Part 2 - LA84 Foundation
Part 2 - LA84 Foundation
Part 2 - LA84 Foundation
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
13. Opening, Closing and<br />
Victory Ceremonies<br />
394<br />
3<br />
Korean Traditional Music High School<br />
Kyewon Arts High School<br />
Colleges and universities<br />
Ewha Woman's University<br />
Sejong University<br />
Kyunghee University<br />
Seoul Junior College of Arts<br />
Hanyang University<br />
Chungang University<br />
Sookmyung Women's University<br />
Sung-ui Women's Junior College<br />
Korean Judo Institute<br />
Suwon University<br />
Professional organizations<br />
National Classical Music Institute<br />
Seoul Metropolitan Orchestra for Korean<br />
Traditional Music<br />
KBS Orchestra for Korean Traditional<br />
Music<br />
MBC Dance Company<br />
Seoul Philharmonic Orchestra<br />
MBC Pops Orchestra<br />
KBS Dance Company<br />
'88 Arts Troupe<br />
National Ballet Company<br />
Modern Dance Troupe<br />
Kim Paik-bong Dance Company<br />
National Dance Company<br />
National Classical Music Institute<br />
Dance Company<br />
The Little Angels<br />
Creative Dance Troupe<br />
Seoul Municipal Dance Company<br />
KBS Symphony Orchestra<br />
Sonmyunghoe Children's Choir<br />
Wonkwang Pleasure Boats Co., Ltd.<br />
Semo Han River Cruise Co., Ltd.<br />
Militarymen<br />
300<br />
100<br />
236<br />
130<br />
200<br />
133<br />
181<br />
120<br />
160<br />
160<br />
90<br />
158<br />
30<br />
43<br />
28<br />
55<br />
81<br />
41<br />
50<br />
44<br />
44<br />
70<br />
50<br />
55<br />
37<br />
38<br />
46<br />
30<br />
81<br />
54<br />
15<br />
5<br />
The Third Airborne Brigade<br />
808<br />
The 72nd Armed Forces Division 1,500<br />
The Special Airborne Command Education<br />
Unit<br />
22<br />
The Armed Forces Band<br />
234<br />
The Navy Band<br />
50<br />
The Air Force Band<br />
50<br />
The Armed Forces Honour Guard 229<br />
The SLOOC also established a plan<br />
for the recruitment of the instructors<br />
who would teach and train the<br />
performers.<br />
The instructors were classified into<br />
dance instructors and support instructors.<br />
The dance instructors offered<br />
practical teaching to the performers<br />
after they were equipped with the<br />
proper understanding of the<br />
choreographers' intentions. The<br />
support instructors helped the training<br />
of the performers and controlled them.<br />
The instructors were selected principally<br />
from the teachers and personnel<br />
of the schools and organizations<br />
which were sending the performers to<br />
the Olympic events. The support<br />
instructors were selected from the<br />
schools and organizations which<br />
participated in the event in a ratio of<br />
one instructor to 60 performers.<br />
Meanwhile, one instructor was<br />
appointed from each participating<br />
college and university. When more<br />
than one department were sending<br />
performers, additional instructors were<br />
recruited from the school. The<br />
choreographers, and associate<br />
choreographers also carried out the<br />
duties of the support instructors. From<br />
the professional organizations, one<br />
instructor was recruited from one<br />
organization each. For the organizations<br />
to which the associate<br />
choreographers belonged, no instructors<br />
were placed.<br />
Individual performers and foreign<br />
performers<br />
Most performances during the Opening<br />
and Closing Ceremonies required<br />
groups, but for a few programs, the<br />
SLOOC selected individual performers.<br />
One hundred and seventy-eight<br />
signboard-holders were selected<br />
through a nationwide public screening<br />
which was open to women between 19<br />
and 23 years of age in an effort to<br />
enhance the people's participation in<br />
the Games preparations. The eight<br />
former Korean gold medalists in the<br />
Olympic Games were decided as the<br />
carriers of the Olympic Flag.<br />
For the ignition of the Olympic Flame,<br />
three "ordinary" persons representing<br />
academic, sports and artistic fields<br />
were selected to produce dramatic<br />
effects on the occasion. Two last torch<br />
runners were selected each to<br />
represent the senior athletes and the<br />
currently active athletes. One of the<br />
runners brought in the torch into the<br />
Olympic Stadium and the other<br />
finished the run.<br />
