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Part 2 - LA84 Foundation

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13. Opening, Closing and<br />

Victory Ceremonies<br />

394<br />

3<br />

Korean Traditional Music High School<br />

Kyewon Arts High School<br />

Colleges and universities<br />

Ewha Woman's University<br />

Sejong University<br />

Kyunghee University<br />

Seoul Junior College of Arts<br />

Hanyang University<br />

Chungang University<br />

Sookmyung Women's University<br />

Sung-ui Women's Junior College<br />

Korean Judo Institute<br />

Suwon University<br />

Professional organizations<br />

National Classical Music Institute<br />

Seoul Metropolitan Orchestra for Korean<br />

Traditional Music<br />

KBS Orchestra for Korean Traditional<br />

Music<br />

MBC Dance Company<br />

Seoul Philharmonic Orchestra<br />

MBC Pops Orchestra<br />

KBS Dance Company<br />

'88 Arts Troupe<br />

National Ballet Company<br />

Modern Dance Troupe<br />

Kim Paik-bong Dance Company<br />

National Dance Company<br />

National Classical Music Institute<br />

Dance Company<br />

The Little Angels<br />

Creative Dance Troupe<br />

Seoul Municipal Dance Company<br />

KBS Symphony Orchestra<br />

Sonmyunghoe Children's Choir<br />

Wonkwang Pleasure Boats Co., Ltd.<br />

Semo Han River Cruise Co., Ltd.<br />

Militarymen<br />

300<br />

100<br />

236<br />

130<br />

200<br />

133<br />

181<br />

120<br />

160<br />

160<br />

90<br />

158<br />

30<br />

43<br />

28<br />

55<br />

81<br />

41<br />

50<br />

44<br />

44<br />

70<br />

50<br />

55<br />

37<br />

38<br />

46<br />

30<br />

81<br />

54<br />

15<br />

5<br />

The Third Airborne Brigade<br />

808<br />

The 72nd Armed Forces Division 1,500<br />

The Special Airborne Command Education<br />

Unit<br />

22<br />

The Armed Forces Band<br />

234<br />

The Navy Band<br />

50<br />

The Air Force Band<br />

50<br />

The Armed Forces Honour Guard 229<br />

The SLOOC also established a plan<br />

for the recruitment of the instructors<br />

who would teach and train the<br />

performers.<br />

The instructors were classified into<br />

dance instructors and support instructors.<br />

The dance instructors offered<br />

practical teaching to the performers<br />

after they were equipped with the<br />

proper understanding of the<br />

choreographers' intentions. The<br />

support instructors helped the training<br />

of the performers and controlled them.<br />

The instructors were selected principally<br />

from the teachers and personnel<br />

of the schools and organizations<br />

which were sending the performers to<br />

the Olympic events. The support<br />

instructors were selected from the<br />

schools and organizations which<br />

participated in the event in a ratio of<br />

one instructor to 60 performers.<br />

Meanwhile, one instructor was<br />

appointed from each participating<br />

college and university. When more<br />

than one department were sending<br />

performers, additional instructors were<br />

recruited from the school. The<br />

choreographers, and associate<br />

choreographers also carried out the<br />

duties of the support instructors. From<br />

the professional organizations, one<br />

instructor was recruited from one<br />

organization each. For the organizations<br />

to which the associate<br />

choreographers belonged, no instructors<br />

were placed.<br />

Individual performers and foreign<br />

performers<br />

Most performances during the Opening<br />

and Closing Ceremonies required<br />

groups, but for a few programs, the<br />

SLOOC selected individual performers.<br />

One hundred and seventy-eight<br />

signboard-holders were selected<br />

through a nationwide public screening<br />

which was open to women between 19<br />

and 23 years of age in an effort to<br />

enhance the people's participation in<br />

the Games preparations. The eight<br />

former Korean gold medalists in the<br />

Olympic Games were decided as the<br />

carriers of the Olympic Flag.<br />

For the ignition of the Olympic Flame,<br />

three "ordinary" persons representing<br />

academic, sports and artistic fields<br />

were selected to produce dramatic<br />

effects on the occasion. Two last torch<br />

runners were selected each to<br />

represent the senior athletes and the<br />

currently active athletes. One of the<br />

runners brought in the torch into the<br />

Olympic Stadium and the other<br />

finished the run.<br />

