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Introduction to Acoustics

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have mainly been concerned with temporal criteria, represented<br />

primarily by the reverberation time, from the<br />

time of Sabine [10.2] onward. No comprehensive theory<br />

of design including the spatial criterion as represented<br />

by the IACC existed before 1977, so that discussions<br />

between acousticians and architects were rarely on the<br />

same subject. As a matter of fact, both temporal and<br />

b)<br />

c)<br />

0 10 20 (m)<br />

Fig. 10.21 (b) Plan of balcony level; (c) Plan of audience level<br />

Concert Hall <strong>Acoustics</strong> Based on Subjective Preference Theory 10.2 Design Studies 367<br />

spatial fac<strong>to</strong>rs are deeply interrelated with both acoustic<br />

design and architectural design [10.65, 66].<br />

As an initial design sketch of the Kirishima International<br />

Concert Hall, a plan shape like a leaf (Fig. 10.20a)<br />

was presented at the first meeting for discussion with the<br />

architect Fumihiko Maki and associates with the explanation<br />

of the temporal and spatial fac<strong>to</strong>rs of sound field. Part C 10.2<br />

Stage<br />

Listening room<br />

testing individual preference<br />

Entrance

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