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Introduction to Acoustics

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a)<br />

b) ⎜pV/pT ⎜(dB)<br />

40<br />

20<br />

0<br />

0<br />

–20<br />

–40<br />

10<br />

1<br />

0.1<br />

0.01<br />

0.03<br />

0.001<br />

0.03<br />

ATM<br />

Lever and<br />

area ratio<br />

model<br />

LM<br />

c) ⎜vS/pT ⎜(dB re 1 nS)<br />

0.1 0.3 1 3 10 30<br />

Human<br />

Cat<br />

Cat<br />

–60<br />

0.03<br />

d) aEOW (cm<br />

0.1 0.3 1 3 10 30<br />

2 )<br />

Cat<br />

0.1 0.3 1 3 10 30<br />

Frequency (kHz)<br />

LI<br />

AOW<br />

Human<br />

Fig. 12.3d [12.2]. This figure plots the effective area of<br />

the ear as a sound collec<strong>to</strong>r as in Fig. 12.2c, except now<br />

it refers <strong>to</strong> the sound power delivered <strong>to</strong> the oval win-<br />

Physiological <strong>Acoustics</strong> 12.1 The External and Middle Ear 433<br />

Fig. 12.3 (a) Schematic drawing of the mammalian middle<br />

ear from the eardrum (TM on the left) <strong>to</strong> the oval window<br />

(OW on the right). The malleus, incus, and stapes are shown<br />

in their approximate ana<strong>to</strong>mical arrangement. The areas of<br />

the TM and OW are shown along with the lever arms of the<br />

malleus (LM) andincus(LI). These lever arms are drawn<br />

as if the malleus and incus rotate in the plane of the paper<br />

around an axis indicated by the white dot. In reality, the<br />

motion is more complex. (b) Ratio of the sound pressure<br />

in scala vestibuli (pV) <strong>to</strong> the sound pressure at the eardrum<br />

(pT) as a function of frequency, from measurements by Décory<br />

(unpublished doc<strong>to</strong>ral thesis, 1989 [12.2]). The dashed<br />

line is the prediction of the model in (a) for typical dimensions<br />

of the cat middle ear. (c) Transfer admittance of the<br />

middle ear in human and cat, given as the velocity at the<br />

stapes (vS) divided by the pressure at the eardrum (pT).<br />

(d) Performance of the external and middle ears in sound<br />

collection plotted as the effective area of the ear, referenced<br />

<strong>to</strong> the oval window. This is the cross-sectional area across<br />

which the ear collects sound power in a diffuse sound field,<br />

plotted against frequency; the shaded bar shows the range<br />

of cross sectional areas of the oval window for comparison.<br />

Comparing with Fig. 12.2c shows the effect of the middle<br />

ear. (After [12.2])<br />

dow. Again, the dashed line shows the performance of<br />

an ideal spherical receiver and is the same line as in<br />

Fig. 12.2c. The effective area has a bandpass shape, as<br />

in Fig. 12.2c, with a maximum at 3 kHz. The sharp drop<br />

off in performance below 3 kHz was seen in the external<br />

ear analysis and occurs because energy is not absorbed<br />

at the eardrum at low frequencies. At higher frequencies<br />

the effective area tracks the ideal receiver, but is about<br />

10–15 dB smaller than the performance at the eardrum,<br />

which approximates the ideal for the cat. This decrease<br />

reflects the losses in the middle ear discussed above.<br />

Although the external and middle ear do not approach<br />

ideal performance, they do serve <strong>to</strong> couple sound in<strong>to</strong><br />

the cochlea. As a comparison <strong>to</strong> the effective area in<br />

Fig. 12.3d, the cross-sectional area of the oval window<br />

is about 0.01–0.03 cm 2 in the cat and human (shaded<br />

bar). Thus the effective area is larger than the area of<br />

the oval window over the mid frequencies. Moreover, if<br />

there were no middle ear, the collecting cross section of<br />

the oval window would be smaller by about 15–30 dB<br />

because of the impedance mismatch between the air and<br />

cochlear fluids [12.19].<br />

Part D 12.1

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