demodulation, a virtual reflec<strong>to</strong>r velocity<br />

�<br />

ν(x, z, t) = ˙n(x, y, z, t)dy , (27.11)<br />

L<br />

i. e. the reflec<strong>to</strong>r seems <strong>to</strong> vibrate although it is immovable.<br />

These virtual vibrations represent the acoustic<br />

wave in the measuring volume. But, according <strong>to</strong> (27.10)<br />

and (27.11), the integrated sum of all fluctuations of<br />

the refractive index ∆n(x, y, z, t) along the laser beam<br />

contributes <strong>to</strong> the measured result. An ideal measurement<br />

situation is therefore a 2-D acoustic field as in<br />

Fig. 27.8. If not, several projections may be used or, if<br />

possible, enough that a <strong>to</strong>mographic reconstruction can<br />

be obtained.<br />

To study the sound generation in, and the sound<br />

propagation from, a saxophone or a clarinet cavity, rectangular<br />

model pipes (two-dimensional structures) with

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