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Introduction to Acoustics

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Concert Hall <strong>Acoustics</strong> Based on Subjective Preference Theory 10.1 Theory of Subjective Preference for the Sound Field 359<br />

room under investigation:<br />

x2 = log � �<br />

∆t1/[∆t1]p , (10.11)<br />

x3 = log � �<br />

Tsub/ [Tsub] p , (10.12)<br />

x4 = IACC . (10.13)<br />

Scale values of preference have been formulated approximately<br />

in terms of the 3/2 powers of the normalized<br />

objective parameters, expressed in the logarithm for the<br />

parameters, x1, x2 and x3. Thus, scale values are not<br />

greatly changed in the neighborhood of the most preferred<br />

conditions, but decrease rapidly outside of this<br />

range. The remarkable fact is that the spatial binaural<br />

parameter x4 is expressed in terms of the 3/2 powers<br />

of its real values, indicating a greater contribution than<br />

those of the temporal parameters.<br />

Limitation of Theory<br />

Since experiments were conducted <strong>to</strong> find the optimal<br />

conditions, this theory holds in the range of preferred<br />

conditions obtained by the test. In order <strong>to</strong> demonstrate<br />

the independence of the four orthogonal fac<strong>to</strong>rs, under<br />

the conditions of fixed ∆t1 and Tsub around the preferred<br />

conditions, scale values of subjective preference<br />

calculated by (10.8) fortheLL with (10.10) andthe<br />

IACC with (10.13) with constants listed in Table 10.2<br />

are shown in Fig. 10.8. Agreement between the calcu-<br />

Scale value of preference<br />

1<br />

0.5<br />

0<br />

–0.5<br />

–1<br />

–1.5<br />

74<br />

IACC<br />

0.39<br />

0.72<br />

0.98<br />

77 80 83<br />

Listening level (dBA)<br />

Fig. 10.8 Scale values of subjective preference for the<br />

sound field with music motif A as a function of the listening<br />

level and as a parameter of the IACC [10.13]. Solid line:<br />

calculated values based on (10.8) <strong>to</strong>gether with (10.9) taking<br />

the two fac<strong>to</strong>rs (10.10) and(10.13) in<strong>to</strong> consideration;<br />

Dashed line: measured values<br />

Table 10.3 Hemispheric specializations determined by<br />

analyses of AEP (SVR), EEG and MEG 1<br />

Fac<strong>to</strong>rs AEP (SVR) EEG, ratio of MEG, ACF<br />

changed A(P1 − N1) ACF τe values τe value<br />

of α-waves of α-wave<br />

Temporal<br />

∆t1 L>R L>R L>R<br />

(speech) 2 (music) (speech)<br />

Tsub – L>R –<br />

(music)<br />

Spatial<br />

LL R>L – –<br />

(speech)<br />

IACC R>L R>L –<br />

(vowel /a/) (music) 3<br />

R>L<br />

(band noise)<br />

1 See also [10.44] for a review of these investigations<br />

2 The sound source used in experiments is indicated in the<br />

bracket<br />

3 Flow of α-wave (EEG) from the right hemisphere <strong>to</strong> the left<br />

hemisphere for music stimuli when changing the IACC was<br />

observed by |φ(τ)|max between α-waves recorded at different<br />

electrodes [10.45]<br />

lated and observed values are satisfac<strong>to</strong>ry [10.13]. Even<br />

though both LL and the IACC are spatial fac<strong>to</strong>rs, which<br />

are associated with the right cerebral hemisphere (Table<br />

10.3), these are quite independent of each other. The<br />

same is true for the temporal fac<strong>to</strong>rs of ∆t1 and Tsub associated<br />

with the left hemisphere. Of course, the spatial<br />

fac<strong>to</strong>r and the temporal fac<strong>to</strong>r are highly independent.<br />

Example of Calculating the Sound Quality<br />

at Each Seat<br />

As a typical example, we shall discuss the quality of the<br />

sound field at each seating position in a concert hall with<br />

a shape similar <strong>to</strong> that of Symphony Hall in Bos<strong>to</strong>n. Suppose<br />

that a single source is located at the center, 1.2m<br />

above the stage floor. Receiving points at a height of<br />

1.1 m above the floor level correspond <strong>to</strong> the ear positions.<br />

Reflections with their amplitudes, delay times,<br />

and directions of arrival at the listeners are taken in<strong>to</strong><br />

account using the image method. Con<strong>to</strong>ur lines of the<br />

<strong>to</strong>tal scale value of preference calculated for music motif<br />

B are shown in Fig. 10.9. Results shown in Fig. 10.9b<br />

demonstrate the effects of the reflection from the sidewalls<br />

adjusted <strong>to</strong> the stage, which produce decreasing<br />

values of the IACC for the audience area. Thus the preference<br />

value at each seat is increased compared with that<br />

Part C 10.1

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