The Olympic Charter (Auxiliary Rule<br />
23) has it that the Olympic Oaths shall<br />
be made by one athletes' representative<br />
and one judges' representative,<br />
but the 24th Olympiad had two<br />
athletes' representatives — a man and<br />
a woman — and one judges' representative.<br />
Three masters of ceremonies were<br />
selected for the official proceedings.<br />
The three spoke English, French and<br />
Korean, respectively.<br />
For the salpuri dance titled "Prayer"<br />
performed during the Closing Ceremonies,<br />
the 1988 Miss Universe first<br />
runner-up Chang Yun-jong had been<br />
recommended/as a solo dancer by the<br />
choreographer Choi Hyun, but in the<br />
28th meeting of the Production Corps,<br />
Living Cultural Treasure Han Yongsook<br />
and 1986 Miss Korea Lee Haejong<br />
were additionally chosen for the<br />
dance.<br />
The selection of a "Hodori" and a<br />
"Hosuni" was suggested in the 27th<br />
meeting of the Production Corps. All<br />
the children born on September 30,<br />
1981, the day when Seoul was decided<br />
as the venue of the 24th Olympiad,<br />
were named "Hodori" and "Hosuni."<br />
Foreigners performed during the<br />
parachuting demonstration and the<br />
events showcasing the international<br />
folk dances. Fifty-two foreign<br />
parachutists from 22 member countries<br />
of the International Parachutists<br />
Association joined in the demonstration<br />
along with 22 Koreans. The foreign<br />
folk dance troupes performed<br />
through consultations between the<br />
International Cultural Society of Korea<br />
and the respective troupes. A dozen<br />
troupes appeared during the Opening<br />
Ceremonies and one did during the<br />
Closing Ceremonies. They included 28<br />
dancers from Italy, 30 from Japan, 31<br />
from New Zealand, 29 from Saudi<br />
Arabia, 28 from France, 30 from<br />
Hungary, 30 from Indonesia, 29 from<br />
Peru, 36 from Poland, 35 from Turkey,<br />
33 from the United States and 20 from<br />
Senegal, who all performed during the<br />
Opening Ceremonies. During the<br />
Closing Ceremonies, a 30-member<br />
troupe from Barcelona danced.<br />
13.2.4<br />
—————————————–<br />
Performance Drill<br />
Drill by phases<br />
A total of 19,798 persons performed in<br />
15 works during the Opening Ceremonies<br />
and nine works during the Closing<br />
Ceremonies. The performances<br />
required a complete harmony of<br />
sound, color and movement, the flawless<br />
motions of the performers, and<br />
the thorough unison of them to convey<br />
the significance of each work to the<br />
spectators. The program consisted of<br />
top-quality art works that harmonized<br />
the unique tradition of Korea and the<br />
Western-style sense of modernity in a<br />
fitting proportion. Moreover, the performances<br />
had to be given in a continuous<br />
flow without a break and this<br />
presented the performers with an<br />
extremely difficult challenge.<br />
The SLOOC mapped out and<br />
executed a drill plan through several<br />
rounds of consultations with the pertinent<br />
organizations under an aim of<br />
effectively managing the performers<br />
and encouraging them to produce the<br />
best possible results.<br />
The drill was conducted in five stages<br />
step by step. The first-phase drill was<br />
carried out by each school and organization<br />
under autonomous schemes.<br />
For the joint practice of two or more<br />
schools and organizations and for the<br />
full-dress rehearsal, the SLOOC<br />
worked out plans.<br />
The first-phase basic practice was<br />
conducted for 40 hours from November<br />
1987 to February 1988. The<br />
second-phase practice was done for<br />
48 hours from March to May of 1988<br />
with the performers learning the<br />
detailed movements demanded by<br />
each work.<br />
The third-phase practice, conducted<br />
for 32 hours from June to August of<br />
1988, was focused on linking the performances.<br />
The fourth-phase practice<br />
was held on 16 occasions from August<br />
23 to September 16, 1988, synchronizing<br />
all events of the Opening and Closing<br />
Ceremonies including the official<br />
ceremony, the performances, music<br />
and special effects. The fifth-phase<br />
practice was carried out on seven<br />
occasions from September 20-October<br />
1 in the form of full-dress rehearsals<br />
for the Closing Ceremonies.