Part 2 - LA84 Foundation
Part 2 - LA84 Foundation
Part 2 - LA84 Foundation
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13. Opening, Closing and<br />
Victory Ceremonies<br />
Securing of Materials for the Ceremonies<br />
Type<br />
Opening Ceremonies<br />
Closing Ceremonies<br />
For Practice Only<br />
Total<br />
400<br />
Costumes<br />
14,845 Items,<br />
69 Kinds<br />
3,763 Items,<br />
16 Kinds<br />
21,005 Items,<br />
5 Kinds<br />
39,613 Items,<br />
90 Kinds<br />
Special effects by pigeons<br />
The flying of pigeons en masse at the<br />
time of the hoisting of the Olympic<br />
Flag contributed greatly to the visualization<br />
of the Olympic spirit and to<br />
enhancing the festive mood of the<br />
ceremonies.<br />
The 2,400 white pigeons symbolizing<br />
the 24th Olympiad were flown by 30<br />
emergency personnel from the upper<br />
parts of both the left and right exits<br />
across from the headquarter seats.<br />
Congratulatory flight<br />
Five A37 jet planes made a congratulatory<br />
flight and formed the five rings of<br />
the Olympic Games to the delight of<br />
spectators.<br />
Electric scoreboard<br />
During the Opening and Closing<br />
Ceremonies, an electric Scoreboard<br />
which can produce a 14.412m x 9m<br />
surface in color or a 17.28m x 10.56m<br />
surface in black and white was in operation.<br />
The electric board was effective<br />
in visualizing the spirit of the Opening<br />
and Closing Ceremonies. It added<br />
flavor to the performances on the<br />
ground and helped the spectators<br />
understand the progress in different<br />
sports.<br />
The electric board showed the relay<br />
broadcast of the host broadcaster, the<br />
video-taped references, its own relay<br />
broadcast, the slide projector screens,<br />
computer graphics and other special<br />
pictures and explanatory notes in<br />
black and white. The board also functioned<br />
well for the introduction of<br />
events and performances, explanations<br />
about the staged works, presentation<br />
of foreign language translations,<br />
and in spotting unexpected happenings<br />
and events.<br />
Gun salute<br />
Five gun salutes were made by five<br />
105mm howitzers from the elevated<br />
ground adjacent to the Chamshil Quay<br />
at the time of lowering the Olympic<br />
Flag and extinguishing the Olympic<br />
Flame during the Closing Ceremonies.<br />
Lighting<br />
During the Closing Ceremonies which<br />
were held after sunset, the lighting<br />
played an important role together with<br />
the sound, electric Scoreboard and the<br />
fireworks. Ninety-five locally-made<br />
large-output machines turned the<br />
circular stadium into an eye opener for<br />
the world as a whole. It was a nice<br />
Accessories<br />
35,166 Items,<br />
74 Kinds<br />
8,474 Items,<br />
26 Kinds<br />
1,200 Items,<br />
1 Kind<br />
44,840 Items,<br />
101 Kinds<br />
Ornaments<br />
93,453 Items,<br />
78 Kinds<br />
2,084 Items,<br />
25 Kinds<br />
39,345 Items,<br />
27 Kinds<br />
134,882 Items,<br />
130 Kinds<br />
Equipment<br />
2,761 Items,<br />
30 Kinds<br />
102 Items,<br />
1 Kind<br />
2,683 Items,<br />
31 Kinds<br />
opportunity to boast the high-level<br />
lighting technology of Korea to the<br />
outside world. The production staff<br />
was led by Yun Jae-dok, director of<br />
lighting department at Munhwa Broadcasting<br />
Company, and Lee U-yong,<br />
former lighting director of the National<br />
Theater. The lighting equipment was<br />
operated by militarymen after education<br />
and training.<br />
13.3.3<br />
—————————————–<br />
Parachuting Demonstration<br />
The parachuting demonstration was<br />
designed to make the Opening<br />
Ceremonies a three-dimensional<br />
festivity. The diverse beautiful colors<br />
and the magical arts of the sky divers<br />
provoked an enthusiastic applause<br />
and cheers from the spectators.<br />
The SLOOC discussed the parachuting<br />
demonstration with the International<br />
Parachutists Association (CIP) in<br />
August 1987, and decided the CIP<br />
participation in the Opening Ceremonies.<br />
In April 1988, it was finally agreed<br />
that 52 parachutists from the CIP<br />
member countries and 22 Koreans<br />
would appear in the demonstration.<br />
