148THE WRETCHED OF THE EARTHON NATIONAL CULTURE149to forget that <strong>the</strong>ir psyche and <strong>the</strong>ir ego are conveniently safeguardedby a French or German culture whose worth has beenproven and which has gone unchallenged.I concede <strong>the</strong> fact that <strong>the</strong> actual existence <strong>of</strong> an Aztec civilizationhas done little to change <strong>the</strong> diet <strong>of</strong> today's Mexican peasant.I concede that whatever pro<strong>of</strong> <strong>the</strong>re is <strong>of</strong> a once mightySonghai civilization does not change <strong>the</strong> fact that <strong>the</strong> Songhaistoday are undernourished, illiterate, abandoned to <strong>the</strong> shes andwater, with a blank mind and glazed eyes. But, as we have saidon several occasions, this passionate quest for a national cultureprior to <strong>the</strong> colonial era can be justified by <strong>the</strong> colonized intellectuals'shared interest in stepping back and taking a hard lookat <strong>the</strong> Western culture in which <strong>the</strong>y risk becoming ensnared.Fully aware <strong>the</strong>y are in <strong>the</strong> process <strong>of</strong> losing <strong>the</strong>mselves, andconsequently <strong>of</strong> being lost to <strong>the</strong>ir people, <strong>the</strong>se men work awaywith raging heart and furious mind to renew contact with <strong>the</strong>irpeople's oldest, inner essence, <strong>the</strong> far<strong>the</strong>st removed from colonialtimes.Let us delve deeper; perhaps this passion and this rage arenurtured or at least guided by <strong>the</strong> secret hope <strong>of</strong> discoveringbeyond <strong>the</strong> present <strong>wretched</strong>ness, beyond this self-hatred, thisabdication and denial, some magnificent and shining era thatredeems us in our own eyes and those <strong>of</strong> o<strong>the</strong>rs. I say that I havedecided to delve deeper. Since perhaps in <strong>the</strong>ir unconsciouscolonized intellectuals have been unable to come to loving termswith <strong>the</strong> present history <strong>of</strong> <strong>the</strong>ir oppressed people, since <strong>the</strong>re isto marvel at in its current state <strong>of</strong> barbarity, <strong>the</strong>y have decidedto go fur<strong>the</strong>r, to delve deeper, and <strong>the</strong>y must have beenoverjoyed to discover that <strong>the</strong> past was not branded with shame,but dignity, glory, and sobriety. Reclaiming <strong>the</strong> past does not onlyrehabilitate or justify <strong>the</strong> promise <strong>of</strong> a national culture. It triggersa change <strong>of</strong> fundamental importance in <strong>the</strong> colonized'spsycho-affective equilibrium. Perhaps it has not been sufficientlydemonstrated that colonialism is not content merely to imposeits law on <strong>the</strong> colonized country's present and future. Colonialismis not satisfied with snaring <strong>the</strong> people in its net or <strong>of</strong> draining<strong>the</strong> colonized brain <strong>of</strong> any form or substance. With a kindperverted logic, it turns its attention to <strong>the</strong> past <strong>of</strong> <strong>the</strong> colonizedpeople and distorts it, disfigures it, and destroys it. This effort todemean history prior to colonization today takes on a dialecticalsignificance.When we consider <strong>the</strong> resources deployed to achieve <strong>the</strong> culturalalienation so typical <strong>of</strong> <strong>the</strong> colonial period, we realize thatnothing was left to chance and that <strong>the</strong> final aim <strong>of</strong> colonizationwas to convince <strong>the</strong> indigenous population it would save <strong>the</strong>mfrom darkness. The result was to hammer into <strong>the</strong> heads <strong>of</strong>indigenous population that if <strong>the</strong> colonist were to leave <strong>the</strong>ywould regress into barbarism, degradation, and bestiality. At <strong>the</strong>level <strong>of</strong> <strong>the</strong> unconscious, <strong>the</strong>refore, colonialism was not seekingto be perceived by <strong>the</strong> indigenous population as a sweet, kindheartedmo<strong>the</strong>r who protects her child from a hostile environment,but ra<strong>the</strong>r a mo<strong>the</strong>r who constantly prevents her basicallyperverse child from committing suicide or giving free rein tomalevolent instincts. The colonial mo<strong>the</strong>r is protecting <strong>the</strong> childfrom itself, from its ego, its physiology, its biology, and its ontologicalmisfortune.this context <strong>the</strong>re is nothing extravagant about <strong>the</strong> demands<strong>of</strong> <strong>the</strong> colonized intellectual, simply a demand for a coherentprogram. The colonized intellectual who wants to put his struggleon a legitimate footing, who is intent on providing pro<strong>of</strong> andaccepts to bare himself in order to better display <strong>the</strong> history <strong>of</strong>his body, is fated to journey deep into <strong>the</strong> very bowels <strong>of</strong> hispeople.This journey into <strong>the</strong> depths is not specifically national. Thecolonized intellectual who decides to combat <strong>the</strong>se colonialist%:'05;5(""
