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Introduction to Acoustics

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the duplex theory of sound localization, proposed by<br />

Lord Rayleigh [13.149]. However, complex sounds, containing<br />

only high frequencies (above 1500 Hz), can be<br />

localized on the basis of interaural time delays, provided<br />

that they have an appropriate temporal structure.<br />

For example, a single click can be localized in this<br />

way no matter what its frequency content. Periodic<br />

sounds containing only high-frequency harmonics can<br />

also be localized on the basis of interaural time differences,<br />

provided that the envelope repetition rate (usually<br />

equal <strong>to</strong> the fundamental frequency) is below about<br />

600 Hz [13.150, 151]. Since most of the sounds we encounter<br />

in everyday life are complex, and have repetition<br />

rates below 600 Hz, interaural time differences can be<br />

used for localization in most listening situations.<br />

13.7.2 The Role of the Pinna and Torso<br />

Binaural cues are not sufficient <strong>to</strong> account for all aspects<br />

of sound localization. For example, an interaural<br />

time or intensity difference will not indicate whether<br />

a sound is coming from in front or behind, or above or<br />

below, but such judgments can clearly be made. Also,<br />

under some conditions localization with one ear can<br />

be as accurate as with two. It has been shown that reflections<br />

of sounds from the pinnae and <strong>to</strong>rso play an<br />

important role in sound localization [13.152, 153]. The<br />

spectra of sounds entering the ear are modified by these<br />

reflections in a way which depends upon the direction of<br />

the sound source. This direction-dependent filtering provides<br />

cues for sound source location. The spectral cues<br />

are important not just in providing information about<br />

the direction of sound sources, but also in enabling us<br />

<strong>to</strong> judge whether a sound comes from within the head<br />

or from the outside world. The pinnae alter the sound<br />

spectrum primarily at high frequencies. Only when the<br />

13.8 Audi<strong>to</strong>ry Scene Analysis<br />

It is hardly ever the case that the sound reaching our ears<br />

comes from a single source. Usually the sound arises<br />

from several different sources. However, usually we are<br />

able <strong>to</strong> decompose the mixture of sounds and <strong>to</strong> perceive<br />

each source separately. An audi<strong>to</strong>ry object can be defined<br />

as the percept of a group of successive and/or simultaneous<br />

sound elements as a coherent whole, appearing <strong>to</strong><br />

emanate from a single source.<br />

As discussed earlier, the peripheral audi<strong>to</strong>ry system<br />

acts as a frequency analyzer, separating the different fre-<br />

Psychoacoustics 13.8 Audi<strong>to</strong>ry Scene Analysis 485<br />

wavelength of the sound is comparable with or smaller<br />

than the dimensions of the pinnae is the spectrum significantly<br />

affected. This occurs mostly above about 6 kHz.<br />

Thus, cues provided by the pinnae are most effective for<br />

broadband high-frequency sounds. However, reflections<br />

from other structures, such as the shoulders, result in<br />

spectral changes at lower frequencies, and these may be<br />

important for front–back discrimination [13.154].<br />

13.7.3 The Precedence Effect<br />

In everyday conditions the sound from a given source<br />

reaches the ears by many different paths. Some of it arrives<br />

via a direct path, but a great deal may only reach<br />

the ears after reflections from one or more surfaces.<br />

However, listeners are not normally aware of these reflections,<br />

and the reflections do not markedly impair the<br />

ability <strong>to</strong> localize sound sources. The reason for this<br />

seems <strong>to</strong> lie in a phenomenon known as the precedence<br />

effect [13.155, 156]; for a review, see [13.157]. When<br />

several sounds reach the ears in close succession (i. e.,<br />

the direct sound and its reflections) the sounds are perceptually<br />

fused in<strong>to</strong> a single sound (an effect called echo<br />

suppression), and the location of the <strong>to</strong>tal sound is primarily<br />

determined by the location of the first (direct)<br />

sound (the precedence effect). Thus the reflections have<br />

little influence on the perception of direction. Furthermore,<br />

there is little awareness of the reflections, although<br />

they may influence the timbre and loudness of the sound.<br />

The precedence effect only occurs for sounds of<br />

a discontinuous or transient character, such as speech<br />

or music, and it can break down if the reflections have<br />

a level 10 dB or more above that of the direct sound.<br />

However, in normal conditions the precedence effect<br />

plays an important role in the localization and identification<br />

of sounds in reverberant conditions.<br />

quency components in a complex sound. Somewhere in<br />

the brain, the internal representations of these frequency<br />

components have <strong>to</strong> be assigned <strong>to</strong> their appropriate<br />

sources. If the input comes from two sources, A and<br />

B, then the frequency components must be split in<strong>to</strong><br />

two groups; the components emanating from source A<br />

should be assigned <strong>to</strong> one source and the components<br />

emanating from source B should be assigned <strong>to</strong> another.<br />

The process of doing this is often called perceptual<br />

grouping. It is also given the name audi<strong>to</strong>ry scene anal-<br />

Part D 13.8

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