09.04.2014 Views

Moravian Preservation Master Plan.indb - Society for College and ...

Moravian Preservation Master Plan.indb - Society for College and ...

Moravian Preservation Master Plan.indb - Society for College and ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

<strong>Moravian</strong> <strong>College</strong> • <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong><br />

rehabilitation or adaptive use. Preserve <strong>and</strong><br />

retain existing historic materials <strong>and</strong> hardware.<br />

The primary entrance to the building should be<br />

maintained other historic entrances <strong>and</strong> door<br />

openings should not be removed or infilled.<br />

Windows – Retain <strong>and</strong> repair existing historic<br />

windows <strong>and</strong> window detailing. Where windows<br />

are deteriorated beyond the ability to reasonably<br />

repair them, replace the windows in-kind using<br />

matching materials, configurations, <strong>and</strong> detailing.<br />

Weatherstripping <strong>and</strong> storm windows should<br />

be added to existing windows when compatibly<br />

designed <strong>and</strong> installed. Insulated glass may be<br />

used in replacement windows. Do not remove or<br />

infill historic window openings from the exterior.<br />

Historic Interiors<br />

Most of the historic buildings at <strong>Moravian</strong> have<br />

had substantial interior changes over the years.<br />

The extent of these interior changes range from<br />

complete renovation <strong>and</strong> adaptive use where<br />

entire interiors are lost (such as at Monocacy Hall),<br />

to careful rehabilitation projects where historic<br />

fabric is preserved while needed interior changes<br />

are implemented (such as at the Single Brethren’s<br />

House). Changes such as these may be considered<br />

historically significant as part of the evolution of<br />

the buildings <strong>and</strong> should be treated with care.<br />

Additional changes in these buildings have occurred<br />

as well, <strong>and</strong> future changes are anticipated, such<br />

as the installation of new mechanical systems <strong>and</strong><br />

universal access features. These future changes<br />

should be implemented in accordance with the<br />

recommendations <strong>and</strong> processes outlined in this<br />

preservation plan.<br />

Assessing a Potential New Use – Adaptive reuse<br />

projects usually require some degree of new<br />

interior construction. In considering a potential<br />

new use <strong>for</strong> a building, careful planning <strong>and</strong><br />

evaluation should first determine if the proposed<br />

use is appropriate to the building <strong>and</strong> whether the<br />

degree of change necessary to accommodate the<br />

use can be accomplished without significant impact<br />

to the building’s historic character <strong>and</strong> significance.<br />

Some historic buildings cannot accept dramatically<br />

different new uses.<br />

<strong>Plan</strong>ning <strong>and</strong> Design – Proposed interior<br />

construction work should con<strong>for</strong>m to the same<br />

principles <strong>and</strong> processes as that <strong>for</strong> exterior work<br />

on historic buildings. It is recommended that a<br />

historic preservation professional be included in<br />

projects involving the college’s historic buildings.<br />

In planning <strong>for</strong> interior work it is usually helpful<br />

to divide the historic interior into a hierarchy<br />

of zones of sensitivity. Principal spaces, such as<br />

entrance halls <strong>and</strong> parlors in a residence, might be<br />

considered zones of high sensitivity where little or<br />

no change should occur. Secondary spaces, such<br />

as work areas, dressing rooms, closets, basements,<br />

<strong>and</strong> attics in a residence might be more appropriate<br />

<strong>for</strong> change. New work should generally be confined<br />

to secondary or non-significant spaces <strong>and</strong> areas to<br />

minimize its impact on the historic building.<br />

The historically significant elements of each interior<br />

space should be identified. Historically significant<br />

elements include large-scale elements such as<br />

the overall spatial flow, room plans <strong>and</strong> layouts,<br />

circulation patterns <strong>and</strong> interior volumes. They also<br />

include the more obvious elements such as building<br />

features (windows, doors, stairways, fireplaces,<br />

trims, etc.) <strong>and</strong> materials (plaster, wood, tile, etc.).<br />

Each historic space <strong>and</strong> element should be assessed<br />

<strong>for</strong> the degree of change it can sustain with the goal<br />

of preserving as much historic character <strong>and</strong> fabric<br />

as possible.<br />

New Interior Construction – New interior<br />

construction work should be compatible with<br />

the existing historic character, but should be<br />

distinguishable from it. As discussed above under<br />

new construction <strong>and</strong> additions to historic buildings,<br />

exact duplication of historic materials <strong>and</strong> elements<br />

should be discouraged to avoid confusion between<br />

what is authentically historic <strong>and</strong> what is new.<br />

Where new walls or other partitions are planned,<br />

<strong>for</strong> example, an appropriate approach might be to<br />

use new trim <strong>and</strong> woodwork similar to the historic<br />

woodwork in scale, material, <strong>and</strong> general character,<br />

but different in profile <strong>and</strong> detail. The challenge is<br />

ensuring that the new interior construction work<br />

is compatible without being a copy of the historic<br />

building. While it should be clear to the casual<br />

observer that the work is new <strong>and</strong> not historic, the<br />

design <strong>and</strong> materials should respect <strong>and</strong> reflect the<br />

original building.<br />

Recommendations <strong>for</strong> Energy<br />

Conservation <strong>and</strong> New Building<br />

Systems<br />

Among the most difficult design challenges<br />

relative to historic buildings is the accommodation<br />

of new mechanical <strong>and</strong> electrical systems. This is<br />

John Milner Associates • October 2009 • Chapter 10 • New Construction • 322

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!