28.02.2013 Views

Introduction to Acoustics

Introduction to Acoustics

Introduction to Acoustics

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Table 20.2 Characteristics of mysticete whales vocalizations<br />

Cetacean <strong>Acoustics</strong> 20.4 Acoustic Signals of Mysticetes 829<br />

Species Signal type Frequency Dominat Source level References<br />

of whales limits(HZ) frequency (dB re 1 µPa)<br />

(Hz) at 1 m<br />

Blue FM moans 12.5 – 200 16–25 188 Cummings, Thompson [20.150],<br />

Edds [20.151]<br />

Songs 16 – 60 16– 60 – McDonald et al. [20.152]<br />

Bowhead Tonal moans 25 –900 100 – 400 129 – 178 Cummings, Holliday [20.149];<br />

Pulses 25 –3500 152 – 185 Wursig, Clark [20.148]<br />

Songs 20 – 500 158 – 189 Cummings, Holliday [20.149];<br />

Ljungblad et al. [20.15]<br />

Bryde‘s FM moans 70 – 245 124 – 132 152 – 174 Cummings et al. [20.153];<br />

Edds et al. [20.154]<br />

Pulsed moans 100 - 930 165 – 900 – Edds et al. [20.154]<br />

Discrete pulses 700- 950 700 – 950 – Edds et al. [20.154]<br />

Finback FM moans 14 – 118 20 160 – 186 Watkins [20.145], Edds [20.155],<br />

Cummings, Thompson [20.156]<br />

Tonals 34 – 150 34 – 150 – Edds [20.155]<br />

Songs 17 – 25 17–25 186 Watkins [20.145]<br />

Gray Pulses 100 – 2000 300 – 825 – Dalheim et al. [20.157];<br />

Crane et al. [20.158]<br />

FM moans 250 – 300 250 – 300 152 Cummings et al. [20.159];<br />

Dalheim et al. [20.157]<br />

LF-FM-moans 125 – 1250 < 430 175 Cummings et al. [20.159];<br />

Dalheim et al. [20.157]<br />

PM pulses 150 – 1570 225 – 600 Cummings et al. [20.159];<br />

Dalheim et al. [20.157]<br />

Complex moans 35 – 360 35 – 360 Cummings et al. [20.159]<br />

Humpback Grunts (pulse & FM) 25 – 1900 25 – 1900 176 Thompson et al. [20.160]<br />

Pulses 25 – 89 25–80 144 – 174 Thompson et al. [20.160]<br />

Songs 30 – 8000 120 – 4000 – Payne, Payne [20.161]<br />

Minke FM <strong>to</strong>nes 60 – 130 60 – 130 165 Schevill, Watkins [20.162],<br />

Thumps 100 – 200 100 – 200 – Winn, Perkins [20.163]<br />

Grunts 60 – 140 60 – 140 151 – 175 Winn, Perkins [20.163]<br />

Ratchets 850 – 6000 850 – Winn, Perkins [20.163]<br />

Right-N Moans < 400 – – Schevill, Watkins [20.162]<br />

Right-S Tonal 30 – 1250 160 – 500 – Cummings et al. [20.164],<br />

Clark [20.129, 165]<br />

Pulses 30 – 2200 50 – 500 172 – 187 Cummings et al. [20.164],<br />

Clark [20.129, 165]<br />

Sei FM sweeps 1500 – 3500 1500 – 3500 – Knowl<strong>to</strong>n et al. [20.166]<br />

a relatively regular sequence of repetitions at intervals<br />

ranging from about 7–26 s, with bouts that can last as<br />

long as 32.5 h. During a bout, periodic rests averaged<br />

about 115 s at roughly 15 min intervals and sometimes<br />

longer irregular gaps between 20 and 120 min were observed.<br />

There was also some variability in the 20 Hz<br />

signals in that they were never exactly replicated.<br />

The songs of the blue whales (balaenoptera<br />

musculus) have been observed by a number of researchers<br />

[20.143, 152, 167]. A typical two-part blue<br />

whale song time series and corresponding spectrogram<br />

isshowninFig.20.18. The spectrogram of the first part<br />

of the two part song had six spectral lines separated<br />

by about 1.5 Hz. This type of spectrogram is typically<br />

generated by pulses. Cummings and Thompson [20.150]<br />

previously reported on the pulsive nature of some blue<br />

whale moans. The second part of the song was <strong>to</strong>nal in<br />

nature with a slight FM down sweep varying from 19 Hz<br />

<strong>to</strong> 18 Hz in the first 3–4 s. The 18 Hz <strong>to</strong>ne is then carried<br />

until the last 5 s when there is an abrupt step down <strong>to</strong><br />

Part F 20.4

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!