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Introduction to Acoustics

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742 Part E Music, Speech, Electroacoustics<br />

Part E 17<br />

17.51 M. Puckett: Pure data. In: Proceedings of International<br />

Computer Music Conference (International<br />

Computer Music Association, San Francisco 1996)<br />

pp. 269–272<br />

17.52 D. Trueman, P. Cook: BoSSA: The deconstructed violin<br />

reconstructed, J. New Music Res. 29(2), 120–130<br />

(2000)<br />

17.53 D. Trueman, C. Bahn, P. Cook: Alternative voices<br />

for electronic sound. In: Spherical speakers<br />

and sensor-speaker arrays (SenSAs), International<br />

Computer Music Conference, Berlin, Aug. 2000<br />

(International Computer Music Association, San<br />

Francisco 2000)<br />

17.54 M.V. Mathews: The radio ba<strong>to</strong>n and conduc<strong>to</strong>r program,<br />

or: Pitch, the most important and least<br />

expressive part of music, Comp. Music J. 15(4),<br />

37–46 (1991)<br />

17.55 T. Marin Nakra: Inside the Conduc<strong>to</strong>r’s Jacket:<br />

Analysis, Interpretation and Musical Synthesis of<br />

Expressive Gesture, Ph.D. Thesis (MIT Media Lab,<br />

Cambridge 2000)<br />

17.56 J.A. Paradiso: The brain opera technology: New<br />

instruments and gestural sensors for musical interaction<br />

and performance, J. New Music Res. 28,<br />

2 (1999)<br />

17.57 J. Freeman, S. Ramakrishnan, K. Varnik, M. Neuhaus,<br />

P. Burk, D. Birchfeld: Adaptive High-level Classification<br />

of Vocal Gestures Within a Networked Sound<br />

Instrument, Proc. Of the International Computer<br />

Music Conference (International Computer Music<br />

Association, San Francisco 2004)<br />

17.58 C. Chafe, S. Wilson, R. Leistikow, D. Chisholm,<br />

G. Scavone: A simplified approach <strong>to</strong> high quality<br />

music and sound over IP. In: Proceedings of the<br />

Conference on Digital Audio Effects (DAFX), ed.by<br />

D. Rocchesso (University of Verona, Italy 2000)<br />

17.59 A.Kapur,G.Wang,P.Davidson,P.R.Cook,D.Trueman,<br />

T.H. Park, M. Bhargava: The Gigapop Ritual:<br />

A Live Networked Performance Piece for Two Electronic<br />

Dholaks, Digital Spoon, DigitalDoo, 6 String<br />

Electric Violin, Rbow, Sitar, Tabla, and Bass Guitar,<br />

New Interfaces for Musical Expression (NIME)<br />

(McGill University, Montreal 2003)<br />

17.60 G. Tzanetakis, P. Cook: Multi-feature audio segmentation<br />

for browsing and annotation. In: Proc.<br />

IEEE Workshop on Applications of Signal Processing<br />

<strong>to</strong> Audio and <strong>Acoustics</strong> (WASPAA) (IEEE, Piscataway<br />

1999)<br />

17.61 D. Cope: Experiments in Musical Intelligence,Vol.12<br />

(A-R Editions, Madison 1996)

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