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Introduction to Acoustics

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a)<br />

c)<br />

S<br />

S<br />

–4.3<br />

–2.8<br />

–2.0 –3.5<br />

–3dB<br />

–1.3 –3.9<br />

–3.0<br />

1.73<br />

1.46<br />

1.12<br />

1.17<br />

1.22<br />

–4.1<br />

–3.9<br />

–4.1<br />

2.56<br />

1.99<br />

2.08<br />

–3.4<br />

–3.1<br />

–3.4<br />

–3.6<br />

–3.4<br />

3.85<br />

3.27<br />

3.47<br />

–3.2<br />

Concert Hall <strong>Acoustics</strong> Based on Subjective Preference Theory 10.2 Design Studies 369<br />

–3.5 –6.5<br />

–4.1 –5dB –6.6<br />

–4.2 –5.9<br />

–4.9<br />

5.05<br />

2.26<br />

2<br />

3.66<br />

3 4<br />

4.65<br />

2.13 3.37 4.19<br />

4.15<br />

3.89<br />

–5.6<br />

–6.9<br />

5.12<br />

4.49<br />

4.35<br />

4.72<br />

4.25<br />

b)<br />

S<br />

12.72<br />

26.90<br />

26.85<br />

20.88<br />

10.82<br />

12.19 8.88<br />

20 ms<br />

22.84 18.70<br />

22.52<br />

16.29<br />

8.35<br />

0.13<br />

0.29 0.20<br />

0.2<br />

0.43 0.21<br />

0.3<br />

0.42 0.25<br />

0.18<br />

18.05<br />

13.39<br />

6.14<br />

4.38<br />

13.22<br />

15.20<br />

10 ms<br />

9.66<br />

Fig. 10.22a–d Calculated orthogonal fac<strong>to</strong>rs at each seat with a performing position S for an initial design of the hall.<br />

In the final design of the hall, the width was enlarged by about 1 m <strong>to</strong> increase the number of seats. The designed<br />

reverberation time was about 1.7 s for the 500 Hz band. (a) Relative listening level; (b) initial time delay gap between the<br />

direct sound and the first reflection ∆t1 [ms]; (c) A-value, the <strong>to</strong>tal amplitude of reflections; (d) IACC for white noise<br />

d)<br />

S<br />

0.27<br />

0.40<br />

0.10<br />

0.13<br />

0.11<br />

0.12<br />

0.12<br />

3.36<br />

0.09<br />

0.10<br />

0.09<br />

0.12<br />

0.10<br />

6.96<br />

12.54<br />

15.58<br />

10.76<br />

6.03<br />

0.14<br />

0.18<br />

0.19<br />

0.15<br />

0.17<br />

Part C 10.2

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