Politics of the past: the use and abuse of history - Socialists ...
Politics of the past: the use and abuse of history - Socialists ...
Politics of the past: the use and abuse of history - Socialists ...
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
monument, its location <strong>and</strong> particularly against <strong>the</strong> artist. Alfred<br />
Hrdlicka was <strong>and</strong> is an acknowledged sculptor but has always described<br />
himself as a Communist. This did not make matters easy<br />
<strong>and</strong> a few <strong>of</strong> <strong>the</strong> monument’s original supporters bailed out in <strong>the</strong><br />
intensity <strong>of</strong> <strong>the</strong> media campaign. I, however, supported <strong>the</strong> City’s<br />
decisions <strong>and</strong> we were finally able to go ahead with <strong>the</strong> memorial.<br />
There was many a dispute afterwards however – not least from representatives<br />
<strong>of</strong> Vienna’s Jewish population. The ‘pavement-scrubbing<br />
Jew’ sculpture, an integral part <strong>of</strong> <strong>the</strong> memorial, was<br />
considered by some at <strong>the</strong> time to be degrading although today<br />
<strong>the</strong>re is no fuss about this at all. Criticism from <strong>the</strong> Jewish community<br />
ultimately led to <strong>the</strong> erection <strong>of</strong> a specific memorial to commemorate<br />
<strong>the</strong> Holocaust. I was given <strong>the</strong> task <strong>of</strong> finding an<br />
appropriate site <strong>and</strong> sat on <strong>the</strong> panel that selected <strong>the</strong> artistic design<br />
<strong>and</strong> supervised its subsequent construction. A location was<br />
chosen right in <strong>the</strong> heart <strong>of</strong> <strong>the</strong> city, on <strong>the</strong> Judenplatz, <strong>and</strong> <strong>the</strong> panel<br />
selected a design by <strong>the</strong> British artist Rachel Whiteread. Once<br />
again <strong>the</strong>re was intense public debate <strong>and</strong> once again we stuck by<br />
our decision. I truly believe <strong>the</strong> memorial to be a success <strong>and</strong>, in<br />
artistic terms, nothing short <strong>of</strong> a companion piece to Alfred<br />
Hrdlicka’s memorial. Both, however, have <strong>the</strong>ir political <strong>and</strong> artistic<br />
legitimacy.<br />
This combination <strong>of</strong> town-planning <strong>and</strong> political/historical issues<br />
<strong>and</strong> <strong>the</strong> structural residue <strong>of</strong> Communism confronted me once more<br />
when, at <strong>the</strong> invitation <strong>of</strong> <strong>the</strong> German Federal Government <strong>and</strong> <strong>the</strong><br />
Berlin Senate, I became chairman (at that time I was already an<br />
MEP) <strong>of</strong> a committee on <strong>the</strong> renewal <strong>of</strong> <strong>the</strong> historic centre <strong>of</strong> Berlin.<br />
In practical terms <strong>the</strong> question at h<strong>and</strong> was whe<strong>the</strong>r <strong>the</strong> Palace <strong>of</strong><br />
<strong>the</strong> Republic, home to <strong>the</strong> parliament <strong>of</strong> <strong>the</strong> GDR, should be demolished<br />
in order to rebuild <strong>the</strong> castle that had once stood on <strong>the</strong><br />
site <strong>and</strong> had been destroyed by <strong>the</strong> Walter Ulbricht. There were intense<br />
discussions throughout Germany, especially in Berlin. After<br />
intensive <strong>and</strong> painstaking deliberations <strong>and</strong> hearings lasting over a<br />
year, our committee recommended <strong>the</strong> partial reconstruction <strong>of</strong> <strong>the</strong><br />
castle <strong>and</strong> <strong>the</strong> demolition <strong>of</strong> <strong>the</strong> Palace <strong>of</strong> <strong>the</strong> Republic. I voted for<br />
this recommendation. There were no compelling reasons for preserving<br />
<strong>the</strong> Palace as a reminder <strong>of</strong> <strong>the</strong> GDR, but <strong>the</strong>re were some<br />
very good planning reasons against it. Conversely, Berlin’s Castle<br />
was not associated with <strong>the</strong> darkest chapter in German <strong>history</strong> <strong>and</strong><br />
233 Hannes Swoboda