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Politics of the past: the use and abuse of history - Socialists ...

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Memory is a Loaded Gun<br />

An Epilogue<br />

243<br />

Hannes Swoboda<br />

<strong>and</strong> Camiel Hamans<br />

Coming to Gdansk is coming to terms with <strong>the</strong> <strong>past</strong>. That is why <strong>the</strong><br />

Socialist Group in <strong>the</strong> European Parliament decided to organise<br />

<strong>the</strong> last <strong>of</strong> its meetings in a series <strong>of</strong> seminars on <strong>the</strong> <strong>use</strong> <strong>and</strong> ab<strong>use</strong><br />

<strong>of</strong> <strong>history</strong> in politics in Gdansk.<br />

Gdansk is <strong>the</strong> place <strong>of</strong> Oskar Matzerath, <strong>the</strong> little drummer in<br />

Günter Grass’ novel The Tin Drum <strong>and</strong> at <strong>the</strong> same time <strong>the</strong> place<br />

<strong>of</strong> that o<strong>the</strong>r Nobelprize winner Lech Wałęsa <strong>and</strong> <strong>the</strong> Lenin Shipyards,<br />

but also <strong>the</strong> place where <strong>the</strong> 18 th century physicist<br />

Fahrenheit, still better known in <strong>the</strong> Anglo-Saxon world than on <strong>the</strong><br />

European continent, was born <strong>and</strong> <strong>the</strong> place where in <strong>the</strong> Hanseatic<br />

times merchants from Lübeck, Hamburg, Bruges, London <strong>and</strong> even<br />

Bergen, Norway, met to buy amber <strong>and</strong> <strong>the</strong>ir yearly supplies <strong>of</strong> rye,<br />

wheat <strong>and</strong> timber, which was brought to <strong>the</strong> harbour city from so far<br />

remote as <strong>the</strong> Ukraine. The empty vessels were being loaded with<br />

red bricks as ballast on <strong>the</strong>ir way from <strong>the</strong> Low Countries to <strong>the</strong><br />

East Sea <strong>and</strong> that explains why <strong>the</strong> whole <strong>of</strong> Gdansk has been built<br />

with brick stones.<br />

Gdansk, called Danswijck in Dutch texts from <strong>the</strong> 17 th century, feels<br />

in its centre like Amsterdam <strong>and</strong> Brussels at <strong>the</strong> same time. Architects<br />

such as <strong>the</strong> Flemish <strong>and</strong> Dutch engineers Anthony van<br />

Obberghen, Cornelis van der Bosch <strong>and</strong> Tylman van Gameren<br />

shaped an international atmosphere <strong>of</strong> elegant renaissance city<br />

towers, Holl<strong>and</strong>ish canalside ho<strong>use</strong>s <strong>and</strong> Brabantine market<br />

squares with huge <strong>and</strong> rich guildhalls.<br />

But all this beauty is a reconstructed artefact just as <strong>the</strong> memory <strong>of</strong><br />

<strong>the</strong> Castle <strong>of</strong> <strong>the</strong> Teutonic Knights who once ruled over what <strong>the</strong>y<br />

<strong>use</strong>d to call Danzig. The end <strong>of</strong> <strong>the</strong> Second World War saw Gdansk<br />

completely ruined; 90% <strong>of</strong> <strong>the</strong> buildings was bombed, demolished<br />

<strong>and</strong> literally fallen into pieces. And from <strong>the</strong>se pieces a new Gdansk<br />

was reconstructed in <strong>the</strong> following twenty years. This was done by

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