Moravian Preservation Master Plan.indb - Society for College and ...
Moravian Preservation Master Plan.indb - Society for College and ...
Moravian Preservation Master Plan.indb - Society for College and ...
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<strong>Moravian</strong> <strong>College</strong> • <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong><br />
integrated into natural l<strong>and</strong>scapes <strong>and</strong> sought to<br />
create an intimate, family-like environment <strong>for</strong> the<br />
students (Turner 1995:281-291).<br />
Figure 3-27. Demolition of houses on east side of Monocacy<br />
Street in 1966, prior to construction of Reeves Library (<strong>Moravian</strong><br />
<strong>College</strong> Archives).<br />
college l<strong>and</strong>holdings <strong>and</strong> Steel Field, creating a safe<br />
connection between these two areas <strong>and</strong> <strong>for</strong>ming a<br />
unified athletic zone. At the Church Street campus,<br />
a 60-car parking lot was created in 1967, eliminating<br />
part of the <strong>for</strong>mer Pleasure Grounds. In more recent<br />
times, an entire block of row houses on Otis Place<br />
(figure 3-28) was removed in 1991 to make way <strong>for</strong><br />
the Breidegam Field House (Schamberger 2008,<br />
personal communication; Weinlick 1977:38-39,107-<br />
111).<br />
Although modernism initially rejected many of the<br />
traditional design patterns <strong>and</strong> planning tactics<br />
used <strong>for</strong> historic campuses, by the 1960s elements<br />
of traditionalism were creeping back. Postmodern<br />
historicism in design <strong>and</strong> increased attention to<br />
planning around existing campus components<br />
came back into vogue. Postmodernist thought<br />
encouraged the re-exploration <strong>and</strong> reinterpretation<br />
of past building <strong>and</strong> planning traditions. New<br />
design was meant to echo elements of the old, but<br />
not the more superficial decorations. Paul Rudolph<br />
<strong>and</strong> Eero Saarinen were among the first architects to<br />
engage in this new thinking, <strong>and</strong> used it in designs<br />
at Wellesley <strong>and</strong> Yale. Architectural compatibility<br />
between new buildings <strong>and</strong> old buildings became<br />
increasingly important to enhance the overall<br />
continuity of the campus. Postmodernism coincided<br />
with the rise of the historic preservation movement<br />
of the 1960s, but also came at a time of new<br />
financial threats to colleges nationwide. Declining<br />
populations of students <strong>and</strong> the energy crisis in the<br />
1970s spelled an end to the explosive growth <strong>and</strong><br />
funding of the 1940s-1960s, <strong>and</strong> <strong>for</strong>ced campuses to<br />
plan more conservatively than be<strong>for</strong>e. Alternatives<br />
to erecting new buildings were considered more<br />
seriously, particularly the adaptive reuse or<br />
repurposing of existing buildings. This coincided<br />
with the creation of federal environmental <strong>and</strong><br />
historic preservation laws <strong>and</strong> a newfound respect<br />
<strong>for</strong> the built environment of the past. Renovation<br />
<strong>and</strong> restoration of historic campus buildings<br />
became a key component of campus planning<br />
(Turner 1995:294-305).<br />
<strong>Moravian</strong>: A Postmodern Vocabulary<br />
Figure 3-28. These row houses on Otis Place, between<br />
Rau-Hassler dorms <strong>and</strong> Johnston Hall, were eventually removed<br />
to make way <strong>for</strong> Breidegam Field House (<strong>Moravian</strong> <strong>College</strong><br />
Archives).<br />
3.6 Postmodernism<br />
The utopian visions of the 1960s <strong>and</strong> early 1970s<br />
generated a return to the Jeffersonian concept of a<br />
college as an academic village. New dormitories <strong>and</strong><br />
building complexes sought ways to rein<strong>for</strong>ce <strong>and</strong><br />
stimulate community among those who inhabited<br />
them. These village buildings were often carefully<br />
At <strong>Moravian</strong>, postmodernism arrived earlier than<br />
in most places, appearing as early as the 1950s.<br />
Johnston Hall, designed by George Trautwein<br />
<strong>and</strong> completed in 1952, clearly evoked the historic<br />
<strong>Moravian</strong> buildings of downtown Bethlehem with<br />
its stone façade <strong>and</strong> mock buttresses (figure 3-29).<br />
Though it was in most ways a modern gymnasium,<br />
its outer envelope directly referenced Bethlehem’s<br />
eighteenth-century architecture. Similarly, many of<br />
the new dormitories constructed in the 1960s <strong>and</strong><br />
1970s <strong>for</strong> the growing student body were modern<br />
in <strong>for</strong>m but designed to be compatible with the<br />
local vernacular (figure 3-30). Although their overall<br />
plans were typical of dormitories of their era, they<br />
John Milner Associates • October 2009 • Chapter 3 • <strong>College</strong> Context • 48