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Introduction to Acoustics

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364 Part C Architectural <strong>Acoustics</strong><br />

Part C 10.2<br />

the Grosser Musikvereinsaal is intermediate between<br />

our results for the two fac<strong>to</strong>rs. For the ceiling of the<br />

hall, the height that maximized S1 was the lowest within<br />

the allowed range of motion (Fig. 10.14a). This is due<br />

<strong>to</strong> the fact that more energy can be provided from the<br />

ceiling <strong>to</strong> the listening position throughout the seats.<br />

To maximize S4, on the other hand, the ceiling <strong>to</strong>ok<br />

on the maximum height in the possible range of motion<br />

(Fig. 10.14b). Reflections from the flat ceiling did<br />

not decrease the IACC, but those from the sidewalls<br />

did.<br />

Modification from the Shoe-Box<br />

Next, <strong>to</strong> obtain even better sound fields, a little more<br />

complicated form (model 2), as shown in Fig. 10.15,<br />

was examined. The floor plan optimized according <strong>to</strong><br />

the above results was applied as a starting point. The<br />

hall in its initial form was 14 m wide, the stage was<br />

9 m deep, the room was 27 m long, and the ceiling was<br />

15 m above the stage floor. The sound source was again<br />

4.0 m from the front of the stage, but was 0.5 m <strong>to</strong> one<br />

side of the centerline and 1.5 m above the stage floor.<br />

The front and rear walls were vertically bisected <strong>to</strong><br />

obtain two faces, and each stretch of wall along the<br />

side of the seating area was divided in<strong>to</strong> four faces.<br />

The walls were kept vertical (i. e., tilting was not al-<br />

Stage<br />

Sound source<br />

Seats<br />

Fig. 10.15 Initial scheme of the concert hall (model 2). The rear wall<br />

of the stage and the rear wall of the audience area were divided in<strong>to</strong><br />

two. Sidewalls were divided in<strong>to</strong> four<br />

lowed) <strong>to</strong> examine only the plan of the hall in terms<br />

of maximizing S1 and S4. Each wall was moved independently<br />

of the other walls. The openings between<br />

the walls, in the acoustical simulation using the image<br />

method, were assumed not <strong>to</strong> reflect the sound.<br />

Forty-nine listening positions distributing throughout<br />

the seating area on a 2 m×4 m grid were selected. In<br />

the GA operation, the sidewalls were moved, so that<br />

none of these 49 listening positions were excluded. The<br />

moving range of each vertex was ±2 m in the direction<br />

of the line normal <strong>to</strong> the surface. The coordinates of<br />

the two bot<strong>to</strong>m vertices of each surface were encoded<br />

on the chromosomes for the GA. In this calculation,<br />

the most preferred listening level was set for a point on<br />

the hall’s long axis (central line), 10 m from the source<br />

position.<br />

Leaf-Shape Concert Hall<br />

The result of optimizing the hall for S1 is shown in<br />

Fig. 10.16 and the con<strong>to</strong>ur lines of equal S1 values are<br />

shown in Fig. 10.17. To maximize S1, the rear wall of<br />

the stage and the rear wall of the audience area <strong>to</strong>ok<br />

on concave shapes. The result of optimizing for S4 is<br />

shown in Fig. 10.18 and con<strong>to</strong>ur lines of equal S4 values<br />

are shown in Fig. 10.19. To maximize S4, on the other<br />

hand, the rear wall of the stage and the rear wall of the<br />

audience area <strong>to</strong>ok on convex shapes. With regard <strong>to</strong> the<br />

sidewalls, both S1 and S4 were maximized by the leafshaped<br />

plan, which is discussed in the following section.<br />

Fig. 10.16 A result for the model 2 optimized for S1

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