The SLOOC was to take care of the<br />
parachutists from the CIP during their<br />
stay in Korea, and the CIP would<br />
finance other expenses relating to the<br />
parachutists' participation in the Seoul<br />
Games.<br />
The demonstration was planned to<br />
take place at the same time with the<br />
performance of Cha-il (Tent) Dance on<br />
the ground. The parachutists demonstrated<br />
the precise landing within a<br />
tiny circle on the stadium field and the<br />
free-style landing on the designated<br />
spots on the stadium. The precise<br />
landing was demonstrated by 44<br />
parachutists. The sky divers formed<br />
the five Olympic rings using costume,<br />
apparatus and smoke in the air above<br />
the Olympic Stadium.<br />
The 44 parachutists who performed<br />
the precise landing comprised 22<br />
Koreans and 22 from the CIP. Of the<br />
30 parachutists who performed the<br />
ring jump, 23 were from the United<br />
States of America, four were from<br />
France, two were from Canada and<br />
one was from Switzerland.<br />
13.3.4<br />
International Folk Dance Troupes<br />
—————————————–<br />
The Opening and Closing Ceremonies<br />
of the Seoul Olympic Games were<br />
brightened by the performance of folk<br />
dance troupes from 13 nations around<br />
the world. Their performance also<br />
contributed to confirming the Olympiad<br />
to be a festival of world citizens<br />
and a meeting of harmony.<br />
The International Cultural Society of<br />
Korea began to seek ways of having<br />
foreign folk dance troupes at the Seoul<br />
Games in February 1987. In June of<br />
the same year, it selected a group of<br />
foreign troupes, and in April 1988,<br />
finalized the list of 12 troupes for the<br />
Opening Ceremonies and one troupe<br />
for the Closing Ceremonies. The<br />
SLOOC had the authority over the<br />
duration of performance, the composition<br />
of the choreography and the<br />
music production. At least one drill<br />
was required for the troupes before the<br />
Games' opening. The maximum number<br />
of performers from one country<br />
was limited to 50.<br />
Content of performance<br />
Post-Opening Ceremonies<br />
Performance (One World):<br />
When Konori, a Korean traditional<br />
chariot game, symbolizing reconciliation<br />
and harmony ended and "One<br />
World" was about to begin at 1:23<br />
p.m., mascots of the previous<br />
Olympic Games appeared in each<br />
group of 24. They included dogs,<br />
beavers, bears, eagles, Hodori and<br />
Cobi. Then came out 359 dancers<br />
from 12 countries with unique<br />
movements who presented a variety<br />
of folk dances.<br />
The Official Closing Ceremony:<br />
At 8:03 p.m. when the Seoul mayor<br />
returned the Olympic Flag to the IOC<br />
president and when the IOC president<br />
was going to hand the flag over to the<br />
Barcelona mayor, the Spanish dance<br />
by the Barcelona Dance Troupe and<br />
the Seoul Metropolitan Dance Company's<br />
Changgo (hourglass drum)<br />
Dance were joined together, creating a<br />
sharp contrast and an unusual<br />
harmony.<br />
13.3.5<br />
Costumes, Equipments and<br />
Accessories<br />
—————————————–<br />
The Opening and Closing Ceremonies<br />
necessitated costumes, ornaments,<br />
accessories, and equipments. The<br />
SLOOC worked out a list of such<br />
necessities, the kinds and quantity in<br />
March 1987, based on the scenario,<br />
though the demand for such materials<br />
was likely to change before the<br />
Games' opening. The list was formed<br />
separately for the real ceremonies and<br />
for the drills and rehearsals.<br />
After fixing the kinds and quantity of<br />
the materials, the SLOOC selected<br />
four art and costume directors in a<br />
meeting of the Advisory Committee. It<br />
was also decided through consultations<br />
with the art directors that five<br />
assistants would be employed and an<br />
art room would be operated to design<br />
the intra-stadium decorations and the<br />
equipments and accessories.<br />
In September 1987, the designers were<br />
asked to work out draft designs of the<br />
equipments and accessories by<br />
December of that year in cooperation<br />
with the choreographers of the works<br />
concerned. From December 1987