Private Academies of Chinese Learning in Meiji Japan: The Decline ...
Private Academies of Chinese Learning in Meiji Japan: The Decline ...
Private Academies of Chinese Learning in Meiji Japan: The Decline ...
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74 CASE STUDIESapplication. <strong>The</strong>refore, the foundations have to be laid byjustice and humanity and morality. This is the reason forlessons <strong>in</strong> the Confucian classics. Furthermore, it isnecessary to know the changes <strong>of</strong> the times (jisei) and thedevelopment <strong>of</strong> <strong>in</strong>stitutions and laws and to excel <strong>in</strong> thetalent <strong>of</strong> adapt<strong>in</strong>g to the chang<strong>in</strong>g environment. This is thereason for lessons <strong>in</strong> history. But <strong>in</strong> order to put thislearn<strong>in</strong>g <strong>in</strong>to practice it is necessary to employ writ<strong>in</strong>g toexpand and cultivate learn<strong>in</strong>g. Also, even if one cannot putit <strong>in</strong>to practice because it is not suited to the times, thatlearn<strong>in</strong>g can be transmitted by writ<strong>in</strong>g and made availablefor future generations. <strong>The</strong>refore, s<strong>in</strong>ce writ<strong>in</strong>g becomes atool to activate what has bean learnt, that is not dependenton circumstances, it must certa<strong>in</strong>ly be studied. This is thereason for lessons <strong>in</strong> writ<strong>in</strong>g. To learn them it is necessaryto employ old and new models. This is the reason for lessonsto study the sages and the collections <strong>of</strong> model writ<strong>in</strong>gs. To<strong>in</strong>clude poetry may not be necessary, but nevertheless thisis a part <strong>of</strong> composition, and s<strong>in</strong>ce it has a use forexpress<strong>in</strong>g one’s will, these lessons must not be dispensedwith.Thus we <strong>of</strong>fer the subjects Confucian classics, history,collections <strong>of</strong> the sages and poetry, and it is our purpose toproduce people who are useful to the world, who readbooks, but do not fall <strong>in</strong>to <strong>in</strong>vestigat<strong>in</strong>g texts to the smallestdetail and pick out <strong>in</strong>dividual phrases, who compose poetrybut do not get carried away <strong>in</strong>to whittl<strong>in</strong>g away at everyword. Moreover, although the overabundance <strong>of</strong> <strong>Ch<strong>in</strong>ese</strong>works cannot be exhausted with the few works we read <strong>in</strong>our lessons, <strong>in</strong> this age yōgaku [Western <strong>Learn<strong>in</strong>g</strong>] is widelypracticed, and kangaku does not extend to reach them<strong>in</strong>uteness <strong>of</strong> yōgaku’s f<strong>in</strong>al truths, laws, technology and s<strong>of</strong>orth. At least those who want to study learn<strong>in</strong>g that is <strong>of</strong>practical use have to study Western works as well. That iswhy we make the kangaku lessons simple, and just leavespace to study Western writ<strong>in</strong>gs. If people wish to makekangaku their sole object <strong>of</strong> study and hope from the start toread widely, that is a reason for sett<strong>in</strong>g up the opportunityfor questions. We hope that all who enter this school tostudy will understand this “Ma<strong>in</strong> Purpose” and then studythe lessons one by one and become useful <strong>in</strong> their lifetime.