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Moravian Preservation Master Plan.indb - Society for College and ...

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<strong>Moravian</strong> <strong>College</strong> • <strong>Preservation</strong> <strong>Master</strong> <strong>Plan</strong><br />

main building <strong>and</strong> center of the campus, <strong>and</strong> thus<br />

occupied predominant spaces within the overall<br />

plan of the growing campus.<br />

<strong>Moravian</strong> Seminary <strong>for</strong> Young Ladies<br />

The <strong>Moravian</strong> Seminary <strong>for</strong> Young Ladies remained<br />

a primary <strong>and</strong> secondary school throughout most of<br />

the nineteenth century, adding college-level courses<br />

around the turn of the century. In 1913, it <strong>for</strong>mally<br />

incorporated as <strong>Moravian</strong> Seminary <strong>and</strong> <strong>College</strong><br />

<strong>for</strong> Women. This was done in part to increase the<br />

size of the student body because Seminary-level<br />

enrollment had dropped <strong>and</strong> the school depended<br />

almost entirely on tuition income. However, larger<br />

educational trends were at work as well. As public<br />

secondary schools increased rapidly in number<br />

throughout the country <strong>and</strong> turned out more<br />

graduates, the need to offer higher education <strong>for</strong><br />

women became more critical. Within Bethlehem,<br />

by now home to multiple men’s colleges, there<br />

was growing interest in a women’s college, <strong>and</strong><br />

the Seminary exp<strong>and</strong>ed to fit that role (Weinlick<br />

1977:92-93). This type of expansion was seen in<br />

many women’s seminaries <strong>and</strong> boarding schools<br />

of the era, concurrent with the overall expansion<br />

of college-level opportunities <strong>and</strong> increased<br />

competition to retain high school-level students<br />

nationwide.<br />

Throughout the early twentieth century, <strong>Moravian</strong><br />

Seminary <strong>and</strong> <strong>College</strong> <strong>for</strong> Women struggled to<br />

survive <strong>and</strong> to exp<strong>and</strong> its college program, doing<br />

so with dropping enrollments, limited facilities<br />

(figure 3-23) <strong>and</strong> a nearly nonexistent endowment.<br />

To aid in building up <strong>and</strong> separating the college<br />

program from the seminary, the school purchased<br />

neighboring properties instead: Frueauff House in<br />

Figure 3-23. View of students in the library of the <strong>Moravian</strong><br />

Seminary <strong>and</strong> <strong>College</strong> <strong>for</strong> Women, ca. 1929 (<strong>Moravian</strong> Viewbook<br />

[1929]).<br />

1914 <strong>and</strong> acquired Clewell Hall in the late 1930s.<br />

Another building purchased in the 1930s no<br />

longer belongs to <strong>Moravian</strong>. Several prospects of<br />

benefactor gifts to fund a new library <strong>and</strong> other<br />

amenities never panned out <strong>and</strong> the school went<br />

deeply into debt, but in 1949, the school received<br />

what was by far its largest gift: the 42-acre Green<br />

Pond estate. Through the bequest of Mary T.<br />

Snyder, the school now had a new campus <strong>for</strong> the<br />

Seminary’s students from grades seven through<br />

twelve (Weinlick 1977:93-98).<br />

3.5 Postwar Modernism<br />

Following World War II, American colleges <strong>and</strong><br />

universities nationwide saw unprecedented jumps<br />

in enrollment. The GI Bill initially opened higher<br />

education to thous<strong>and</strong>s who would not have been<br />

able to af<strong>for</strong>d it otherwise, <strong>and</strong> subsequent to this a<br />

greater percentage of Americans attended college.<br />

The skyrocketing enrollment <strong>for</strong>ced expansion of<br />

physical plants, <strong>and</strong> progressive modern designers<br />

developed plans that emphasized growth <strong>and</strong><br />

change rather than traditional design conventions.<br />

Formal master building plans of the early 1900s were<br />

ab<strong>and</strong>oned in favor of more flexible, “organic” plans<br />

that focused on having a set process <strong>for</strong> planning<br />

instead of a concrete design. In<strong>for</strong>mal <strong>and</strong> irregular<br />

arrangements of buildings that took advantage of<br />

l<strong>and</strong>scape features became one solution, as were<br />

designs that permitted the addition of numerous<br />

new buildings as needed without disrupting the<br />

existing campus. Academic programs exp<strong>and</strong>ed<br />

exponentially, creating the need <strong>for</strong> ever-morediverse<br />

building <strong>and</strong> programmatic functions,<br />

including a new emphasis on research in addition<br />

to teaching (Turner 1995:249-250).<br />

Modern architectural design on campuses was<br />

initially slow to catch on, <strong>and</strong> the appropriateness<br />

of International Style modernism <strong>for</strong> academia was<br />

a controversial topic in the 1930s <strong>and</strong> 1940s. At<br />

progressive colleges, gradual adaptation of modern<br />

buildings was preceded by experimentation with<br />

in<strong>for</strong>mal plans. By the 1950s, Modernist architects<br />

like Paul Rudolph, Eero Saarinen, <strong>and</strong> Louis<br />

Kahn were constructing new campus buildings<br />

in unprecedented shapes, scales <strong>and</strong> materials to<br />

fill in blank areas of campuses nationwide. There<br />

was a decided trend toward architectural variety<br />

within a campus, rather than depending on older<br />

buildings <strong>for</strong> stylistic cues. As campuses grew,<br />

new individual “buildings of distinction” <strong>for</strong>med<br />

separate components of a mixed milieu rather than<br />

John Milner Associates • October 2009 • Chapter 3 • <strong>College</strong> Context • 46

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