28.02.2013 Views

Introduction to Acoustics

Introduction to Acoustics

Introduction to Acoustics

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

616 Part E Music, Speech, Electroacoustics<br />

Part E 15.3<br />

Thus can be expressed in terms of an impedance of an<br />

effectively reduced length l ′ .<br />

l<br />

For kl ≪ 1 ,<br />

′<br />

l =<br />

�<br />

t + 0.6b<br />

1 +<br />

l<br />

�<br />

a<br />

� �<br />

2 −1<br />

.<br />

b<br />

(15.122)<br />

The change in effective length introduced by the open<br />

hole depends strongly on its area relative <strong>to</strong> that of the<br />

cylinder, the thickness of the wall and its length from the<br />

end. This gives the instrument designer a large amount<br />

of flexibility in the positioning of individual holes on an<br />

instrument. Figure 15.81 illustrates the dependence of<br />

the effective pipe length on the ratio of hole <strong>to</strong> cylinder<br />

radii for two lengths of pipe between the hole and end<br />

of the instrument.<br />

Not surprisingly, a very small hole with b/a ≪ 1has<br />

a relatively small effect on the effective length of an<br />

instrument. In contrast, a hole with the same diameter as<br />

that of the cylinder shortens the effective added length<br />

<strong>to</strong> about one hole diameter.<br />

In practice, there will often be several holes open<br />

beyond the first open <strong>to</strong>ne hole, all of which can affect<br />

the pitch of the higher partials.<br />

Consider a regular array of open <strong>to</strong>ne holes spaced<br />

a distance d apart. The shunting kinetic inductance of<br />

each open hole is in parallel with the capacitance associated<br />

with the volume of pipe between the holes.<br />

At low frequencies, such that ω ≪ 1/ √ LholeC0d, the<br />

impedance is dominated by the hole inductance, so that<br />

Input impedance<br />

Pipe alone<br />

Pipe plus<br />

<strong>to</strong>ne hole<br />

lattice<br />

Cu<strong>to</strong>ff frequency<br />

0 1000<br />

2000<br />

Frequency (Hz)<br />

Fig. 15.83 Illustration of the cut-off-frequency effect, when<br />

adding an addition length of tubing with an array of open<br />

<strong>to</strong>ne holes (after Benade [15.133])<br />

each hole attenuates any incident wave by approximately<br />

the ratio<br />

�<br />

d<br />

�<br />

a<br />

� �<br />

2 −1<br />

∼ Lhole/ (Lhole + L0d) = 1 +<br />

,<br />

t + 1.5b b<br />

(15.123)<br />

where L0 is the inductance of the pipe per unit length.<br />

Incident waves are therefore attenuated with an effective<br />

node just beyond the actual hole as discussed above.<br />

√<br />

However, for frequencies such that ω ≫ 1/<br />

LholeC0d, the impedance of the shunting hole inductance<br />

is much larger than that of the capacitance of the<br />

air column, so that the propagating properties of the incident<br />

waves is little affected be the presence of the open<br />

hole. There is therefore a crossover or cut-off frequency<br />

ω ≈ 1/ � a<br />

LholeC0d = c0<br />

b<br />

� 1<br />

�1/2 teffd<br />

, (15.124)<br />

below which the incident waves are reflected <strong>to</strong> give<br />

a pressure node just beyond the first hole of the array<br />

and above which waves propagate increasingly freely<br />

through the array <strong>to</strong> the open end of the instrument.<br />

Figure 15.82 (Benade [15.133], Fig. 21.1) illustrates<br />

the effect of an array of open holes on the first few partials<br />

of a typical woodwind instrument, highlighting the<br />

increase in acoustic length of the instrument (indicated<br />

by the intercept of the extrapolated incident waveform)<br />

Thumb<br />

1<br />

2<br />

3<br />

1<br />

2<br />

3<br />

4<br />

C D E F# G# A# C<br />

Fig. 15.84 Soprano recorder fingering for the first seven<br />

notes of a whole-<strong>to</strong>ne scale (after Fletcher and Rossing<br />

[15.5])

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!