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Download Pdf of Dissertation - Nautical Archaeology at Texas A&M ...

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Eastern m<strong>at</strong>erials with the modesty typical <strong>of</strong> their foref<strong>at</strong>hers? The Roman upper classes<br />

had conquered a world which, in turn, thre<strong>at</strong>ened to conquer them. 229 The only way to<br />

preserve Roman tradition was to mount a fierce resistance, and the b<strong>at</strong>tle against luxury<br />

began as soon as the first eastern marble items entered the city.<br />

It is quite curious th<strong>at</strong> the first recorded import <strong>of</strong> marble items to Rome did not<br />

come from the East, nor from North Africa or Greece, but, unexpectedly, from Croton<br />

itself. According to Livy, the Roman censor Quintus Fulvius Flaccus <strong>at</strong>tempted to reuse<br />

half <strong>of</strong> the marble ro<strong>of</strong> tiles from the temple <strong>of</strong> Hera Lacinia to erect his own temple to<br />

Fortuna Equestris in Rome. 230 It was the year 173 B.C., only a decade and a half after the<br />

b<strong>at</strong>tle <strong>of</strong> Magnesia had been fought. Ships were used to carry the tiles from Croton to<br />

143<br />

Rome. 231 When Roman citizens noticed these unusual artifacts and started asking questions<br />

about their provenience, Flaccus’ robbery could not be concealed. He was summoned and<br />

entered the sen<strong>at</strong>e house, accused <strong>of</strong> destroying one <strong>of</strong> the most venerable shrines <strong>of</strong><br />

Magna Graecia. The Sen<strong>at</strong>e gave the order to make expi<strong>at</strong>ory sacrifices to Hera and to<br />

return the tiles to her temple in Capo Colonna. Apparently the tiles were abandoned <strong>at</strong> the<br />

temple because there were no craftsmen who remembered the techniques required to<br />

replace them. Some <strong>of</strong> these artifacts, made <strong>of</strong> Parian and Pentelic marbles, were found<br />

buried close to the sanctuary <strong>at</strong> the end <strong>of</strong> the 19 th century (Fig. 46). 232<br />

229 Horace 2.1.156.<br />

230 Livy, 42.3.1-11.<br />

231 Livy, 42.3.3.<br />

232 The Marquis Berlingieri discovered the tiles during the construction <strong>of</strong> his summer residence in Capo<br />

Colonna, and they were all crushed to make new mosaic floors in his palace in Croton. The Marquis<br />

Lucifero was able to retrieve some tiles though, and <strong>of</strong>fered them to the Archaeological Museum <strong>of</strong> the city,<br />

where they are still visible <strong>at</strong> present. (Lenormant 1976, 222, n. 25; Ruga 1996, 100-1).

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