Politics of the past: the use and abuse of history - Socialists ...
Politics of the past: the use and abuse of history - Socialists ...
Politics of the past: the use and abuse of history - Socialists ...
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an explanation. I told him that I expected that <strong>the</strong> bishops wanted<br />
to thank <strong>the</strong> Turks for <strong>the</strong> protection <strong>the</strong>y gave <strong>the</strong>m in <strong>the</strong> 16 th century<br />
during <strong>the</strong> Habsburgs’ Counter Reformation. However unbelievable<br />
it may sound to you, my explanation turned out to be right.<br />
I do not underst<strong>and</strong> why some countries find it so hard to apologise.<br />
If I step on your foot, I will say ‘I beg your pardon‘. It does not<br />
hurt to apologise. The Hungarians should also apologise for having<br />
stood on <strong>the</strong> wrong side in <strong>the</strong> war <strong>and</strong> for invading Ukraine.”<br />
With this last remark Konrád touched a raw nerve, touching upon<br />
a hotly debated issue in Hungary. Many Hungarians, especially on<br />
<strong>the</strong> right <strong>of</strong> <strong>the</strong> political spectrum, still seem to have a problem with<br />
<strong>the</strong> consequences <strong>of</strong> <strong>the</strong> Treaty <strong>of</strong> Trianon (1920) in which <strong>the</strong> victors<br />
<strong>of</strong> <strong>the</strong> Great War carved up Hungary. Many ethnic Hungarians<br />
ended up in Romania, Slovakia, Ukraine <strong>and</strong> Serbia. Whilst <strong>the</strong><br />
human rights <strong>of</strong> <strong>the</strong> descendants <strong>of</strong> <strong>the</strong>se people must be properly<br />
respected, suggesting changes to existing borders is both illusory<br />
<strong>and</strong> dangerous. Konrád does not advocate a return to a Greater<br />
Hungary but he does ask for underst<strong>and</strong>ing <strong>of</strong> <strong>the</strong> position <strong>of</strong> ethnic<br />
Hungarians living in <strong>the</strong> neighbouring countries.<br />
“In <strong>the</strong> little town where I grew up as a child, <strong>the</strong> ho<strong>use</strong> <strong>of</strong> my fa<strong>the</strong>r<br />
was nationalised; now it has been bought by a bank. I have no<br />
warm feelings towards this ho<strong>use</strong>. At least when it was still a hardware<br />
shop, <strong>the</strong> smell was familiar to me, now my old bedroom will<br />
be an <strong>of</strong>fice. A teacher wanted <strong>the</strong> synagogue, annexed to this<br />
ho<strong>use</strong> <strong>and</strong> <strong>use</strong>d as a depot, to become a music hall with a small<br />
room dedicated to <strong>the</strong> memory <strong>of</strong> <strong>the</strong> Jews who had lived in <strong>the</strong> little<br />
town. When I was made president <strong>of</strong> <strong>the</strong> Academy <strong>of</strong> Arts in<br />
Berlin, I called up György Ligeti, <strong>the</strong> now sadly deceased Hungarian-Jewish<br />
composer, arguably one <strong>of</strong> <strong>the</strong> most outst<strong>and</strong>ing<br />
composers <strong>of</strong> <strong>the</strong> entire post-war era. Ligeti had been living in Germany<br />
since <strong>the</strong> early Fifties. I was told he was hard to reach. A<br />
minute later he phoned back, beginning <strong>the</strong> conversation with: “I<br />
bet you can’t guess where I was in early October 1944?” I had to<br />
confess I had no idea. “In <strong>the</strong> synagogue behind your family’s<br />
ho<strong>use</strong>, <strong>the</strong>n a stable, I had to shovel up <strong>the</strong> horse manure onto a<br />
h<strong>and</strong>cart.” Ligeti spoke about a Hungarian army <strong>of</strong>ficer who, on<br />
entering <strong>the</strong> temple <strong>and</strong> seeing what was to be seen, shed a tear<br />
<strong>and</strong> asked: “Have we come to this?” He was <strong>the</strong> only one who<br />
wept. There is a marble plaque on <strong>the</strong> wall <strong>of</strong> my fa<strong>the</strong>r’s ho<strong>use</strong> in<br />
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