150 THE WRETCHED OF THE EARTHON NATIONAL CULTURE151lies does so on a continental scale. The past is revered. The culturewhich has been retrieved from <strong>the</strong> past to be displayed inall its splendor is not his national culture. Colonialism, littletroubled by nuances, has always claimed that <strong>the</strong> "nigger" was asavage, not an Angolan or a Nigerian, but a "nigger." For colonialism,this vast continent was a den <strong>of</strong> savages, infested withsuperstitions and fanaticism, destined to be despised, cursed byGod, a land <strong>of</strong> cannibals, a land <strong>of</strong> "niggers." Colonialism's condemnationis continental in scale. Colonialism's claim that <strong>the</strong>precolonial period was akin to a darkness <strong>of</strong> <strong>the</strong> human soul refersto <strong>the</strong> entire continent <strong>of</strong>Mrica. The colonized's endeavorsto rehabilitate himself and escape <strong>the</strong> sting <strong>of</strong> colonialism obey<strong>the</strong> same rules <strong>of</strong> logic. The colonized intellectual, steeped inWestern culture and set on proving <strong>the</strong> existence <strong>of</strong> his ownculture, never does so in <strong>the</strong> name <strong>of</strong> Angola or Dahomey. Theculture proclaimed is Mican culture. When <strong>the</strong> black man, whohas never felt as much a "Negro" as he has under white domination,decides to prove his culture and act as a cultivated person,he realizes that history imposes on him a terrain already mappedout, that history sets him along a very precise path and that he isexpected to demonstrate <strong>the</strong> existence <strong>of</strong> a "Negro" culture.And it is all too true that <strong>the</strong> major responsibility for thisracialization <strong>of</strong>thought, or at least <strong>the</strong> way it is applied, lies with<strong>the</strong> Europeans who have never stopped placing white culture inopposition to <strong>the</strong> o<strong>the</strong>r noncultures. Colonialism did not thinkit worth its while denying one national culture after <strong>the</strong> o<strong>the</strong>r.Consequently <strong>the</strong> colonized's response was immediately continentalin scope. In Mrica, colonized literature over <strong>the</strong> last twentyyears has not been a national literature but a "Negro" literature.The concept <strong>of</strong> negritude for example was <strong>the</strong> affective if notlogical anti<strong>the</strong>sis <strong>of</strong> that insult which <strong>the</strong> white man had leveledat <strong>the</strong> rest <strong>of</strong> humanity. This negritude, hurled against <strong>the</strong> contempt<strong>of</strong> <strong>the</strong> white man, has alone proved capable in some sectors<strong>of</strong> lifting taboos and maledictions. Because <strong>the</strong> Kenyan andGuinean intellectuals were above all confronted with a generalizedostracism and <strong>the</strong> syncretic contempt <strong>of</strong> <strong>the</strong> colonizer, <strong>the</strong>irreaction was one <strong>of</strong> self-regard and celebration. Following <strong>the</strong>unconditional affirmation <strong>of</strong> European culture came <strong>the</strong> unconditionalaffirmation <strong>of</strong> Mrican culture. Generally speaking <strong>the</strong>bards <strong>of</strong> negritude would contrast old Europe versus young Mica,dull reason versus poetry, and stifling logic versus exuberantNature; on <strong>the</strong> one side <strong>the</strong>re stood rigidity, ceremony, protocol,and skepticism, and on <strong>the</strong> o<strong>the</strong>r, na'ivete, petulance, freedom,and, indeed, luxuriance. But also irresponsibility.The bards <strong>of</strong> negritude did not hesitate to reach beyond <strong>the</strong>borders <strong>of</strong><strong>the</strong> continent. Black voices from America took up <strong>the</strong>refrain on a larger scale. The "black world" came into being, andBusia from Ghana, Birago Diop from Senegal, Hampate Ba fromMali and Saint-Clair Drake from Chicago were quick to claimcommon ties and identical lines <strong>of</strong> thought.This might be an appropriate time to look at <strong>the</strong> example <strong>of</strong><strong>the</strong> Arab world. We know that most <strong>of</strong> <strong>the</strong> Arab territories cameunder colonial domination. Colonialism used <strong>the</strong> same tacticsin <strong>the</strong>se regions to inculcate <strong>the</strong> notion that <strong>the</strong> precolonial history<strong>of</strong> <strong>the</strong> indigenous population had been steeped in barbarity.The struggle for national liberation was linked to a culturalphenomenon commonly known as <strong>the</strong> awakening <strong>of</strong>Islam. Thepassion displayed by contemporary Arab authors in reminding<strong>the</strong>ir people <strong>of</strong> <strong>the</strong> great chapters <strong>of</strong> Arab history is in responseto <strong>the</strong> lies <strong>of</strong> <strong>the</strong> occupier. The great names <strong>of</strong> Arabic literaturehave been recorded and <strong>the</strong> past <strong>of</strong><strong>the</strong> Arab civilization has beenbrandished with <strong>the</strong> same zeal and ardor as that <strong>of</strong> <strong>the</strong> Mricancivilizations. The Arab leaders have tried to revive that famousDar el Islam, which exerted such a shining influence in <strong>the</strong>twelfth, thirteenth and fourteenth centuries.Today, at a political level, <strong>the</strong> Arab League is a concrete example<strong>of</strong> this determination to revive <strong>the</strong> legacy <strong>of</strong> <strong>the</strong> past and______BH..
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OTHER WORKS BY FRANTZ FANON PUBLISH
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Foreword: Framing Fanonby Homi K. B
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