The Olympic Charter (Auxiliary Rule<br />

23) has it that the Olympic Oaths shall<br />

be made by one athletes' representative<br />

and one judges' representative,<br />

but the 24th Olympiad had two<br />

athletes' representatives — a man and<br />

a woman — and one judges' representative.<br />

Three masters of ceremonies were<br />

selected for the official proceedings.<br />

The three spoke English, French and<br />

Korean, respectively.<br />

For the salpuri dance titled "Prayer"<br />

performed during the Closing Ceremonies,<br />

the 1988 Miss Universe first<br />

runner-up Chang Yun-jong had been<br />

recommended/as a solo dancer by the<br />

choreographer Choi Hyun, but in the<br />

28th meeting of the Production Corps,<br />

Living Cultural Treasure Han Yongsook<br />

and 1986 Miss Korea Lee Haejong<br />

were additionally chosen for the<br />

dance.<br />

The selection of a "Hodori" and a<br />

"Hosuni" was suggested in the 27th<br />

meeting of the Production Corps. All<br />

the children born on September 30,<br />

1981, the day when Seoul was decided<br />

as the venue of the 24th Olympiad,<br />

were named "Hodori" and "Hosuni."<br />

Foreigners performed during the<br />

parachuting demonstration and the<br />

events showcasing the international<br />

folk dances. Fifty-two foreign<br />

parachutists from 22 member countries<br />

of the International Parachutists<br />

Association joined in the demonstration<br />

along with 22 Koreans. The foreign<br />

folk dance troupes performed<br />

through consultations between the<br />

International Cultural Society of Korea<br />

and the respective troupes. A dozen<br />

troupes appeared during the Opening<br />

Ceremonies and one did during the<br />

Closing Ceremonies. They included 28<br />

dancers from Italy, 30 from Japan, 31<br />

from New Zealand, 29 from Saudi<br />

Arabia, 28 from France, 30 from<br />

Hungary, 30 from Indonesia, 29 from<br />

Peru, 36 from Poland, 35 from Turkey,<br />

33 from the United States and 20 from<br />

Senegal, who all performed during the<br />

Opening Ceremonies. During the<br />

Closing Ceremonies, a 30-member<br />

troupe from Barcelona danced.<br />

13.2.4<br />

—————————————–<br />

Performance Drill<br />

Drill by phases<br />

A total of 19,798 persons performed in<br />

15 works during the Opening Ceremonies<br />

and nine works during the Closing<br />

Ceremonies. The performances<br />

required a complete harmony of<br />

sound, color and movement, the flawless<br />

motions of the performers, and<br />

the thorough unison of them to convey<br />

the significance of each work to the<br />

spectators. The program consisted of<br />

top-quality art works that harmonized<br />

the unique tradition of Korea and the<br />

Western-style sense of modernity in a<br />

fitting proportion. Moreover, the performances<br />

had to be given in a continuous<br />

flow without a break and this<br />

presented the performers with an<br />

extremely difficult challenge.<br />

The SLOOC mapped out and<br />

executed a drill plan through several<br />

rounds of consultations with the pertinent<br />

organizations under an aim of<br />

effectively managing the performers<br />

and encouraging them to produce the<br />

best possible results.<br />

The drill was conducted in five stages<br />

step by step. The first-phase drill was<br />

carried out by each school and organization<br />

under autonomous schemes.<br />

For the joint practice of two or more<br />

schools and organizations and for the<br />

full-dress rehearsal, the SLOOC<br />

worked out plans.<br />

The first-phase basic practice was<br />

conducted for 40 hours from November<br />

1987 to February 1988. The<br />

second-phase practice was done for<br />

48 hours from March to May of 1988<br />

with the performers learning the<br />

detailed movements demanded by<br />

each work.<br />

The third-phase practice, conducted<br />

for 32 hours from June to August of<br />

1988, was focused on linking the performances.<br />

The fourth-phase practice<br />

was held on 16 occasions from August<br />

23 to September 16, 1988, synchronizing<br />

all events of the Opening and Closing<br />

Ceremonies including the official<br />

ceremony, the performances, music<br />

and special effects. The fifth-phase<br />

practice was carried out on seven<br />

occasions from September 20-October<br />

1 in the form of full-dress rehearsals<br />

for the Closing Ceremonies.

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