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Moravian Preservation Master Plan.indb - Society for College and ...

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<strong>Moravian</strong> <strong>College</strong> • <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong><br />

Missing features:<br />

• North arm of circular drive<br />

• Stone l<strong>and</strong>ing at top of stairs<br />

Views <strong>and</strong> Vistas<br />

The dramatic view from Main Street, up the<br />

sloping lawn to Comenius Hall, is one of the most<br />

important features of this character area today (see<br />

figure 5-75). The potential impact of this view is<br />

somewhat inhibited by elements such as the large<br />

shrubs that flank the central walk <strong>and</strong> ornament the<br />

statue of Comenius, as well as street furnishings<br />

such as benches <strong>and</strong> trash receptacles.<br />

Figure 5-81. Stone l<strong>and</strong>ing at the top of the stairs across from the<br />

front door of Comenius Hall (<strong>Moravian</strong> <strong>College</strong> Archives).<br />

Contributing features:<br />

• View of Comenius from Main Street<br />

Vegetation<br />

Figure 5-82. Axial view from the front of Colonial Hall to<br />

Comenius Hall (JMA 2008).<br />

Street (figure 5-82). There, the walk is framed by a<br />

stone gateway (see L<strong>and</strong>scape Structures, below).<br />

Other circulation features include concrete<br />

sidewalks along Main Street <strong>and</strong> Locust Street, a<br />

narrow concrete sidewalk that runs alongside the<br />

south arm of the circular drive, a concrete access<br />

ramp <strong>and</strong> sidewalk associated with the Chapel,<br />

<strong>and</strong> a concrete sidewalk that leads from Locust to<br />

the Old Quad (see figures 5-76 <strong>and</strong> 5-77).<br />

Contributing features:<br />

• Main Street<br />

• Locust Street<br />

• Elizabeth Avenue<br />

• South arm of circular drive<br />

• Central walkway<br />

The Comenius Lawn character area possesses a<br />

variety of significant vegetation, some dating to<br />

the late nineteenth century. Of particular note are<br />

the four large trees, extant, that were planted after<br />

the construction of Comenius Hall <strong>and</strong> appear in<br />

historic photographs that appear to date to shortly<br />

after the construction of the Harvey Memorial<br />

Library in 1907 (see figures 5-73 through 5-75, 5-77,<br />

<strong>and</strong> 5-79). The two large purple beech <strong>and</strong> two large<br />

oaks that frame the central pavilion of Comenius<br />

Hall are of relatively slow-growing species <strong>and</strong><br />

appear to be the same trees depicted as saplings in<br />

the historic photographs. These photographs also<br />

suggest that a variety of trees were planted in the<br />

lawn area at that time, including purple beech,<br />

oak, cedar, maple, <strong>and</strong> an evergreen that may be<br />

either fir or spruce. A similar variety of species<br />

exists today, including purple beech, pine, maple,<br />

dogwood, magnolia, oak, gingko, <strong>and</strong> cedar.<br />

This mix of species that highlights differences<br />

in color <strong>and</strong> texture is not unusual in public<br />

l<strong>and</strong>scape design from the late nineteenth <strong>and</strong> early<br />

twentieth century. This romantic style of planting<br />

design was made popular by the publications of<br />

Andrew Jackson Downing, particularly A Treatise<br />

on the Theory <strong>and</strong> Practice of L<strong>and</strong>scape Gardening,<br />

in which he promotes as appropriate <strong>for</strong> Gothic<br />

style buildings the Picturesque l<strong>and</strong>scape, with<br />

its “bold projections, deep shadows, <strong>and</strong> irregular<br />

outlines” (Downing 1850:75). Trees selected <strong>for</strong><br />

such a l<strong>and</strong>scape “should in many places be old<br />

<strong>and</strong> irregular, with rough stems <strong>and</strong> bark, <strong>and</strong><br />

pines, larches, <strong>and</strong> other trees of striking, irregular<br />

John Milner Associates • October 2009 • Chapter 5 • Cultural L<strong>and</strong>scapes • 103

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